開かせていただき光栄です―DILATED TO MEET YOU―

by Hiroko Minagawa, 皆川 博子

18世紀ロンドン。外科医ダニエルの解剖教室からあるはずのない屍体が発見された。四肢を切断された少年と顔を潰された男。戸惑うダニエルと弟子たちに治安判事は捜査協力を要請する。だが背後には詩人志望の少年の辿った恐るべき運命が……解剖学が最先端であり偏見にも晒された時代。そんな時代の落とし子たちが可笑しくも哀しい不可能犯罪に挑む、本格ミステリ大賞受賞作。前日譚を描く短篇「チャーリーの災難」と解剖ソングの楽譜を併録。解説/有栖川有栖

Genres: Historical Fiction, Fiction, Mystery, Japanese Literature, Historical, Crime, Historical Mystery

523 pages, Paperback

First published July 15, 2011

About the author

Minagawa is an award-winning speculative fiction writer, specifically of the Historical Fiction, Mystery and horror genre. Among her awards, she obtained the esteemed Naoki Prize in 1986

Reviews

[Marie-Therese · Rating 4 out of 5]

An exceptional historical mystery with rapid twists and turns that take ones' breath away, enough so that one doesn't stop to wonder at the implausibility of it all.

Set in Georgian London at an anatomy school serviced by "resurrection men" who provide the fresh corpses needed for dissection, this a twisty, morally ambiguous mystery that takes full advantage of its picturesque historical setting. Minagawa clearly loves the London of this era and she lavishes a great deal of time and care on the particulars of her setting, sometimes a bit too much as early chapters sometimes read as infodumps, but when she engages in the mystery itself, she's quite lean and crafty. Characters reveal just what they need to and the difference between what is known by one character and what by another keeps the reader guessing. Early on, Minagawa messes with chronology, moving between past and present (or more recent past), but as the story comes to a close time comes to a stop. All of this is very effective and ends in a convincing but rather ritualistic final scene that brings even the loosest ends to a tight close.

I could quibble about odds and ends (I think poor Elaine is given short shrift and the relationship between the brothers Barton is somewhat unrealistic plus there are some food mistakes that really stand out for readers who know the food ways of the period and location), but overall this is a delightful book and a most intriguing mystery.

[Annarella · Rating 5 out of 5]

I discovered that this new to me author was a master writer and I can confirm this definition met my impression.
This book is amazing, engaging and enthralling.
I think it's one of the best book I read in the last 6 months.
Highly recommended!
Many thanks to the publisher and Netgalley for this ARC

[Alan M · Rating 4 out of 5]

This is a fascinating piece: a mystery novel by a Japanese writer set in 18th century London. It comes to us in English translation for the first time, having won the 2012 Honkaku Mystery Grand Prize on its release in Japan. It is important to recognise the origins of the novel, for those who are familiar with the tradition of detective/mystery stories from Japan will recognise a lot in its style and pacing. Those familiar with the understated doggedness of detectives in the tradition of Matsumoto’s Inspector Imanishi or Higashino’s Detective Kaga, for example, will find comfort in the investigation run by Sir John Fielding, a blind magistrate who is ably assisted by his niece Anne Moore.

In the house of Daniel Barton, surgeon and anatomist, he and his group of students dissect human cadavers, brought to them by grave robbers, to pursue the advancement of human anatomical understanding. In a secret cellar, built behind the fireplace (hence the title) two bodies are discovered: one, a limbless torso of a young man, and the other, a mutilated body of a middle-aged man. Meanwhile, a young man named Nathan Cullen arrives in London with grand plans to be a famous writer, and bears with him a ‘discovered’ ancient poem he is hoping to sell. As we learn, there are two slightly different timelines in play here, and as they converge the story starts to develop. There are locked-room mysteries, suspects aplenty, and as the characters try to explore and solve the mystery of the bodies and how they came to be where they were found, and indeed who they are, some people know more about it that they are letting on…

This is not a fast-paced book, let’s be honest. There is a lot of dialogue, and this is where the heart of the book lies. It is about untangling the mystery, of logically unpicking the clues and obfuscation, to arrive at the truth. The narrative style is, at first, a little different from what we might expect; indeed, the narrator him/herself becomes a character with asides and comments on what is unfolding before us (for example, as Anne Moore introduces herself the narrator interjects: ‘It was ridiculous! How could a woman assist a magistrate?’). There is humour too, amidst the blood and gore of the dissection table; Daniel Barton is described as being ‘just past forty, with a countenance not unlike a potato’. There are plenty of twists and turns, and just as we think the case has been solved then another one comes along to pull the rug from under your feet.

