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长安十二时辰（影视剧原著，易烊千玺，雷佳音主演，豆瓣高分之作）

Name: 长安十二时辰（影视剧原著，易烊千玺，雷佳音主演，豆瓣高分之作） (Chinese Edition)
Rating: 4.31 (27 reviews)

Ma Boyong, 马伯庸

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唐天宝三年，元月十四日，长安。大唐皇都的居民不知道，上元节辉煌灯火亮起之时，等待他们的，将是场吞噬一切的劫难。突厥、狼卫、绑架、暗杀、烈焰、焚城，毁灭长安城的齿轮已经开始转动。而拯救长安的全部希望，只有一个即将被斩首的独眼死囚和短短的十二个时辰……

GenresFictionChinaHistorical Fiction

656 pages, Kindle Edition

First published January 1, 2017

129 people are currently reading

93 people want to read

About the author

Associated Names:
* Ma Boyong (English)
* 马伯庸 / 馬伯庸 (Chinese)
* หม่าป๋อยง (Thai)
* Mã Bá Dung (Vietnamese)
* Ма Боюн (Russian)

马伯庸（1980年11月14日－），本名马力，朋友惯称“小白”，赤峰人，中国大陸作家，曾就职于施耐德电气（中国）投资有限公司，人稱「網路鬼才」、马亲王、亲王。作品涵蓋歷史、科幻、影視評論等諸多領域。

Ma Boyong (born 14 November, 1980) is a Chinese novelist, columnist and blogger. In the year of 2010, he won People's Literature Prize, one of China's most prestigious honors.

His short story The City of Silence was translated into English by science fiction writer Ken Liu.

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5 stars

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Displaying 1 - 27 of 27 reviews

Dazedpuppy

12 reviews

August 5, 2019

总体是一部非常值得一读的小说，人物和情节都很生动。第二部（下册）确实不如上册，故事发展太多被巧合推动，失去真实感。在灯车上面的情节写得有点乱，没有足够的空间感。没有精读价值，但可以提供十几个小时的消遣和放松。

Icyfarrell

232 reviews7 followers

June 22, 2020

当蚍蜉对着牵连的无辜百姓表示成大事必要有牺牲的时候，他们跟朝廷权贵其实也一样了。权贵有钱有势，不把蚍蜉的命当命，蚍蜉有了能力，也并没有把跟他们一样的普通百姓的命当命。固然他们恨的没错，但结果自己也成了自己恨的人。
李隆基我是常年想要抽打，但是李亨啊，这个憨厚而怯懦的太子，说实话难道李泌贺知章那伙人觉得很适合当皇帝吗？

chinese-version detective historical-fiction

Wsrtfedgtb

17 reviews2 followers

Read

December 20, 2022

Barack Liu

584 reviews19 followers

May 17, 2025

570-The Longest Day in Chang'an-Ma Boyong-Novel-2017

Barack
May 17, 2025

The first edition of "The Longest Day in Chang'an" was published in 2017. It tells the story of how the Turkic Wolf Guard sneaked into Chang'an City one night, and the protagonist finally cracked the conspiracy and saved Chang'an.

The birth of "The Twelve Hours in Chang'an" was originally derived from a question and answer on Zhihu: "If you were to write a plot for "Assassin's Creed", where would you set the background?". When a netizen asked about the background of a popular game, Ma Boyong opened his "brain hole" and casually wrote a game script: "Looking down at Chang'an City, 108 squares are arranged like a chessboard, and an eagle flies over the clear sky." This "fan fiction" with a strong sense of interaction eventually became the prototype of the beginning of "The Twelve Hours in Chang'an". The novel is about the imperial capital Chang'an on the Lantern Festival in the third year of the Tianbao period of the Tang Dynasty. In the prosperous scene of singing and dancing, a group of Turkic wolf guards who sneaked in secretly were brewing a conspiracy to destroy the city. Only one death row prisoner can save Chang'an, and the time limit is twelve hours. Starting from the catalog, the whole novel was wound up. There are 24 chapters in total, and each chapter is only written for half an hour, and each chapter seems to be counting down. Corresponding to the strong time hint, at the end of almost every chapter, there is a map of Chang'an City in the Tang Dynasty, which details the character's "GPS location whereabouts" and also locks the spatial scope of the story. The 108 wards of Chang'an City are like a chessboard, and every round of moves is between them: someone commits crimes in the dark, someone is chasing in the open, someone is deducing the overall situation in front of the case, and someone is sitting in the deep palace to reap the benefits. In the montage-style scene switching, the bright and dark lines crisscross, weaving an exquisite narrative network.

