A very good start for a series
Each book in this series was better than the last:
Book 1: 3.5 stars (The Kill Artist))
Book 2: 4 stars (The English Assassin)
Book 3: 4.5 stars (The Confessor)
Book 4: 5 stars (A Death in Vienna)
Book 1 mainly exists to introduce the reader to the main protagonist, Israeli intelligence operative Gabriel Allon.
Books 2 thru 4 are all related in that each book is historically rooted to the abominable and horrific treatment of European Jews during WW II. In each book, the echoes of those WW II events continued to reverberate even decades later. And even more stunningly, many enablers of those WW II events continue to hold positions of authority, power and political sway. These enablers are the Swiss bankers and security personnel (in book 2), Vatican officials (in book 3) and the Austrian government (in book 4).
In all four books, I thought the writing was very good, the locations were quite descriptive (so much so that you felt like you are right there with the characters) and the character themselves were very well-drawn (i.e., they seemed like real people rather than just as over-the-top superheroes or supervillains).
Each book is quickly summarized below.
THE KILL ARTIST
In this first book, it’s a cat and mouse game between Israeli agent Gabriel Allon and the Palestinian assassin Tariq. Each man is planning to kill the other, but only one man can prevail. Of course, as there is a series of Gabriel Allon books, you already know which man was successful. But nothing was easy. Tariq was appropriately ruthless, clever and elusive. And events would keep forcing Gabriel Allon’s plans to change. And changing circumstances and plans-gone-awry kept the story exciting and suspenseful. Though the book only had a simple kill-or-be-killed plot, it was still a good spy drama with really good characters.
THE ENGLISH ASSASSIN
This second book has a much more complicated and meaty plot as Gabriel Allon is up against a decades-old secretive organization – and even, to some extent, up against the whole country of Switzerland. And there are twists. Not everything goes according to plan. Not all characters do what the reader might assume they would. But it seemed the author wanted the ending to have a sense of “justice prevailed” even though it meant a rushed ending with insufficient (or even nonexistent) information to how anyone managed to exact such vengeance.
Bottom line: Sophisticated plot. Really good characters. Rushed, twisty ending.
THE CONFESSOR
This third book has the most interesting and meatiest plot yet – and is certainly the most exciting book of the three. And yet, at the same time, the third book had many aspects that reminded me of the second book, such as:
- Gabriel Allon is up against a secretive and centuries-old church-related organization
- Multiple foreign locations (London, Vienna, Munich and Rome quickly come to mind)
- The girl falls for Allon (despite their age difference)
- There’s again an assassin vs assassin storyline
- The end is again twisty and unanticipated (by me, anyway)
- Ultimately, “justice prevailed” (though again in a quick, rushed fashion)
Bottom line: Exciting, historically-rooted plot with really good characters.
A DEATH IN VIENNA
This fourth book continues with many of the formulaic storylines exhibited by the earlier books.
But fortunately, the fourth book isn’t quite a carbon copy of the previous two books. Gabriel isn’t just on the defense, and his main role isn’t just as an assassin of his enemies. The story also feels more personal than the previous books, and the Holocaust of WW II comes across more viscerally. The tradeoff is a slightly less exciting story, but I’ll take deeper characters over additional action scenes most any day.
Bottom line: A historically-rooted – yet highly emotional -- plot with really good characters.