This extensively revised new edition of Understanding Popular Music Culture provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music and the difficulties and debates that surround the analysis of popular culture and popular music. Reflecting the continued expansion of popular music studies, the changing music industry and the impact of new technologies, Roy Shuker explores key subjects that shape our experience of music, including music production, musicians and stars, musical texts, music video and MTV, audiences and fans, scenes and subcultures and music as political activism and ideology. This heavily revised and updated fourth edition The book now has an accompanying website, with focus questions and further study activities for each chapter, additional case studies and links to relevant websites.
Shuker's work is a thorough introduction to the study of popular music. This heavily revised version of the work is a great introductory piece, but it should be worth noting that its very much designed for a first-year survey course in the study of popular music. Some of the chapters are a bit unstructured, reading more like a glossary of terms or ideas than a cohesive argument. In addition, I would advocate for more historical flow in the text. However, Shuker's collection is well documented, all encompassing, and does offer the reader a glimpse into all the areas of popular music one can study.
[This is a review for the 2008 edition which is not on Goodreads]
This textbook covers a whole range of issues related to the production and consumption of popular music. It's really only an introduction to these issues and can be at times stretched a little too thin. Nevertheless, I found it interesting to learn about music from before my time and how trends have played out over the last century or so.
I thought it was a good book to help me understand more of music culture. I like the attributes that explain the rapid evolution of music consumerism. He mentions a guy called 'Frith' a lot to support his evidence, and finally i enjoyed the 'Packaging reggae' chapter, that explains how reggae was founded and brought to the masses. overall it is a great book but a pretty heavy!
This is very much an overview of the field - a map of which academic has said what about popular music. Shaker doesn't have much to say here on his own account. I get that - but he could have made it a bit more readable. You can be both academically rigorous and interesting at the same time. This managed to take a fascinating subject and make it dull.