I enjoyed this; as a fan of Japanese literature I felt quite comfortable in the strangely hybrid world conjured up by Minagawa. For some it might be a little unsettling, but for fans of the mystery novel I think this is definitely a must-read. The world of late 18th century London is brought to life, the characters are interesting in a two-dimensional way (the solving of the mystery is paramount), and those familiar with the story of Thomas Chatterton will take pleasure in recognising the parallels with Nathan Cullen’s story, which adds a whole new level to the book. For me, excellent stuff!

[Eustacia Tan · Rating 4 out of 5]

I requested this book from NetGalley because

a) I love mysteries,

b) I like Japan, and

c) The idea of a Japanese novelist writing a mystery set in London in 1770 really intrigues me for some reason. Not to mention the fact that this novel has won the 2012 Honkaku Mystery Grand Prize, which means that it’s supposed to be authentic.

The Resurrection Fireplace is about Professor Daniel Barton and two of his students – Edward and Nigel. He has other students, but these are the two most important ones. Because Professor Barton and his students use stolen corpses for their dissection, they have to hide the body when the Bow Street Runners come. But when they pull the corpse back up, they realise that there are two additional corpses: that of a young boy with all his limbs cut off, and a man without his face. The professor and his students are basically forced into helping the investigation by Sir John, the magistrate, and Anne, his eyes and hands.

At the same time, Nathan, a young poet from the countryside, arrives in the city with two manuscripts. He visits Tyndale, expecting to be published, but things don’t go as they plan. Luckily for him, he meets Edward and Nigel.

So at the start of the book, I thought it seemed pretty Japanese. The way that Barton’s students talk to him were quite similar to the way that students in Japan talk. But as I continued reading, I was pulled into their world and completely forgot about who the author was.

I gotta say, the first few chapters are very long, but the book does pick up pace and the last few chapters were amazing. There were so many twists and even though they were pretty out there, I thought they were plausible. The ending was very strong and I loved it.

Out of all the characters, my favourite was (unsurprisingly) Anne. She’s basically the only female character with substantial page-time and she showed that she could hold her own against all those guys. As the representative of Sir John, she gets to go to a lot of places to make enquiries and has a fair amount of agency. The other female characters, either don’t appear a lot or are dead. And the Professor was smart but clueless most of the time, while his students were a little shady. So yup, favourite character in the book.

This was an interesting book. I was a bit confused at the start, given that three bodies turn up in one chapter, but once I was drawn into the world, I found myself unable to stop reading until I found out what had happened.

Disclaimer: I received a free copy of this book from the publisher via NetGalley.

This review was first posted at Eustea Reads

[Ionia · Rating 4 out of 5]

This book starts out rather slow, but it picks up at about 20% and from there, it is exciting and refreshing. I liked the history included in this book and thought the author did an excellent job of recreating London during the period the book is set in. The descriptions were sometimes a bit graphic, but that should well be expected with a book of this nature and subject matter.


I liked the characters a lot, and thought the mysteries were interesting and fun to work out. This is a decently long book, so it will give you a solid day or so of entertainment and would be a good one to bring along with you on a trip. I particularly liked the descriptions of the old books and the processes of binding that were done in those days. Makes mass market paperbacks look so sad by comparison.


Overall, I thought this was a wonderful book with a lot to keep the reader interested in it. I look forward to hearing the thoughts of others as word about this book spreads.


This review is based on a complimentary copy from the publisher, provided through Netgalley. All opinions are my own.

[Zakdj · Rating 3 out of 5]

This novel is extremely well written and super interesting in its setting, characters and mystery. It’s a breath of fresh air and an easy recommendation for those who love well realised historical mystery fiction.