Ma Boyong, formerly known as Ma Li, was born in Chifeng City, Inner Mongolia Autonomous Region in 1980. Ma Boyong began to publish his works on forums when he was in college. In 2004, he graduated from the Department of Economics and Management of Waikato University in New Zealand, and then went to work in a foreign company. In his spare time, he insisted on writing. [In 2005, he published his first work "The Wind Rises in Longxi". In the same year, he won the "Galaxy Award", the highest award for Chinese science fiction literature, with his work "Silent City".

Since then, he has launched representative works such as "Wind and Rain", "Secrets of the Three Kingdoms" and "The Antique Bureau". In 2010, he won the "Moutai Cup" People's Literature Award for Prose. In April 2012, he won the second "Zhu Ziqing Prose Award" for his works "Wancheng Shocking Change" and "Wind and Rain ". In 2015, he quit his job and became a full-time writer. In 2017, he published the novel "The Twelve Hours in Chang'an". The following year, the copyright of the book was introduced by Thailand's JAMSAI Publishing Company. In 2018, he joined the Chinese Writers Association; On December 16, 2021, he was elected as a member of the 10th National Committee of the Chinese Writers Association; The next day, he won the fourth "Mao Dun Newcomer Award". In 2022, he published the novel "Lychees in Chang'an". In February 2023, the TV series "The Silk Case of the Ming Dynasty under the Microscope", which he wrote for the first time, was broadcast. In the same year, he published the novel "Taibai Jinxing is a Little Annoyed". In 2024, he launched a new book "Food South".

Ma Boyong is known as a "literary genius". His writing style is considered to be a lineage of historical literary creation since the May Fourth Movement, and his writing is full of fun. His works are mainly historical novels, with a variety of creative types, including essays, sketches, prose, etc. Many of his works have been adapted into film and television scripts, among which "The Antique Bureau" won the weekly box office championship in its first week of release.

The origin of the twelve-hour system can be traced back to the Spring and Autumn Period and the Warring States Period, when people began to apply the names of the 12 months in the calendar to astronomical positions. The north is the Zi position, the south is the Wu position, the east is the Mao position, and the west is the You position. In one day and night, the sun moves through 12 positions and returns to its original position. This gave rise to the concept that one hour is one position of the sun. One day and night is 12 hours, and people can use the position of the sun in the sky to determine time.
【Zishi】Midnight, also known as midnight or middle night: the first hour of the twelve hours. (23:00 to 01:00)
【Chou Hour】Cockcrow, also known as Huangji: the second hour of the twelve hours. (01:00 to 03:00).
[Yinshi] Pingdan, also known as dawn, morning, and daybreak, etc.: It is the time when night and day alternate. (03:00 to 05:00)
[Mao time] Sunrise, also known as the beginning of the day, dawn, rising sun, etc.: refers to the time when the sun just appears and rises slowly. (05:00 to 07:00).
[Chenshi] Eating time, also known as breakfast: the time when ancient people had breakfast was also the time for eating breakfast (07:00 to 09:00).
[Si Shi] Yuzhong, also known as Riyu, etc.: The time near noon is called Yuzhong. (09:00 to 11:00).
[Noon] The middle of the day, also known as noon, etc.: (11:00 to 13:00).
[Wei Shi] Sunset, also known as the sun's fall, the sun's center, etc.: The sun's fall is when the sun is westward. (13:00 to 15:00).
【Shenshi】Evening time, also known as sunset, evening meal, etc.: (15:00 to 17:00).
【酉时】Sunset, also known as sunset, sundown, evening: means when the sun sets. (17:00 to 19:00).
【Xushi】Dusk, also known as sunset, dusk, evening, etc.: At this time, the sun has already set and the sky is about to get dark. The sky and the earth are dim and everything is hazy, so it is called dusk. (19:00 to 21:00)
[Hai Shi] Ren Ding, also known as Ding Hun, etc.: At this time, the night is deep, and people have stopped their activities and rested for sleep. Ren Ding means that people are quiet. (21:00 to 23:00).

