What do you think?
Rate this book
344 pages, Kindle Edition
First published October 17, 2017
Masolon unsheathed his sword, raising its blade before Antram's eyes. "Men like you and I know no way to make a living except with this blade. But we choose not to be outlaws, and we are comfortable with that."
I wanted to love this book. I truly did. A few times, when the action picked up, or a situation became tense I would settle down and think, "Yes! This is what I've been waiting for!" But it always fizzled back out into the regularly-scheduled, tedious switching of the points of view, and slow-moving plot obstacles that didn't hold my interest for very long.
Overall, this book still gets two stars from me. It is just okay. I certainly believe it could be much better, but also that it could be worse. The story, for instance, is not uninspired or uninteresting. It is just poorly executed. The moments which did manage to capture my attention almost had me on the edge of my seat. But so much of the book had me slumped over, barely managing a couple of short chapters in one sitting.
The writing style is choppy and often rather vague. Sometimes it paints the characters vibrantly and realistically, and sometimes they are somehow...shoving a spoon into someone else's mouth without that person's consent and with barely any protest afterwards. Or they are fighting a battle that lasts over an hour, in such a rushed description that my suspension of disbelief did not hold, and the thousands of dead bodies afterwards didn't make any sense.
Masolon is cocky, arrogant, and charismatic. The synopsis says he is seeking redemption, but often he seems to just be seeking coin. His sudden attraction to two of the characters is not unbelievable, but like much of this book, a little too choppy and not as fleshed-out as I would've preferred. However, I give props to Karim for not creating a love triangle inside of Masolon's interests. I found Masolon difficult to like, as plenty of his decisions are irrational and some are simply stupid. He struggles and overcomes much, but the book ends rather similarly to how it begins, in a way that is sort of poetic. I am still rooting for him, in whatever happens next, perhaps because being in someone else's head for so long can grant you a strange kind of affection for them, and perhaps simply because watching a character mostly struggle for 329 pages makes you want to see them succeed.
The supporting cast of characters are mostly interesting people. I enjoy Ziyad and his perspective in particular. He is an amusing bard-type and his motivation, humor, and loyalty are endearing to me. The chapters from Sania's perspective, however, are not as endearing to me. Perhaps in an attempt to paint her as a "strong female character" she ends up coming across a bit absurdly in the beginning, like, assuming her guards are sexist brutes because they looked at her while she walked past them with a bow and arrow. As we move forward in the story, most of the headstrong character she displayed before is just absent.
She never does anything with the bow except shoot a tree a few times and get lessons from Masolon on how to better shoot a tree. By no means did I desire to see her become a killer, but it feels like she only had interest in the bow in order to have an excuse for her character to interact with Masolon. When she experiences a time of much-justified grief and wishes to be alone, she is not sympathized with, but almost made out to be fickle. I ended up liking her more than I expected to, but I also felt bad for her and how her development as a character was handled.