I so wanted to like this book, but was listening to the text on Audible (and partially reading on Kindle), but was disappointed at the lack of sufficient depth in what I read/listened to. A clarification also, the Audible version of this text seems to be read from the original version of the text which ends before the Allied turn in WW2 (possibly somewhere after 1941, but before 1943. So, the reading of the text ends with the author suggesting that the Third Reich will not prevail because Germany will not be able to prevail itself simultaneously on all it’s conquered lands, and that eventually, the collective partisan/resistance fighters in occupied Europe would be too much for the German forces to control, and they would have to sue for peace out of exhaustion.
Suffice to say, that is not how WW2 ended, but it’s absurd to strike that prediction-error against the author. The author suggests that Germany and the Allied powers likely settle for a negotiated peace, whereas in history, the Allies imposed an unconditional surrender demand in exchange for the cessation of hostilities. At the very least, this version of the text is an interesting historical curiosity.
WIth respect to the content, there are some interesting ideas here, though not enough for me to be entirely impressed given other books in this genre that have taken the field in more interesting directions (e.g. John Boyd’s work, or even the work of the mathematicians contextualizing certain kinds of war as a ‘game’). Further, the narration can be confusing or hard-to-follow (at least on audio), as the author recounts the sequence of events that characterize the flow of a particular battle in history, and without much personal context (or context from a previous study of these events). It can be challenging to understand the importance of a “parrying thrust on _such a such_ part of the front” being a “master stroke”, or that a “feint onto the left flank of the opposition being “keen insight” of the commander etc.
Such a narration-style would be greatly aided by a set of detailed maps, with icons, legends, and ancillary diagrams. However, the only maps that are in the Kindle version of this text are theater-level, and/or country-wide maps of the particular conflict, making their utility as a tool of pedagogy minimal. However, despite these disappointments there are kernels of insight here that are important for any reader on the history of war to understand that Liddel Hart successfully communicates. The first is that war cannot be characterized entirely (or even in the majority) as a sequence of actions found in battle. As mentioned early on, commanders in the ancient world often deployed strategies of avoidance (a la Fabian) to great effect, and despite the romanticist view of the subject, ‘great battles’ of spectacle were much less frequent than the paintings (or movies) would lead one to believe.
This leads to the second thing Liddell Hart gets right, which is that military strategy is subservient to political goals. The notion that “ideal” war is “total war” is an absurdity, and attributions to this notion to Von Clausewitz are clearly by people who did not read “On War” or did not understand his style of argumentation. Von Clausewitz does indeed mention this notion of “ideal” or “pure” war, but it is introduced within the context of a reductio ad-absurdum. Almost all subject areas throughout the 1800s aimed to mimic the “style” of mathematical argumentation since it was viewed as the most successful of the subject areas (outside of physics), so Von Clausewitz constructing his arguments in the “ideal” are often designed to extract some essence of the phenomena he is analyzing (in this case war), and either showing this essence is fallacy (the reductio from analysis) or declaring this essence as an essential or axiom (the synthesis). Liddell Hart knows this to be true and mentions it several times, towards the end of the book.
Iif military strategy is subservient to political goals, then the Fabian strategy may be the most ideal and optimal from a risk/reward standpoint. As committing to battle in the ancient world could often lead to unexpected outcomes given the inherent randomness of events (in some cases in ancient battle, the poor placement of a road, or the lack of one could be all that is needed to bring decisive victory to one side or the other). This insight, though only briefly mentioned at the end of his book, is a key to the nature of war that is often ill-understood in Western thinkers of the subject matter. As Liddell Hart mentions, it sits contrary to Von Clausewitz’s own statements, who believe that battle should be taken to achieve the maximalist effect (the destruction of the adversary’s material will to prosecute war).
However, as an aside, reading Von Clausewitz, one realizes that his thesis is very much drawn from his experience during the Napoleonic wars. Much of the ‘practical’ chapters in “On War” focus on the drill, the march, and other elements of maneuver. The reason is that these things were key to the notion of tempo and exploiting advantage (or achieving advantage through positioning by-way-of greater movement vis-a-vis your adversaries) in the field. As Liddell Hart recounts, Napoleon’s victories tended to bifurcate to two types: 1. Defeat-in-depth 2. Marshalling greater resources (e.g. the ‘levee en-masse’). From reading Lindell Hart, the later seems to have promoted the greater development of the linear-line style of warfare, and it is this phenomena that Von Clausewitz seems to be writing towards in his book when he emphasizes the need to “decisively” shift mass where the opponent is weakest to bring up the rout.
But when is something “decisive”? Or how can one know where the lines are at their “critical” juncture? Likewise with Liddell Hart, what are strict criterions to know if a set of actions are indirect or direct? It seems to me that after my initial reading, labelling something as indirect or direct cannot occur until after the battle has completed and all of the paths by which the opponents took to achieve victory (or fail in defeat) are known to the commander. I didn’t catch a clear definition from the author. Instead, the book is outlined as an “exposition by case”. The author takes well known battles in history, including from the era of the Greek city states, Republican and Imperial Rome, all the way to the start of WW2, and after a lengthy decomposition of the event, shows why this commander won via the deployment of indirect-battle.
And since the author’s thesis is that victory is (almost) only achieved via indirect-battle, the whole structure of this exposition becomes tedious (and increasingly less believable). I was not convinced. Still, as mentioned, there are enough insightful statements on the nature of battle, and the accounting of events, a reading of this book not a total waste to the armchair historian. The book would get at least 1 whole star if they included an annotation with tables for some of the sequencing of events. In fact, an annotated version of this book is sorely needed to be efficiently digestible by a modern reader. Conditional recommendation, but I will update once I’ve read the last few chapters of the kindle discussing strategy from the second world war.