After posting my review of Livstid yesterday, I had a long online discussion with notgettingenough about the meaning of the word "feminism", and whether it was a good thing. It says something about the power of Liza Marklund's novels that, after reading one, I found myself in the curious situation of being a man defending feminism to a woman.
Marklund is a single-issue author: she's writing to support her notion of feminism. This word can indeed be interpreted in many ways. Marklund is using it in a narrow sense. She thinks that women are not treated well at most places of work, and that this is very wrong. She shows over and over again how men refuse to accept that women can do as good a job as they can, even in cases when it is quite clear that the woman is in fact performing better than her male colleagues. Her novels are full of examples of men using crude, sexist sterotypes to downplay women's ability to contribute and to marginalize them. She shows how painful this is for women, and what a dreadful effect it can have on their self-esteem and mental health.
She's very convincing. It's particularly frightening that she's writing about Sweden, which is probably the fairest and least gender-biased country in the world. If it's this bad in Sweden, it's clearly going to be much worse nearly everywhere else. It would be easy to say that, since Swedish women have such a good deal compared to women elsewhere, she should shut up. Another way of looking at it is that Swedish women have made enough progress towards sexual equality that they can say this kind of thing and be taken seriously. Several of Marklund's novels have topped the Swedish bestseller list. I view that as extremely positive.
In my humble opinion, one of the reasons why feminism has done so well in Sweden is that Swedish feminists, like Marklund, have intelligently prioritised their demands. They have focussed on equality in the workplace, reasoning that, if they can succeed there, the rest will follow. Marklund believes passionately that women should support each other at work. She is not trying to convince you that sex is rape, that all women should be lesbians, or anything remotely similar. Annika Bengtzon, the heroine of her series, is heterosexual and perfectly happy with her sexual orientation. She has had a complicated and messy private life, which, at least as far as I can see, is in no way intended as feminist propaganda. In Paradiset, she got involved with Thomas, a married man, who ends up divorcing his wife and marrying her. In Livstid, Thomas leaves Annika for another woman. In private life, Marklund clearly believes that all's fair in love and war. Marklund is splendidly bitchy about Annika's rivals - inter alia, we learn that one of them is frigid and has really small boobs. This is one of the things that gives the series its undeniable charm, and stops it from being a dull piece of feminist preaching.
As you can tell, she sold me, and I'm not even a woman. Most people consider Sprängaren to be her best book. I really liked it.