Teacher' Designed for Advanced Placement and college classes, this text is a complete revision of passages from Pharr's Vergil's Aeneid, Books I-VI plus selections from Books X and XII. This edition is designed for high school Advanced Placement and college level a newly updated and revised version of selected passages from Vergil's Aeneid, Books I-VI, by Clyde Pharr (whose user-friendly format revolutionized Latin textbooks), plus additional passages from Books 10 and 12, not found in Pharr.
Roman poet Virgil, also Vergil, originally Publius Vergilius Maro, composed the Aeneid, an epic telling after the sack of Troy of the wanderings of Aeneas.
I met Aeneas not in a Latin class (thankfully) but in the middle of a thunderstorm, curled up in my JNU University hostel with a paperback that smelled like the past — that old-paper scent that makes you feel like you’re holding time itself. I flipped past the preface, landed in Carthage, and before I knew it, was ankle-deep in the ruins of Troy, watching a man walk not just through battles and burning cities — but through the expectations of gods, ghosts, and history.
Virgil’s Aeneid is many things at once: a national myth, a grief-soaked survival saga, a manifesto of destiny. But in these selected books — the love and loss of Dido (Book 4), the descent into the underworld (Book 6), the final clash of empires (Book 12) — you don’t just follow Aeneas. You become him. Hesitating. Haunted. Heroic but heartbroken.
Reading it, I couldn’t help but feel the weight of carrying worlds on one’s back. Especially as someone who once moved cities, left behind loves and languages, trying to be “dutiful” when all I wanted was rest. Aeneas’s journey made me realise: sometimes, the real war is not what lies ahead, but what we carry inside.
I loved translating Cicero's 1st Catilinarian Oration, so I hoped I'd like the Aeneid, too. I didn't like it so much as love it. Vergil packs these lines with all sorts of figures of speech, and most lines are fairly metrically interesting as well. I also love all the possible interpretation of the text. Boyd (well, mostly Clyde Pharr, whom she borrows heavily from) makes the text very clear. For instance, she often changes a weird i-stem accusative ending to an e-stem ending, making it much more apparent that the word is accusative, whereas other versions of the Aeneid leave it as an i-stem. And she goes in-depth on notes, even though it's still necessary to read scholarly articles for other interpretations on certain key lines (for instance, Vergil's use of "parvulus Aeneas" in Book 4--she does point out that it's the only use of a diminutive in the Aeneid, but I think she should have brought in the potential parallel with Caesarion since keeping in mind Vergil's political motivations is so essential to interpreting the text). Overall, this is a great book, and having the appendices and vocab in the back is a great bonus. Even though I'm not in AP anymore, I'm still getting a lot of use out of this as I continue to study the Aeneid, and the grammatical notes are even helpful for translating other Latin writers, like Ovid.
This update to Pharr's classic edition of the Aeneid is a truly worthy successor. I use it to teach AP Latin (Vergil) and truly could not ask a better text.
The set up of this book is nice, with detailed notes and a very handy fold out vocabulary in the back. I just wish Boyd had done all twelve books this way. The selections do hit the major plot points, but some of my favorite details were left out.