I wish I could say I was one who did, but I found myself mentally clocking out of this book the more it went on. It can feel very, very slow for information and revelations to be made, and while the prose is undoubtedly extremely good (this might be the best translation I’ve ever read; I’m amazed English isn’t the original language it was written in), it can feel like its writing itself in circles trying to get to the point. I might come back to this in future to try it again, I can see a masterpiece in here that I’m letting personal hangups get the better of me, or maybe I’ll try the authors other works and hopefully have it resonate a bit more with me.

If you are craving a historical piece of mystery fiction, this is a solid pick! Please don’t let me dissuade your curiosity, it’ll probably be far better for you than it was for me.

[Tanya · Rating 2 out of 5]

"I do not like to be touched by strangers."
"You have no right to refuse, Mr. Turner," Anne told him. "Sir John holds people's hands because he cannot see them."
"But that is to help him detect an offender, is it not? I am confessing to the crime myself."
"Your confession may be a lie," said Anne.
"What reason have I to lie?" She paused.
"To protect someone, perhaps," she said finally. [loc. 4036]

The setting is London in 1770. Dr Daniel Barton and his students are happily dissecting the corpse of a pregnant woman when they're alerted to the approach of the Bow Street Runners. Quickly concealing the cadaver in the oddly-designed fireplace, they brazen out the questions. But when the students go retrieve the corpse, it has company: the body of a young man with arms and legs amputated, and the body of a middle-aged man whose face has been destroyed.

The chapters concerning Dr Barton and his students alternate with those telling the story of Nathan Cullen, a young poet who has come to London seeking fame and fortune. He possesses a manuscript which he hopes will be of interest to antiquarians: but can he find a reputable publisher? And will he ever have a chance with the beautiful, wealthy and well-bred Elaine? Luckily he falls into good company: a couple of medical students, who take pity on him ...

This has the makings of an excellent crime novel, but I was annoyed by the frequent explanations of historical context, which broke the flow of the narrative and drew attention to its artificiality. ("'Was it lack of funds to bring suit against him?' In France and elsewhere, the state itself could indict an offender against whom there was no one willing to take legal action. In eighteenth-century England, however, only a suit from a private citizen could launch a trial. [loc. 4412]). Furthermore, there were some historical details that simply didn't ring true. For instance, there's a rumour that the pregnant cadaver was pregnant by a 'negro'. "Impossible! This is not the colonies, after all. Where would she even meet one? We have no slaves in London..." [loc 2310]. But in 1772, just two years after this novel is set, the black population of London was estimated to be at least 10,000.

There are also errors, in translation or in editing, that vexed me. One minor character's name changes from Hooper to Cooper (and possibly back again). More seriously, another character bears a grudge against the judiciary because of his father's unjust execution: yet he explains to a friend 'there are things I cannot ask my father to buy' [loc 4486]. Since this is a crime novel, I leapt on this apparent clue: his father isn't dead after all? I eventually concluded that it was a consequence of some wording in the original Japanese, whereby 'father' and 'benevolent professor' / 'mentor' may have been conflated.

Those criticisms aside, I did enjoy aspects of the story. The blind magistrate Sir John Fielding and his able assistant Anne were capable and creative investigators, and students Nigel and Edward very likeable (even before their 'trangression', portrayed without judgement, was revealed). The murders, and their motivations, were pleasantly twisty, and there were surprises even in the last few pages. And I did like the fictionalisation of the Thomas Chatterton affair. On the whole, though, I found the style alienating.

[A. H. · Rating 4 out of 5]

The Resurrection Fireplace by Hiroko Minagawa was absolutely incredible. I won’t lie, when I first started reading, I was a bit skeptical and confused about what this book wanted to be. However, as the novel progressed, I fell deeper and deeper into the characters and the story.

I’m an avid fan of historical fiction, but this is a book that is truly like no other. It’s a total mystery - it keeps you guessing over and over again. The twists and turns that were interwoven throughout the story kept me engaged and engrossed. In the final few pages when I thought I had everything figured out, I was thrown for a loop once again in such a brilliant way I can’t believe I didn’t discover if sooner.

