It always comes down to this: At any moment, a zombie could leap out of the shadows and end your life. At last, it seems like there is a cause that unites mankind to end all our petty squabbles. But no. It's never that simple. Now Rick has a gun to his head.
Robert Kirkman is an American comic book writer best known for his work on The Walking Dead, Invincible for Image Comics, as well as Ultimate X-Men and Marvel Zombies for Marvel Comics. He has also collaborated with Image Comics co-founder Todd McFarlane on the series Haunt. He is one of the five partners of Image Comics, and the only one of the five who was not one of the original co-founders of that publisher.
Robert Kirkman's first comic books were self-published under his own Funk-o-Tron label. Along with childhood friend Tony Moore, Kirkman created Battle Pope which was published in late 2001. Battle Pope ran for over 2 years along with other Funk-o-Tron published books such as InkPunks and Double Take.
In July of 2002, Robert's first work for another company began, with a 4-part SuperPatriot series for Image, along with Battle Pope backup story artist Cory Walker. Robert's creator-owned projects followed shortly thereafter, including Tech Jacket, Invincible and Walking Dead.
'Hell is other people' - trying to convince them that it might be in their best interest to look at the 'essence' of what is threatening common 'existence' (sorry JPS)! Rick is really trying to lead; but it seems as though everyone has a different take on what path the group should take. I remember a boss telling me 'every team is a group - but every group is not a team'. Very dangerous if you get this concept confused!
When Hershel finds his daughter, Maggie, in bed with Glenn, he’s not happy. But Maggie hasn’t slept alone in a while, and didn’t want to be alone. The group is holding it together, going through life with grief, morning sickness, and some arguments leading the group to leave the farm. What will happen to them? Where will they go?
❝’I am happy. I didn’t think it was possible, but I am.’❞ glenn my boi he’s so in love with maggie my heart is full 💘💞
The Walking Dead Issue #12 serves as the final installment for Volume 2, and it delivers on the emotional weight and tense stakes built up from the previous issue. It stands out as one of the more poignant moments in the series so far, offering layers of conflict and pushing the characters to their emotional limits. The key takeaway from this issue is the inevitable clash between Hershel’s grief and Rick’s relentless drive to secure safety for his group, a collision of survival instincts and personal tragedies.
The issue opens with a quieter, almost domestic scene: Rick, Carl, and Lori wake up to a morning that feels deceptively calm after the chaos of the barn incident. However, things quickly spiral into tension, starting with Hershel walking in on Glenn and Maggie sleeping together. In an outburst of anger and frustration, Hershel verbally attacks both Maggie and Glenn. His reaction is understandable to a degree—he's grappling with the loss of his children, and seeing his daughter enter a new phase of her life with Glenn only adds to his sense of losing control. Maggie, to her credit, stands her ground and defends Glenn, showing just how much her relationship with him has deepened, even in such a short time.
Meanwhile, the rest of the group is starting to unpack their things in preparation for moving into Hershel’s now-cleared barn. Dale shares a tender moment with Andrea, reminiscing about his late wife, Erma. It’s a heartfelt exchange that reminds us how much Dale has lost, yet he still manages to offer comfort to others, telling Andrea that he truly loves her. This subtle yet touching scene between them adds an emotional layer that contrasts well with the escalating conflict between Rick and Hershel.
Rick, ever the practical leader, knows that the barn isn't a long-term solution and tries to negotiate with Hershel about moving his group into the house. Hershel, however, is resolute—he's still deeply mourning the loss of his children from the previous issue and, understandably, wants to prioritize his remaining family. He flat-out refuses Rick’s request, telling him that once Carl is fully healed, Rick’s group will have to move on. This is a crucial moment where Hershel draws the line, reflecting how grief can push people into protective isolation.
The issue’s tension doesn’t let up as we shift focus to Tyreese and Carol, who share an intimate moment together. In the background, Julie and Chris are lurking, clearly still scheming about whatever dark plan they’ve hinted at before. The sense of dread is palpable as their subplot continues to build in the shadows.
Lori, fiercely protective of her family, takes it upon herself to confront Hershel, demanding that they be allowed to stay. This scene showcases Lori’s desperation, as she knows that without stable shelter, her family’s survival is uncertain. The argument between her and Hershel is intense, and it escalates when Hershel almost strikes Lori—an explosive moment that truly shows how far Hershel has fallen into despair. Rick, always quick to defend his family, intervenes, only for Hershel to pull a gun on him. This is the climax of Hershel’s grief—he’s lost his children, feels his world crumbling, and now sees Rick’s group as intruders. Though Otis manages to calm the situation, the psychological damage is done. Hershel later confesses to Otis that he genuinely might have killed Rick, admitting that he feels like he’s lost his mind.
