Here it is!
My first DNF of 2021!
It’s not a bloody surprise….
Sigh… I went into this book with fairly high hopes (I’m very interested in WW2 and the Pacific Theatre atm) and upon seeing this book at my Dublin City Bookshop, I rejoiced. Yes! A book on the Pacific Theatre AND a companion book to the fantastic TV Series “The Pacific”? This was exactly what I wanted, and I could not wait to begin reading it! Surely this would be a magnificent, fast-paced, hot-blooded and in-depth look into the carnage, chaos and camaraderie of the Pacific Theatre as US Marines battled against the ferocity and suicidal rage of Imperial Japan for control of the Philippines, South-East Asia and even Japan itself!
Oh, how wrong I was…..
As I read this absolute bloody tome, at first willingly and then unwillingly, my hopes dashed upon the floor, I realised that this book was not what I had hoped for, even slightly.
1. NOT FOR A GENERAL AUDIENCE
Now, I was lucky. I knew, before starting this book, the general background and conditions of the Pacific Theatre during WW2 so I wasn’t starting from scratch. In fact, anyone who started or wants to start this book without any knowledge of the Pacific Theatre I say good luck to them! This is not a book for beginners. Readers are thrown in at the deep end, right into the heart of battle. There is no background or cursory explanation explaining the complicated history, social, cultural and economic conditions that lead to the rise of the Pacific Theatre during WW2. Readers with no previous knowledge are going to be confused and befuddled by the numerous mentions of battles, Pacific Islands, skirmishes, cities, towns and people. Only those with some knowledge of the Pacific Theatre will be able to understand what is going on. Anyone else will be lost.
2. WRITING STYLE AND CHAPTERS
The writing that characterises this book leaves much to be desired. As other Goodreads reviewers pointed out, the writing style is ponderous, disjointed and tiresome. It was a struggle to read 20 or 25 pages in a sitting as I felt that the writing was simply too unengaging and focused on info-dumping. Ambrose clearly did a huge amount of research, and it shows absolutely! But the writing has a very mechanical, very distant sense to it that made it quite hard for me to connect or emphasise with the stories of the US Marines he was narrating. Only one or two stories held my interest, the others simply blended together. The chapters were likewise too long (three chapters of over 100 pages each is pushing it) and with the uneven narration of each individual’s story made it increasingly difficult to remember key details. There were also noted racial slurs present in the text. Granted the 1940s were an especially racist and xenophobic time. However, I didn’t think the slurs needed to be repeated as nauseum.
3. US MILITARY JARGON
Again, the way this book was written leaves me in no doubt that this book was not written for the general public. Not only did it have little background on the Pacific Theatre to help newcomers, but it also seemed geared to a primarily American audience particularly one well-versed in understanding the various terms, definitions and standards of the US Military and all the planes, tanks, ships and battlecruisers they put into service in WW2. A non-American audience without prior knowledge is going to be very confused about all the various military terms and sayings thrown at them. A glossary might have been helpful in this regard.
4. BOOK STRUCTURE
For me, the Pacific lacked several features that embody an excellent and well-researched book. It had no chronological table detailing the main battles, skirmishes or political, social and cultural events that defined the Pacific Theatre. It lacked cohesive and detailed maps of the countries, terrains and islands where the main battles took place. There was no bibliography or index which made it quite difficult to track and trace where everything went or where the author got his information from in general.
5. LENA BASILONE
One of the characters of the Pacific who stood out the most to me was the woman forever marked as the widow of a war hero and little else, Lena Basilone, wife and widow to John Basilone, the US Marine, who returned to the bloodshed of Iwo Jima, after receiving the Medal of Honour, only to find his death there. Honestly, as another reviewer pointed out Lena’s story was a romantic tragedy. Her life was changed, completely and irrevocably, by a man she met, dated, married in little under a year, only later to be widowed after seven months of marriage. Lena is famous for never remarrying, famous for being Basilone’s widow and famous for little else. Lena stated that the reason she never remarried was that she wouldn’t settle for second best (one does wonder if it was she couldn’t remarry. After all, what man would be brave enough to court the widow of a dead war hero?).
Frankly, Lena’s story is fairly depressing to read. She could never move on from being John’s wife or widow; she belonged more to John then he did to her. Compared to John’s achievements, how could she, a proud, determined and tenacious women who joined the US Military, stand out as her own person? In the end, it turns out she couldn’t. I cannot help but wonder what her life might have been like if John had decided to stay with her instead of going to Iwo Jima.
Would I recommend this book? Bluntly, No. It’s just not a good history book. Long, plodding and tedious, The Pacific doesn’t live up to the phenomenal Tv Series. Look elsewhere.