One thing that I look for in a book is good characters, and boy does The Resurrection Fireplace have just that. I felt for every single character and times was rooting for both sides in the story. Professor Barton and his students had such wonderful connections with each other I felt like I was there watching old friends talk and interact with each other. And the various detectives and suspects were also just incredible.

The only reason I’m giving this a 4 star rather than a 5 star is that I feel like there were a few instances where jump cuts were super jarring between scenes that left me confused for a few sentences. Other than that I truly enjoyed myself while reading this book.

I’d like to thank NetGalley and the publisher for providing me this ARC. I’m so glad I had a chance to read this!

[Erin✨ · Rating 2 out of 5]

2.5 ⭐️
Okay story but the writing is incoherent :)

[Jim · Rating 5 out of 5]

The Resurrection Fireplace by Hiroko Minagawa, Translation by Matt Trayvaud

In 18th Century London, a group of anatomy students and their professor get caught up in murder, fraud, and confusion as deception piles on deception in this whirlwind mystery.

This is far and away one of the most intricate, convoluted plots I've read in recent years. There are lies within lies, plots within plots, and crimes both real and imagined. The villains are revealed, then changed, and finally, when all is made clear, the light comes on and you realize the clues were there all along... Or were they?

It's a trip, and one well worth taking.

This is the rare Japanese novel that doesn't revel in its Japanese-ness. It does a wonderful job of evoking the grime, corruption and class heirarchy of Georgian London without exoticizing it, although there are certain times with the exposition of cultural norms can feel heavy for people familiar with the setting (as most Japanese audiences definitely aren't).

The overall pace is smooth and fast, and the characters are well-drawn. The misery of the underclass is played out without pandering, as well. I quite enjoyed the irreverence of the anatomy students at their grisly work, but there are definitely sections that might turn off the squeamish. The violence is not gratuitous, but anatomists in 1700s London dealt in rotting flesh and death. It's not pretty.

I will say that the last section, where everything was tied together, felt a bit rushed and entirely over-complicated, but it seems to fit the overall tone of the story well. I was genuinely taken by surprise by one or two turns, but it was not confusing at all.

Let me say one thing about the translation: This was masterful. I am a professional translator of Japanese to English, and the mere thought of some of the challenges this book brought (the use of original Middle English poetry?! Translated from Japanese?! Holy moly...) makes me dizzy. The language is natural, and the characters have clear voices, and the translation never gets in your face as "translation." It's outstanding.

[L A · Rating 2 out of 5]

This book should have been everything I would like. I tend to enjoy books written by Japanese authors and I enjoy historical fiction. I've recently read a few mystery/crime novels set in similar time and setting (Fingersmith, Once Upon a River, Things in Jars) so I was hoping for a good read. I also enjoy books about medical history/Resurrectionists so this ticked all the boxes.

Despite all of this, I just couldn't really gel with this book. It is well written for sure, if a little dialogue heavy. I found it quite confusing and difficult to follow at times, perhaps to do with the translation.

The story follows a group of medical students and their Professor who dabble in some light body snatching. Whilst concealing the body of a young woman in a trick fireplace, they discover two extra bodies hidden as well. The story also follows a young aspiring poet, Nathan, and his story is interspersed through the main narrative. The London setting is portrayed well and the medical history aspect is interesting. I wasn't really gripped by the main story however, and things don't even begin to pick up until about 25% of the way in. I don't really think a reader should have to read a quarter of a book until it starts to get interesting. The characters fell a bit flat for me too and I kept getting them mixed up.

Overall, I really felt I should have loved this book but I just didn't. My rating is based purely on my own feelings towards it, not the quality of the writing or the author's overall talent

[Del · Rating 2 out of 5]

I found this work to be very hard work and ultimately frustrating. It's a shame, because I liked the historical and cultural awareness and setting very much. However the story does not flow at all, and I found the style very distracting. Maybe this is a translation issue, and maybe this is also the cause of the inconsistencies in the story, but I only persevered with it because I had been asked to read it and comment on it. I had to force myself to return to it every time I put it down.