Table of Contents
Chapter 1
Chapter 2 Early Noon
Chapter 3 Noon
Chapter 4: The Beginning
Chapter 5: Uncorrected
Chapter 6: The Beginning of the Shen Dynasty
Chapter 7: Shen Zheng
Chapter 8: The Beginning of the Rooster
Chapter 9: You Zheng
Chapter 10: The Beginning of the Dog
Chapter 11: Xu Zheng
Chapter 12: The Beginning of Hai
Chapter 13 Haizheng
Chapter 14 Zichu
Chapter 15 Zizheng
Chapter 16: Ugly Beginning
Chapter 17: Ugly and Righteous
Chapter 18: The Beginning of the Tiger
Chapter 19 Yin Zheng
Chapter 20: Early Mao
Chapter 21 Maozheng
Chapter 22: The Beginning of Chen
Chapter 23 Chen Zheng
Chapter 24: Beginning of the Year

Whether a work is well written or not, and whether it is attractive or not, can actually be seen in half an hour of reading. The book has a tense atmosphere from the beginning, the plot is fast-paced, and there are crises everywhere. From the perspective of storytelling, it is full of dramatic conflicts and tension. The opposition between the pros and cons is clear and strong, which can easily arouse the curiosity of readers and make them want to know what will happen next. If the beginning can be so "open", then the end must also be "closed", otherwise it will be a tiger's head and a snake's tail, which is inevitable. Another major feature of this novel, which is also one of the directions I want to pursue in my future creation, is that it is based on Chinese history, but does not rely on any supernatural or immortal settings. The whole work is based on realistic logic and is only reasonably interpreted within the scope allowed by the historical conditions at the time. This is itself very trustworthy and appreciative. Although it is a novel, it retains a "sense of reality". Of course, the novel is not completely realistic, and it enhances the charm of the characters through exaggeration. Whether it is a decent or a villain, almost all of them are portrayed as wise and brave, with superb means, which makes the whole story more tense and dramatic. In real life, many events are often not so detailed, but full of absurdity and loopholes , sometimes even making people feel simple, rough or even stupid. So novels provide an "idealized reality" that makes people immersed in it. At present, most of the widely circulated literary works or games in the world are still based on Western culture, and Japan also has a place. However, there are still relatively few works based on traditional Chinese culture and telling the stories of the Chinese people themselves. There are many reasons behind this, such as the degree of industrialization, the international adaptation of narrative methods, and so on. But I believe that this situation will eventually change. With the growth of Chinese cultural influence, there will be more and more excellent literary works and games created with Chinese history and culture as the soil.

The reason why this book is tense and exciting is that it tells a story full of "opposition". This opposition is not only reflected in the open and secret struggles between the enemy and us, but also in the differences within our own camp, the conflicts between the characters, the contradictions between ideals and reality, and even the collision between environmental factors and human will. We can see that Li Mi wanted to use Zhang Xiaojing, but He Zhizhang firmly opposed it; there was a rift and confrontation between Zhang Xiaojing and Cao Boyan ; and within the Turkic people, Cao Boyan and Yousha Guiren were not a monolithic group. Multiple opposing relationships are intertwined together to form a tension network of this story. Not only that, if we jump out of the text, we will find that attractive forms such as novels, games, and sports competitions are essentially based on the mechanism of "opposition". It is precisely because of the existence of opposition that there is the possibility of solving puzzles, breaking through, winning, and growing. And life may be the same. For example, when we solve a problem, we feel happy, and that sense of accomplishment essentially comes from the moment when the opposition and conflict between us and the problem are resolved. Therefore, opposition is not a bad thing. A wonderful story often finds life in a "dead end"; the core of an excellent game design is also "difficult but solvable". If contradictions are too easy to resolve and conflicts are easily swept away, it will make people feel boring and dull. Stories need resistance. If you think about it this way, you will probably be able to accept the fact that "life is full of challenges". Resistance is actually the source of the vitality of our "story"; without resistance, life may become a stagnant pool of water.

The story of this book is full of ups and downs, with a tight rhythm, which makes people hold their breath and concentrate. The whole novel has a clear goal - to prevent terrorist attacks and save Chang'an, but the wonderful thing is not the ending itself, but the clever arrangement of the layers of branches in the process. The so-called "branch" is not a meaningless branch or a dragging plot, but an unexpected event that is reasonably generated based on the character's personality, background and environment. On the one hand, these episodes create tension, and on the other hand, they must eventually return to the main line, so that "branches can grow outside and can also be retracted inside." For example, if a character is trapped in a desperate situation, how can he escape from death? Not only must it be thrilling, but it must also be logical, and it cannot be forcibly twisted for the sake of surprise. In terms of character setting, there are both firm righteous people and deliberate villains; not only do some people in the decent camp make mistakes, but there are also wise and brave people in the villain camp who are admirable. This way of dealing with blurring the boundaries between good and evil and enriching the character levels makes the whole story more real and credible. In addition, the novel cleverly combines real history with fictional plots, and it is difficult to distinguish between true and false. This writing style enhances the "credibility" and "immersion" of the text - although we know that this is a novel, we often have the illusion that "this may be true" when reading. The rhythm is even more smooth, with one wave after another. The language, actions, and scene descriptions are all very rhythmic, keeping readers in a state of tension and expectation. Each chapter is like a countdown unit in the ticking of the clock, compact, efficient, and without any redundancy. In short, this novel embodies extremely high skills in terms of structure, characters, rhythm, and historical integration.

