A+U 1994 special edition covering the work of Holl, Pallasmaa, and, Perez-Gomez, titled Questions of Perception. Their three individual essays presented in the book, are thematically linked; each one tries to explain the role man's perception plays in architecture and also explores phenomenal accounts. In their original introduction, the authors write: "The endless cultural limitations and contradictions inherent in artistic work, revealed with impeccable clarity and logic by the critics' deconstructive theory, are ultimately of limited use for the generation of architecture. The architect must take a position, one that necessarily has ethical consequences, and for which words, a theoretical discourse is nevertheless indispensable.
Steven Holl (born December 9, 1947) is an American architect and watercolorist, perhaps best known for the 2003 Simmons Hall at MIT in Cambridge, Massachusetts, the celebrated 2007 Bloch Building addition to the Nelson-Atkins Museum of Art in Kansas City, Missouri,[1] and the praised 2009 Linked Hybrid mixed-use complex in Beijing, China.
Holl graduated from the University of Washington and pursued architecture studies in Rome in 1970. In 1976, he attended graduate school at the Architectural Association School of Architecture in London and established his offices New York City. Holl has taught at Columbia University since 1981.
Holl's architecture has undergone a shift in emphasis, from his earlier concern with typology to his current concern with a phenomenological approach; that is, with a concern for man's existentialist, bodily engagement with his surroundings. The shift came about partly due to his interest in the writings of philosopher Maurice Merleau-Ponty and architect-theorist Juhani Pallasmaa.
در حقیقت این کتاب پرسش هایی مطرح می کند و به بررسی آن ها می پردازد که خود زیربنای پرسش هایی از مقصود و هدف معماری هستند تجربه جهان و نه فقط یک اثر معماری درواقع به بیان این نکته که ما در حال تعامل دائمی با جهان هستیم می پردازد
در بخش اول و دوم کتاب قسمت هایی از کتاب چشمان پوست هم آورده شده که به مراتب روان تر و شفاف تر به آن پرداخته شده است بنظر من می توان اینطور گفت موضوع کتاب بررسی معماری مبتنی بر حواس مختلف است و نه صرفا حس بینایی که انفاقا حس بینایی را در این بخش کنار گذاشته و از تجربیات و نظریات درگیری دگر حواس در رویارویی با یک اثر معماری سخن گفته شده
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