The mystery is well constructed, with plenty of twists and turns, blind alleys and red herrings. However it twisted so much as to become tiresome. I found much of it far too far fetched to be credible, and the links between cross-dressing and calculated murder to be problematic.

[Georgette · Rating 3 out of 5]

I think what caught me off guard about this book is that it's set in 18th century London but originally written in Japanese. But that was what originally drew me to The Resurrection Fireplace - I do enjoy some Japanese authors as well as most novels set in the dawn of medical forensics.

This book had a somewhat confusing start but as things unfolded, we find that Dr Daniel Barton's school of anatomy is in possession of three bodies, one of them an unexpected discovery in their special hiding place in the fireplace.

The plot progresses into a dual timeline in which we soon realise that we were following the footsteps of the bodies before they ended up on the slabs. At some point, a blind magistrate got into the investigation, which proved to be so interesting a character that I was starting to think that this book was about him.

The plot twist was not something that I expected, and was the kind of thing that could be fully appreciated with a rereading. An entertaining read and satisfying finish once you get past the first chapters.

[Nick H · Rating 5 out of 5]

First of all, it’s extremely surprising that this is written by a Japanese author. It’s so English in manner and historical accuracy that I would have been positive it was done by an English writer. Much of that is also thanks to the excellent translation by Treyvaud.

Aside from the technical achievements though, this is a really exciting story. The opening chapter is thrilling, and a perfect English comedy of errors & manners. The characters are all very distinct, and the time period is captured in marvelous detail. This often made me think back to THE ALIENIST, which I love for similar reasons.

The mystery in this one always had me guessing, even if it did have a few twists too many. And I’m excited to find that this actually has two sequels. Going to have to brush up on my Japanese to read those though, since they apparently haven’t been translated yet.

本当にこれは日本人の作者ですか？めっちゃイギリスっぽいからイギリス人の作者と思った。話は超面白かった。すごいミステリーやヴィクトリアン時代の細かい

I read this book through a recommendation in Hideo Kojima’s book THE CREATIVE GENE.

[Elisa · Rating 3 out of 5]

Like with interpersonal relationships, a book can be a perfect match for one person and a disaster for another and it’s no one’s fault, just a lack of chemistry. Such was the case with The Resurrection Fireplace for me. It is well written and the mystery is smart, I just found the style too dense and hard to read. I never connected with the characters and the story is full of details that fans of historical fiction will find fascinating but just bored me. I can’t stress enough that it’s not the book’s or the author’s fault, it was just the wrong novel for me.
I chose to read this book and all opinions in this review are my own and completely unbiased. Thank you, NetGalley/ Bento Books, Inc.!

[Debra · Rating 2 out of 5]

I received an arc copy for an honest review from NetGalley, which is the only reason that I finished the book.

The first quarter of the book was confusing and disjointed. Normally, I would have quit reading by then. If a book doesn’t catch me in the first fifty pages, I go on to the next book. It wasn’t until past that part that you were even told that there were two timelines. There was so much description of times and places that doesn’t move the story, that I had to skim to get to the actual story.

If I start to like a character, they would change to the point that I really didn’t care for or connect to any of the characters. There was a twist at the end, but it was too little, too late.

[Namelessfox · Rating 5 out of 5]

A fantastic read. Just when I thought I figured things out, I’d get to the next chapter and nope! Was an adventure all the way to the last page. Def recommended if you like murder mysteries.

I hope to read the sequel should it ever get translated one day!

[Lei · Rating 3 out of 5]

3.5星，故事顺畅，推理偏弱。对18世纪的伦敦不太了解，所以不好评说。

[Jennifer Fearon · Rating 3 out of 5]

This book became tiresome and repetitive. I just wanted it to finish I was thoroughly bored towards the end.

[Ashleigh · Rating 3 out of 5]

2.5

[Arjen · Rating 5 out of 5]

Amazing how a Japanese writer can write such a detailed book about London 1770.

[Eli · Rating 5 out of 5]

that boy is a witch !

[Holly Merrigan]

I thought the descriptions of 1700's London were absolutely fantastic. The state of medicine at that time was unknown to me and I loved learning about it. However, the characters were a little too underdeveloped. I did like the story and history so would recommend it highly.