Anne Rivers Siddons is a master storyteller. But most importantly, she is a skilled, graceful writer. Her descriptions are almost poetic. She writes of what she knows best: the South Carolina. In this novel, Low Country, she sets her story on a fictional Carolina island, Peacock’s Island, and the equally fictional marshy land adjacent. This marsh contains a Gullah settlement, populated with mostly old Gullah folks who have lived their lives there, never having title to their land, but continuing their daily lives at the behest of the heroine Caroline Venable’s grandfather. Upon his death, Caroline vows their part of the island, where she has her grandfather’s house and where the Gullah settlement is, will always be unchanged, untrampled by encroaching development. The crux of the novel is Caroline’s struggle to keep her promise. Low Country is rich in character, rich in folklore, rich in mysticism, and rich in the dichotomy between enshrining old ways while embracing the new. Siddons is a master craftsperson in the genre of Southern Literature. Low Country is one of her best novels, in my opinion. Her plot moves swiftly, but at times she pauses for a few pages of description. Those few pages are scenes painted so beautifully that the reader revels in them. And that plot? I never saw the ending coming.