The group, realizing they are no longer welcome, prepares to leave the farm. This is a pivotal moment, as Glenn chooses to stay behind with Maggie, marking the first significant fracture in Rick’s group. Glenn’s decision to remain feels bittersweet—on one hand, it’s surprising given his unwavering loyalty to Rick’s group up to this point, but on the other, it shows that love and personal relationships still matter, even in the apocalypse. Glenn’s choice to prioritize Maggie is a powerful moment for his character, showing that despite the constant threat of death, people still find hope and reasons to stay.
Once again on the road, Rick’s group faces dire conditions—low on food, gas, and supplies, they seem to be at their breaking point. The relentless hardship of their journey is emphasized through the bleak atmosphere of their travels. Just when it feels like all hope might be lost, Dale and Andrea make a discovery that shifts the tone: over the hill, they find a prison, heavily guarded by zombies outside. For Rick, this is a beacon of hope—he sees the prison not as a place of horror, but as an opportunity. The sight of the prison, despite the shambling undead, brings a smile to Rick’s face as he declares, "It's perfect. We're home."
This issue is a brilliant exploration of how trauma and loss can affect different people in a world where death and danger are constant. Hershel’s grief for his children feels raw and unfiltered, and his downward spiral into near-madness is heartbreaking. As much as I understand Rick’s desire to secure a safe place for his group, I sympathize with Hershel’s unwillingness to accommodate them, especially after all he’s been through. It’s a harsh reminder that not everyone is willing or able to help, and people are often driven by their personal losses.
The dynamic between Glenn and Maggie also takes an interesting turn. Glenn’s decision to stay with Maggie was unexpected, especially since in the TV adaptation, Glenn stays loyal to the group without hesitation. This deviation adds a layer of complexity to his character, showing that even in the apocalypse, love can become a guiding force for decision-making.
The ending scene with the discovery of the prison is a brilliant way to close out the volume. The prison represents a duality—on one hand, it could be a safe haven, but on the other, it’s also a symbol of isolation and confinement. The group’s next steps will undoubtedly be shaped by this discovery, and I can’t help but wonder if this "new home" will bring more challenges than safety.
In conclusion, The Walking Dead Issue #12 delivers a powerful and emotional climax for the second volume, leaving readers with the promise of both hope and uncertainty. It showcases the moral and emotional complexity of survival, highlighting how every decision carries weight, whether it’s protecting your family, deciding where to settle, or figuring out whom to trust. This issue reminds us that survival isn’t just about avoiding the undead—it’s about navigating the emotional minefield of human relationships in a world that’s been torn apart.
I'm not regretting resubscribing to The Walking Dead yet again as I'm looking forward to each issue just as much as I did the first time around, Kirkman and Adlard are a dream team and I hope they work together again on another project.
Issue #12 is back on Hershel's farm, at least until he interrupts Glenn and Maggie having some private time and then decides to boot the survivors out. Thanks to the voice actor who plays Hershel in the Telltale videogame when he says things like "Long as what you're about to say can be said in front of a horse, I'm all ears" I can't help but hear it spoken aloud.
A book of this calibre is easily my Wednesday highlight for new comic book day even if it's technically a reprint. 6 stars out of 5.
Back in two weeks for the start of the prison saga.
Being a huge fan of the show, I wanted to see how the original writing started and how the show writers followed and deviated from the comics. My dislikes were that the comics are much more crude, crass, and unnecessarily violent. I did like the change in relationships and how people worked together differently, and the comics have a different creepiness feel than you get watching it on TV. Overall, I prefer the show, and probably will not finish out the comic book series.
Rick Grimes is a strong-willed deputy who missed the end of the world because he was in a coma for a month after getting shot in the line of duty. Shaken, starving and confused, Rick escapes the horror of the abandoned hospital only to be met with something far more terrible. Not only has the world ended, but the dead have learned to walk and to kill without mercy. After learning that his wife and son have fled to Atlanta from a single survivor and his son, Rick goes on a journey to reunite with his family and search for more survivors.
