Lola Montez is one of the most interesting characters I've encountered in recent fiction. She starts out as Eliza Gilbert, the beloved daughter of a British officer serving in India. Her father dies, and her mother quickly remarries. Shortly, she is sent back to the U.K. to live with relatives, then on to boarding school.
In boarding school, she finds true happiness, for perhaps the first time since her father died. Her mother shows up one day, announcing that Eliza is to be married to an older officer. She refuses, and elopes with a handsome young officer. Tired of their quarreling, she leaves him, and finds it impossible to survive on her own in London. And so, she heads off to Spain to learn Spanish Dancing. And there, after seeing an amazing gypsy dancer, Eliza casts off Eliza for good, and becomes--once and for all--Lola Montez.
As a dancer, Lola has mixed success--some audiences cheer her, others are indifferent or even hostile. As a person, however, she ravages Europe like a tornado. She loses one dear lover in a duel, has affairs with composer Franz Liszt and author Alexander Dumas (pere), before ensorcelling King Ludwig of Bavaria. He becomes her benefactor, bestowing upon her riches and land, a beautiful home, even naming her Countess of Landsfeld. Her notoriety--and his blind adoration to the point of distraction--eventually led to the Kings abdication and Bavaria's troubles during the 1848 German Revolutions.
Abandoned by her lover/King, she moves back to London, then on to the United States, with a tour of Australia in there as well.
Harriet Steel has written a novel rich in period history, about Lola, who spent her whole life, it seems, trying to send a giant middle-finger gesture to the mother who never loved her. The string of events Lola inspires or witnesses makes for some really nice historical fiction.
Except that "Becoming Lola" is a biography. Eliza Gilbert, Eliza James (her first married name), Lola Montez--all true. All of the famous lovers, lust for money, single-handedly driving a beloved King Ludwig into shameful abdication? Yup. Bavaria's involvement in the 1848 Germanic Revolutions? Unlike other Germanic states where things were bad, in Bavaria, it was pretty much just that Lola was an immoral slut who needed to go.
Most of "Becoming Lola" focuses on her relationship with Ludwig. He is obviously enchanted, and loves Lola deeply. She, in turn, gets to live a rich life, with all the bills paid for by the King's exchequer. The lovely apartment and fine clothing and jewels? Not good enough for Lola. She insists on having an estate, and she nags Ludwig constantly for her title. What she seems incapable of understanding is just how much the Munich citizenry resent and hate her. She is imperious and rude, and treats people like they exist solely to serve her whims. Any affront she encounters, she either draws a dagger from her belt and threatens to kill the offender, or she threatens to have the King throw the offender in prison.
"Becoming Lola" doesn't read at all like a biography. Author Harriet Steel's writing presents biographical facts in the guise of a well-done Historical Romance--a literary spoonful of sugar helping the medicine go down. Especially with Ms Steel's presentation, there is nothing dry or scholastic about Lola's life. (Of course, if Sir Isaac Newton had schtupped his way across Europe, causing empires to fall, maybe his biographies would be more entertaining)
Lola's role in King Ludwig's demise reminded me of Wallis Simpson, the American divorcee whose behavior led to the disgraced abdication of England's King Edward VIII. In trying for other comparisons, I came up with Madonna, because Madonna is unparalleled at reinventing herself. That comparison fails, because Madonna has talent as an entertainer. I thought of various Kardashians or Paris Hilton, who are famous only for being famous, but they were born to riches, and don't depend on men for their survival.
Lola Montez undeniably had talent. As a dancer, she was good--even excellent some nights. Her truest talent, however, was forcing herself into a society where she had no claim. For her life's sheer, arrogant audacity--for exploding from kind little Eliza Gilbert to this force of nature--Lola deserved all the fame, riches, sickness, and misery she found. She earned it all.
Brava, Lola!
Highly recommended.