Sometimes I feel that words are a kind of magic that almost does not belong to this world. Just through the arrangement and combination of black and white characters, vivid, tense, and heart-pounding pictures can emerge in people's brains, as if they are in the scene and experiencing it personally. Various emotions are awakened and affected, and behind this is actually just a string of silent words. Think about it, how incredible this is. In the entire biological world, many creatures can respond emotionally to visible things, such as seeing danger and seeing their own kind. But it seems that only humans can be deeply moved by "seeing words". It must be said that Ma Boyong is a master who is very good at using words to stimulate this resonance. This book not only has ups and downs and a tight rhythm, but also has a profound skill in narrative expression. For example, if you want to write a heroic character, write about his high skills and courage, and turn the tide, this image can be clearly outlined. But the key is-how do you write it? How do you "write" this character "alive" through his language, his behavior, his demeanor, and even the perspectives and reactions of others? This is the real difficulty of writing, and Ma Boyong did it. This novel was later adapted into a TV series, but I doubt that no matter how good the series is, it will be difficult to fully restore the atmosphere and tension in the novel. Because the psychological space created by words is infinite, while images are often subject to the boundaries of scenes, budgets, and lens language. Many things that are endlessly imaginative in words may be bland in images, and even weaken the original imagination. So I feel more and more that literature may really be a kind of existence that is close to "non-human civilization". It does not seem like something that should appear on the earth, but it happens to appear in the hands of humans. It is the freest transcendence of the real world. Perhaps because of this, we are addicted to it again and again and cannot extricate ourselves.

In the process of writing my own novel, I also tried to use GPT to assist in completing the description of the environment. But I have to say that when I compared the description generated by GPT with the environmental portrayal in Ma Boyong's "The Longest Day in Chang'an", the gap was immediately apparent. Although the description generated by GPT is complete and the words are gorgeous, it often makes people feel empty and boring, like a "soulless landscape postcard". The environment described by Ma Boyong is different - every scene in his writing has a clear narrative purpose and emotional orientation. The environment is not just a background, but also a carrier of the plot rhythm, character emotions, and theme atmosphere. For example, the description of the environment of the Lantern Festival is not just an introduction to the location, it also renders a sense of oppression and fear, and even implies the direction of the character's fate. Perhaps the problem also lies in the fact that the prompt words I gave to GPT were not accurate enough, or that I have not yet mastered the skills to guide AI to write "environments with emotions and narrative intentions". Another point that touched me deeply is that the enemy camp is described as extremely powerful in the novel. On the surface, it seems that "no way out for the protagonist", but in fact, this setting of strong enemy pressure can stimulate the reader's emotions to the greatest extent. The enemy is unstoppable and the team is in crisis, but the protagonist's small team survives and fights back in desperation with wisdom, chance and tenacity. The sense of hope and excitement brought by this contrast is an extremely contagious emotional fluctuation. In the final analysis, the core of the novel is to mobilize the reader's emotions. A truly wonderful story must not only be "good things in succession" or "bad things in succession", but also shuttle between hope and despair, and interweave between light and shadow. Even within a chapter, there should be emotional ups and downs, such as the protagonist's momentary alertness when facing a crisis, or the price after victory. In addition, the conflict is not limited to fighting with force, but is also full of strategic games, competition of people's hearts, and the turning points of success and failure caused by luck and chance. Various types of struggles intersect and reinforce each other, forming an extremely diverse narrative structure. And it is this "diversity" and "unpredictability" that keep readers in a strong curiosity of "what will happen next".

