I found this to be an extraordinary and profound book, cleverly told and beautifully written. The setting is described with the vibrancy and astute visual observation of a painter. The characters are full and richly realized. The story itself evokes a foreign landscape populated by passionate lovers, bitter rivals, loyal friends and cunning liars.
"It wasn't just the technique, the inflected, almost musical palette, the vicious swathes of cadmium red like a sea of blood, or the haphazard outlines scratched beneath the paint that seemed like anarchy defined. No. It was the primal, almost anguished scrum of figures that arrested me, so desperate and lonely in their nearness to the human form. I had no words to describe what I saw, but I understood it as an expression of something real and essential and powerful."
"A battlefield is no place in which to be forgiven."
Author Nicholas Edlin clearly understands the human heart in all its hypocrisy, naivety, its selfishness and betrayal. Through the characters, he exposes many kinds of human trauma and tragedy. The main character, artist Peter Sokol, is a study in the disillusionment and isolation of a war veteran. The story, as it winds back and forth from past to present, is a mystery of sorts - will Peter be swallowed up by sorrow and solitude, or will he find redemption in his relationships and human connections.
This book reminded me of In Sunlight and in Shadow by Mark Helprin, or some of Richard Yates works. If you loved From Here to Eternity, you might enjoy this.