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Snapshots

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A collection of brief, but intimate meditations on life and culture ranging from controversial matters to private moments

The internationally acclaimed author Claudio Magris offers a collection of brief “snapshots” reflecting on life and culture from 1999 to 2013 through his very personal lens. Some pieces portray private, intimate moments, while others offer views on public, sometimes controversial matters; the tone is sometimes serious, sometimes humorous, sometimes ironic, but always engaging. The panoramic nature of the vignettes is broad in scope, encompassing a variety of subjects rendered in quick, decisive brushstrokes. It is a little like leafing through a photo album of our times and our society while a learned companion seated beside us offers a perceptive running commentary. Magris’s wit—at times pungent, at times self‑deprecating, always keen—is refreshingly affable. A continuing adventure by the author who has reinvented “travel literature.”

152 pages, Paperback

First published October 13, 2016

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About the author

Claudio Magris

195 books255 followers
Claudio Magris was born in Trieste in the year 1939. He graduated from the University of Turin, where he studied German studies, and has been a professor of modern German literature at the University of Trieste since 1978.

His most well known book is Danubio (1986), which is a magnum opus. In this book Magris tracks the course of the Danube from its sources to the sea. The whole trip evolves into a colorful, rich canvas of the multicultural European history.

He's translated the works of Ibsen, Kleist and Schnitzler, among others, and he also published essays about Robert Musil, Jorge Luis Borges, Hermann Hesse and many others.

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Displaying 1 - 2 of 2 reviews
Profile Image for Yonca Güneş Yücel.
58 reviews
September 22, 2022
Çeviri çok zorlayıcıydı. Teknik olarak doğru çevrilmiş cümleler dahi olsa birçok göndermeyi anlamakta zorlandım. Magris de durumu zorlaştırmış olabilir elbette. Din antropolojisi, Hristiyan öğretisi bilenler için eminim ki enstantaneler çok daha derinleşir.

Deneme gibi değil de öykü, gün gün olmasa da günce/ yaşantı demeye daha yatkın olurdum tür için.

“Çok kısa pozlamaları” gösterdiği sevdiğim birkaç an(ı)lar var. Kitabın ilk iki sayfasında karşılıyor hem de. İyi seçim olmuş, kuvvetli anlara öncelik.

Okuduktan sonra Triste’yi, Barcola kıyısını, “kayalığı” merak etmeyecek okuyucu olmaz herhalde. Yine yolu oraya düşenin gözleri Magris’i arayacaktır da.
Displaying 1 - 2 of 2 reviews