DENSE AND INTENSE
Philosophy is philosophizing.
And this book is philosophizing on a dense and intense level.
The structure of the philosophizing of this lecture course by the German philosophy professor Martin Heidegger, on my reading, follows a six part movement.
(1) The first movement concerns what philosophy is which, according to German poet Novalis, lies in 'the desire to be at home everywhere', i.e. the act of philosophising stems from a form of homesickness.
In this first part, Heidegger looks into the history of the word 'metaphysics' and what that history tells us about our philosophical tradition.
This is more of a historical analysis and I was particularly piqued by the realisation that causal knowledge, i.e. knowledge of causes, stems from Medieval preoccupations around God, the ultimate cause or uncreated being, and all that follows from that.
(2) The second movement takes a long, hard look at boredom and dissects it in three main forms: being bored by... (e.g. waiting for a train); being bored with... (e.g. a dinner party); it is boring for one... (e.g. walking through city streets on a Sunday afternoon).
The third form, the most profound, underlies and sustains the other two forms.
Boredom is an attunement and as such has the potential to bring us to an awareness of our being as human beings, i.e. our temporality.
Heidegger asks: has contemporary man become boring for himself?
For Heidegger, what is oppressive in feeling bored is precisely the lack of oppressiveness on our there-being, i.e. our Da-sein is not yet burdened, it is free-floating and thus susceptible to being oppressed by temporality which we try hard to outdo by 'passing the time'.
Within Heidegger's anatomy of time, three perspectives come to the fore: prospect with regards to the future, respect with regards to the present and retrospect with regards to the past.
(3) The third movement, in anticipating a discussion on the animal as distinguished from man, analyses in some depth organs and the organic as distinguished from instruments or equipment.
For Heidegger, it is because we are capable of seeing that we have eyes; not the reverse.
While equipment or products, such as a pen, are characterized by readiness for use, they are not in themselves capable; i.e. the pen lying on the table without being put into use by a hand is incapable of writing, whereas my eye sees, is capable, and does not require me to 'use' it to see: it is inherently capable of seeing as part of the capability of my organism which includes it.
That is, the organ is subservient to the organism, i.e. the eye is subservient to the organism which is capable of seeing, whereas a product is only ever serviceable in the sense of apt (or not) to be put to use.
(4) The fourth movement concerns the metaphysical understanding of the word 'world'.
In order to bring about an understanding of 'world', Heidegger, in perhaps my favourite analysis of his I have read so far, distinguishes man and animal, not on the basis of the absence or presence of 'reason', but in terms of their relationship to the world, defined as 'the accessibility of beings as such and as a whole.'
The animal is poor-in-world in that while it is taken in or captivated by beings in its own 'encircling disinhibiting ring', it does not apprehend beings as beings.
A dog may lie under a table, say, but the dog does not apprehend the table as a table.
For Heidegger, behaviour is proper to animals, whereas comportment is proper to human beings, because we are not merely taken in by beings and captivated by them in a moving behavioural pattern, but we apprehend them and acknowledge them as such.
Man, therefore, is world-forming, world is given to man as world and from this manifestness of beings (world) derives the logos apophantikos, propositional discourse.
(5) The fifth movement goes on to analyse propositional discourse, the logos apophantikos, and takes its cue from Aristotle as well as Kant.
Words are symbols (from the Greek συμβάλλω, 'to bring together'), with a meaning that emerges from the agreement or disagreement we have with one another on beings around us.
Philosophical concepts, for their part, are indicative concepts that point to there-being.
Propositional discourse is an asserting or denying which conceals (pseudesthai) or reveals (aletheuein) by pointing out something.
Deception lies in the fact that when I assert something I am pointing out something and my listener takes that pointing out to to be true.
Heidegger goes on to analyse the copula, i.e. something 'is' something, e.g. the board in the lecture theatre 'is' black, the board in the lecture theatre 'is' badly positioned and so on.
Interestingly, when considering the possibility of whether or not the blackboard is badly positioned in the lecture theatre, Heidegger states that it matters not in relation to whom this is the case but only in relation to the room itself.
To summarize, logos, in the sense of discourse or speech, hinges on the manifestness of beings as such and as as a whole which constitute the 'world' and the world thus manifested comes to prevail in the word.
(6) The sixth movement is basically a summation of the previous five movements and deals with the concept of projection as an opening for human beings for that which makes the possible possible.
Conclusion to my review: The Fundamental Concepts of Metaphysics—World, Finitude, Solitude, provided me with a much clearer understanding of the phenomena that Heidegger analyses, which all forms part of a program of transforming oneself into the there-being of Dasein.
Short of coming into one's own and having the will to do so, Heidegger can only ever come off as turgid verbiage.
At any rate, as a direct result of reading this book, not only do I understand myself better as an organism, such as when I had my eyes tested earlier this week for a new pair of glasses, but his analysis of animality also makes me grasp animals and their difference with ourselves in a much clearer way, such as when I see my local cats going round their daily business.