Rick quickly has to come to terms with the fact that the world has ended and only a select few survived. The dead have risen from their graves and they prey on the living. In a world where every minute feels like hours, where there's no such thing as law and order, where finding a small meal is a tremendous task, the walking dead are quite possibly the least threatening thing for the survivors to have on their breaking minds. Humanity is pushed to the brink of destruction, forcing them to embrace their cruel and primal nature in order to survive. Sometimes you have to be more concerned about who you let into your community so they don't kill you in your sleep and steal everything you once cared about. Rick has no choice but to abandon the ways of law and order that he's upheld as an officer for so long in order to protect the few loved ones he has left. He has to become a monster to protect his crew or risk being devoured by those who became more monstrous than him and even the walking dead.
Despite zombies running the world and having the series named after them, what really sets this series apart from the average zombie apocalypse tale is the focus on realism and the daily struggles, flaws and depth of the characters. There's plenty of badass zombie killing action, but the action often takes a back seat to give the characters plenty of times to share their extremely tragic yet endearing stories, grow through mutual suffering and learn to adapt to a world that has left them to die. Even after the world has ended, many people still can't see eye to eye. They turn on each other and kill each other when they should come together. Others form alliances in spite of their differences and try to rebuild over the corpse of everything that was lost. The daily human drama and conflict is more intense than any monster apocalypse could hope to be.
We watch Rick struggle to balance his old moral code with the many necessary evils he has to commit in order to survive and make the world a better place for the ones he holds close. We watch people like Glen, Dale and Maggie attempt to find love in spite of having every reason to be filled with fear, hate and self-loathing. Characters like Michonne have to learn how to forgive themselves and convince themselves they deserve to be loved despite all the blood on their hands. We watch the weak like Carl and Andrea become strong and sometimes the strong become evil like The Governor. Even monsters like the wicked yet oddly lovable Negan are given the chance to find new ways of redeeming themselves by struggling alongside the other survivors that have all been changed by the horrors of the fallen world.
The pacing is extremely slow and I can understand why that may be a turnoff for a lot of people, but I eventually learned to enjoy watching the characters grow, overcome their trauma, find meaning in life and learn to love again. The characters are forced to do many terrible things to survive and it haunts them every waking moment. The ways they overcome these regrets is very realistic, human and hopeful. The slow pacing really gives the feeling that we're living beside these people. The way every tiny detail of their lives and who they are is explored makes them feel very real and believable.
When I first started reading the series, I wasn't expecting it to have such an uplifting ending. It seemed so bleak and nihilistic for a long time and things would go horribly wrong even when they seemed to be going so well, but the finale channels all the pain, suffering and betrayal of the previous volumes and tops it off with a very touching and inspiring finish. This was never a story about hopelessness. It's about learning to appreciate the little things, learning to forgive yourself and learning to move on even when it's hard. When everything seems lost there's always more to be found, even when we believe otherwise because we convince ourselves that we don't deserve to be happy ever again. Instead of dwelling on what was lost, strive to try and make things better than they were before.
I've never been a huge fan of zombie apocalypse stories, but The Walking Dead had enough heart and strong social commentary to make me stick by the characters until the end and I enjoyed every moment of their long trial.
You know a few issues back I remarked on how brisk the plotting was, that that’s one of the things that Kirkman does in Invincible.
Faster paced plotting and moving along with the story and wrapping things up and moving forward. I actually think it works a lot better here than in Invincible.
And ironically, it’s one of the worst things about the show, how it stopped and rested its feet in whole seasons or half seasons in one place. And things would get slow, they’d be boring.
But here, in the comic, Kirkman keeps things interesting with the heavy dialogue, intense character interactions, and the brisk pacing.
In season 3 the cast was at the prison, but it’s already at issue 12 when their comic counterparts stumble upon it. And there’s 181 issues left. That’s good.
Also did not expect original comic Hershel to pull what he did, although I din’t remember if he was this was in the TV series. I’m pretty certain he dies and that’s why the croup leaves, instead of Hershel kicking them out because he blames them (in was totally his damn fault by the way).
Hershel gives the group the boot, and to be completely honest, I don't blame him. Even in the TV show, I thought Rick's group just took over the farm like it was theirs, and I feel in the comics it was the same, just assume that your large ass group can cram themselves into a farm house then assume there will be enough food for everyone, like nah dawg, I can see Hershel's point. #TeamHershel I also just realised Beth isn't in the comic, thank God. Also Glenn was allowed to stay with Maggie at the farm which was cute. Rick & Co. finally find the prison, so I guess we meeting the Governor soon. Yusssss! x
Karena merasa kehadiran Rick dkk. hanya menamabah beban dan kejadian-kejadian yang tak menyenangkan, maka mereka pun diusir oleh Hershel dari peternakannya. Perdebatan pun terjadi karena Rick dkk. merasa bisa membantu mengurusi ladang dan hewan ternak di sana. Namun, sikap Hershel tetap kukuh bahwa mereka harus pergi sekarang juga. Dengan terpaksa, Rick dkk. harus kembali ke RV dan mencari tempat aman untuk tinggal. Sayangnya, Glenn tidak ikut karena ia sudah jatuh cinta kepada Maggie, salah satu anak Hershel.
