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Marc Chagall
Part of the Jewish Encounter series
Novelist and critic Jonathan Wilson clears away the sentimental mists surrounding an artist whose career spanned two world wars, the Russian Revolution, the Holocaust, and the birth of the State of Israel. Marc Chagall’s work addresses these transforming events, but his ambivalence about his role as a Jewish artist adds an intriguing wrinkle to common assumptions about his life. Drawn to sacred subject matter, Chagall remains defiantly secular in outlook; determined to “narrate” the miraculous and tragic events of the Jewish past, he frequently chooses Jesus as a symbol of martyrdom and sacrifice.
Wilson brilliantly demonstrates how Marc Chagall’s life constitutes a grand canvas on which much of twentieth-century Jewish history is vividly portrayed. Chagall left Belorussia for Paris in 1910, at the dawn of modernism, looking back dreamily on the world he abandoned. After his marriage to Bella Rosenfeld in 1915, he moved to Petrograd, but eventually returned to Paris after a stint as a Soviet commissar for art. Fleeing Paris steps ahead of the Nazis, Chagall arrived in New York in 1941. Drawn to Israel, but not enough to live there, Chagall grappled endlessly with both a nostalgic attachment to a vanished past and the magnetic pull of an uninhibited secular present.
Wilson’s portrait of Chagall is altogether more historical, more political, and edgier than conventional wisdom would have us believe–showing us how Chagall is the emblematic Jewish artist of the twentieth century.
Visit nextbook.org/chagall for a virtual museum of Chagall images.
Novelist and critic Jonathan Wilson clears away the sentimental mists surrounding an artist whose career spanned two world wars, the Russian Revolution, the Holocaust, and the birth of the State of Israel. Marc Chagall’s work addresses these transforming events, but his ambivalence about his role as a Jewish artist adds an intriguing wrinkle to common assumptions about his life. Drawn to sacred subject matter, Chagall remains defiantly secular in outlook; determined to “narrate” the miraculous and tragic events of the Jewish past, he frequently chooses Jesus as a symbol of martyrdom and sacrifice.
Wilson brilliantly demonstrates how Marc Chagall’s life constitutes a grand canvas on which much of twentieth-century Jewish history is vividly portrayed. Chagall left Belorussia for Paris in 1910, at the dawn of modernism, looking back dreamily on the world he abandoned. After his marriage to Bella Rosenfeld in 1915, he moved to Petrograd, but eventually returned to Paris after a stint as a Soviet commissar for art. Fleeing Paris steps ahead of the Nazis, Chagall arrived in New York in 1941. Drawn to Israel, but not enough to live there, Chagall grappled endlessly with both a nostalgic attachment to a vanished past and the magnetic pull of an uninhibited secular present.
Wilson’s portrait of Chagall is altogether more historical, more political, and edgier than conventional wisdom would have us believe–showing us how Chagall is the emblematic Jewish artist of the twentieth century.
Visit nextbook.org/chagall for a virtual museum of Chagall images.
240 pages, Hardcover
First published March 13, 2007
About the author
Jonathan Wilson
83 books54 followersJonathan Wilson is a British-born writer and professor who lives in Newton, Massachusetts.
Jonathan Wilson is the author of seven books: the novels The Hiding Room and A Palestine Affair, a finalist for the 2004 National Jewish Book Award, two collections of short stories Schoom and An Ambulance is on the Way: Stories of Men in Trouble, two critical works on the fiction of Saul Bellow and most recently a biography, Marc Chagall, runner-up for the 2007 National Jewish Book Award. His work has appeared in The New Yorker, The New York Times Magazine and Best American Short Stories, among other publications, and he has received a Guggenheim Fellowship. He is Fletcher Professor of Rhetoric and Debate, Professor of English and Director of the Center for the Humanities at Tufts University.
Wilson also writes a column on soccer for the Internet Newspaper, The Faster Times.
Jonathan Wilson is the author of seven books: the novels The Hiding Room and A Palestine Affair, a finalist for the 2004 National Jewish Book Award, two collections of short stories Schoom and An Ambulance is on the Way: Stories of Men in Trouble, two critical works on the fiction of Saul Bellow and most recently a biography, Marc Chagall, runner-up for the 2007 National Jewish Book Award. His work has appeared in The New Yorker, The New York Times Magazine and Best American Short Stories, among other publications, and he has received a Guggenheim Fellowship. He is Fletcher Professor of Rhetoric and Debate, Professor of English and Director of the Center for the Humanities at Tufts University.
Wilson also writes a column on soccer for the Internet Newspaper, The Faster Times.
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May 23, 2022
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