This entire review has been hidden because of spoilers.
Hershel is much more taugher here, that in the movie. Still getting used to all the differences between the books and the TV series. However, still cannot stop thinking about much better it would be with Daryl <3
¡La intensidad va subiendo! La cárcel ya ha sido encontrada. La verdad en relación con Hershel me quedo con el de la serie , parece una abuelito al contrario que este que es más violento y a veces algo cabrón.
The Walking Dead Issue#12 Volume#02 Robert Kirkman
The End of volume 2 Maggie and Glenn together Ready to move to Hershel's barn Hershel's want them out after Carl is OK And we See the Prison our next destination.
To be honest, when Hershel walked in on Maggie and Glenn having sex, my first thought was that he was going to shoot Glenn and then spend a hell of a long time yelling at Maggie and calling her stupid and all kinds of other names.
When Hershel started yelling at Maggie, trying to make her feel bad about her siblings dying, I wanted to punch him. The main reason she slept with Glenn was to get her mind off of losing her siblings, and here comes her father, being a dick and making her feel even worse.
As for Dale and Andrea, I do like that Andrea is not being a jerk about Dale and his feelings for his wife. A lot of women that I know, would be having a fit over a man who missed his wife. They would think that meant he did not love her anymore, but Andrea knows better, thankfully.
On the one hand, I do not like that Hershel does not want Rick and the group to take over his deceased children's rooms. They have Rick and his crew about to live in a barn for goodness sakes, when there is now room available in the house.
On the other hand, I know that Hershel is grieving the loss of his children and I know he is not thinking clearly. But he does not need to take out his grief on Rick and the group. It is NOT Rick's fault that Hershel's children died. It is HERSHEL's fault, for having those stupid zombies kept in that barn.
Hershel threatening to kill Rick was unexpected in my opinion. Yes, Hershel has a lot going on with the loss of his children and trying to survive in a fucked up world, but he still needs to get a damn grip.
Lori yelling at Hershel about him not letting them stay, was wrong. Lori needs to sit down and shut the fuck up. She acts like she is entitled to everything and if she does not get her way, there will be hell to pay.
She is a dumb bitch and I wish she would hurry up and have the baby and then die. I am of sick of her ass and how she acts like she never does anything wrong, when she is a horrible person.
When Hershel almost hit Lori, I admit I expected Rick or Tyreese to shoot and kill him. First off, for wanting to harm anyone, much less a woman, and a pregnant woman at that.
I am not surprised that Hershel told Rick and his group to leave, though I am disappointed. I was hoping they would be able to work something out so that they could all be safe, at least for a little while.
Lori's tears and Hershel putting the gun to Rick's head, did not move me. I wanted to smack Lori for continuing to act like a self-entitled bitch. As for Hershel, he needs to be put down and put out of his misery. He is a loose cannon and I will not be surprised if he ends up killing someone.
I DID like the part where we see Hershel and Otis talking and we see that Hershel is only human and that he is trying to deal with a lot of shit at once. The loss of his children and the loss of his neighbors, friends and the rest of his family. He is slowly losing it.
I like that Hershel agreed to let Glenn stay. I like Glenn's relationship with Maggie and hope they are together for a long time to come in the series. I like that we are seeing them go from fuck buddies, to people who care about each other and love each other.
So we are back to listening to Lori and Carol complain about food. You know what, you stupid bitches? Instead of being a moron, the both of you, how about you get off your asses and go out and find some food yourself? Then you can see how hard it is, and shut the hell up!
I did feel bad that when they were sitting around the campfire and Sophia asked for more food, that there was not anymore food for her to have. I feel bad because she is just a kid and does not really understand what is going on.
I think that them finding the prison will be a good thing. It looks like it is a pretty big place, so if they can take out all those walkers without losing any or at least not too many people, they could live in the prison for a while.
I know they will not be able to live in the prison forever, because I assume something bad will happen, but maybe they will get lucky and get to stay there and be safe for a few weeks.
It always comes down to this: At any moment, a zombie could leap out of the shadows and end your life. At last, it seems like there is a cause that unites mankind to end all our petty squabbles. But no. It's never that simple. Now Rick has a gun to his head.
The Best. Allen is finally coming to terms with losing Donna and is trying to do things again. Glenn and Maggie are in love and get to be together. Sigh... sickly cute! The Prison!
The Worst. Hershel goes crazy and kicks the crew off the farm. Although he did go crazy, it was justified. First, he really did never tell them that it was going to be permanent. Second, he lost three children to walkers and then had to shoot all three, found Maggie and Glenn together and then Lori starts jumping his case. Hershel walks in on Maggie and Glenn together!
The Differences. The only major differences are the factor that Hershel never walks in on Maggie and Glenn being together, and when Rick and the crew find the prison, Hershel and his family are already with them. In the series they don't end up leaving because Hershel tells them to go, but because at this point this is when Shane starts to lose it over Lori. He finds out that Lori is pregnant and assumes, much like several do in the comic, that the baby is his. In the series, Rick and Shane are hunting when Shane pulls a gun on Rick. Rick manages to stab Shane and kills him. Afterwards, Carl comes onto the scene and thinks that Shane is going to kill his dad and shots Shane in the head since he turned into a walker. Because of this altercation in the field, a large herd of the walkers attack the farm and they are left with no choice but to leave. The whole group gets separated for a brief period of time before coming together. Andrea is separated and left, believed to be dead. In the show some time passes where they are traveling in a wide area around the prison before coming across it.
Those Remembered. Lori's dinner from the night before, the possibilities of Hershel's farm, and several walkers.
Recommend. To the fans of The Walking Dead Universe, zombies, and drama horror.
Glenn stayed behind, because he found love. Awe, a happy "ending." Who knows, he may turn up again. Our not-so-merry band has packed up and made it to their next possible home by the end of this issue. A prison. There seems to be a few zombies inside, but it seems like they are going to try to clear the place out and get a life started there.
They're going to basically be starting their own little commune. I wonder where they plan on getting seeds and stuff if they think they might grow their own food. This seems like an ending to their travels for now. I wonder if there are any live ones sill in the prison. Definitely not if they were locked up. They would have starved to death by now at the very best. We shall see.
Siempre se reduce a esto: En cualquier momento, un zombi podría saltar de las sombras y poner fin a su vida. Por fin, parece que hay una causa que une a la humanidad para poner fin a todas nuestras pequeñas disputas. Pero no. Nunca es así de simple. Ahora Rick tiene una pistola en la cabeza. Este número el 12 tiene menos texto pero las ilustraciones me parecen más bonitas. Y el final...oh por Diós el final te entran unas ganas súper increibles de saber que pasará en su nueva casa...¿Vamos a por el siguiente?
PD: Para los que piensen que ¿porque leo tantos cómics de The Walking Dead? Me he propuesto hacer un challenge antes de que se acabe el año que es leerme los 100 comics de The Walking Dead. ¡Ya solo me quedan 88!
حقا لا أصدق ما أراه بعينى من وصول الرسوم الكاريكاترية إلى هذا المستوى كم هى رائعة بما تحتوى من تفاصيل مذهلة تشعرك وكأنك داخل المشهد بالإضافة أنه يروق لى أسلوب الحوار بين الأشخاص بشدة
قصة ذلك العمل تدور حول انتشار أحد الأوبئة التى جعلت البشر أشبه بالزومبى من آكلى لحوم البشر ويستعرض محاولات بعض الناجين البقاء على ظهر الأرض فى ظل عدم وجود أدنى أمل فى استمرار الحياة بقيادة الشرطى ريك
بالاستمرار فى القراءة أشعر بروعة متابعة الأحداث ، فالقصة مشوقة حقا لا عجب حين تكون الصورة الأصل مبهرة هكذا ، فتكون النسخة -العمل التليفزيونى- أكثر من رائع
Rick goes to ask if everyone can move into the house and Hershel tells him that everyone needs to leave once Carl gets better. We later find out it is because of Glenn.
Lori goes to give Hershel a piece of her mind and he almost backhands her.
Hershel pulls a gun on Rick and tells him to leave.
Rick and the gang leave but Glen stays at the farm with Maggie. He says that Hershel is ok with it.
While looking for supplies, Dale and Andrea find the prison.
This issue concludes chapter 2! Again, a little too fast paced. I understand that it's a comic and it's necessary to make each issue an enjoyable read. I just prefer the pacing of the tv show. Otherwise, wonderfully written! I felt panicked and sad at the appropriate times and was able to appreciate the humor that the survivors were able to cobble together. The world is a f*cked place for them now and the survivors are just trying to do their best!