BaiLing

1,010 reviews

June 23, 2023

作者自己都說這是中文版的《24小時反恐任務》，只是場景放到唐朝天寶三年(西元744)的上元節，主角是前西域戰爭英雄卻因義氣殺死貪官上司的死囚張小敬，加上與太子交好的天才策士李宓，聯手的兩人得在12個時辰(24小時)內找出利用上元節燈會要把長安城搞得天翻地覆的恐怖分子，好阻止這項不清楚對象、行動、主使者的陰謀。

作者描繪長安城的筆力，展現的唐代風土民情和適時地將古代用語放到對話和敘事中，成功營造了相當有說服力的氣氛。除了跟隨主角東奔西跑的速度感外，像洋蔥剝皮般的「真相」一層又一層地出現，以為是謎底的盡頭，卻馬上一頭撞進死巷，正絕望著，卻轉頭來個峰迴路轉。一如美劇《24》在信任和背叛間翻轉的人性考驗，這書多了中國官場動輒得咎的進退應對，在歷史的華幕襯底下，不著痕跡地交錯了虛構和史實，終成這部過程令人眩目、一翻開就很難放下的小說。

雖然對臉書的老闆和公司作為頗有意見，但還沒想要停用的原因只是到目前為止，FB還是我得到外界訊息像圖書、電影的最大管道。這回也是透過這個社群媒體，才看起很久很久就不看的中國小說的。

得稍稍修正閱讀取向：中國和中國共產黨政權是不同的，是吧？

chinese

Brilliant

96 reviews

August 28, 2018

头十二个小时简直是封神之作，无论是节奏感、情节调度，还是穿插的史实和小段子都是极致，让人无法中断阅读，同时体会到如同看电影一般的快感。但后十二小时还是泄力了，一方面的书中的自相矛盾以及牵强之处大幅增多，没有了前一半的细致，而可能最主要的原因还是基于史实，毕竟不是架空历史小说，一切都需要和真是相符，结尾更是只能苍苍，安给贺知章其实很好，但动机很难明确，不明不白的安给贺东，实在是过于牵强。希望电影的改编能处理一些结果吧，类似徐克的狄仁杰系列，架空历史更加畅快。
还是很钦佩亲王，能从历史的缝隙里拼出这一切，还以24H的方式展现了出来，真是神人。
当然，也许这一切可能真的发生过，对于在长安城当时的上百万人都是无比的震慑，可时间的力量过于强大，1000多年过去，一切都消散在历史长河之中了。。

Nautile

159 reviews3 followers

January 31, 2019

从20%开始看，一拿起来意外地就停不下来，连着看了五小时一直看完，这个故事真是太666了，亲王现在写小说是真的厉害，女性角色的塑造也强了挺多…… 然后元载和王韫秀这一条线就印象特别深，感觉很有那种西方近代故事的感觉，好奇查了一下历史上的元载，书里塑造的形象确实挺符合的。唉那个姓徐的书吏（已经忘了名字了）的死感觉超级可惜，明明那么好的人，差一点就能升职，结果就这样被灭了口…… 这本书看着超过瘾啊，期待亲王下一部作品吧。

Browndwarf

2 reviews

April 7, 2025

1. 贺东作为幕后大boss的设定难以信服，如此复杂的阴谋只为了创造一个并不见得有利于太子的情形。即使贺东的计划完全成功，玄宗和达官显贵——不论是不是太子的党羽——都会被一锅端；这只会给太子留下一个更大的乱局。我认为并不如安排安禄山作为大boss。
2. 从全书1/3开始就有重复、疲劳的感觉。作者在探案、打戏上的创意比较有限。
3. 作为悬疑、犯罪题材的作品，其中的推理过于牵强、"我寻思"。张小敬和李泌"智商天花板"的人设都立不住。

This entire review has been hidden because of spoilers.

微的痕迹

13 reviews1 follower

June 3, 2017

亲王的的书真是爽快淋漓，各种史实，小说，故事手到拈来。除了最后有点太拥护贺监x.'满分

Vertigosher

16 reviews

April 28, 2018

如果不是这个结局或许给五分！好久没有这样废寝忘食看一本书了。亲王的书里总是有一种规则，《长安十二时辰》里的规则就是「一旦你做出了选择，你就要为你的选择负责。」遵守规则的人获利，违背规则的人受罚。或许不是洗地，亲王应该真的是这样想的。

Jacqueline

106 reviews

July 19, 2019

故事不停反转，好人下一秒可以变成坏人。情节还是挺有趣的，特别是上册。

就是感觉有一点冗长，可能是我自己不是特别喜欢惊悚类 (thriller) 的小说

Lily Miu

2 reviews

October 6, 2020

It's like reading "24" with Tang dynasty setting. Couldn't put it down.

Bernard

198 reviews3 followers

October 11, 2020

Ending is a bit loose. Suddenly having plot twists and trying to wrap up the story. Other than that this is a good thriller

Hqwxyz

447 reviews4 followers

October 18, 2020

这是中国版24小时，结尾虽不令人满意，不过学美剧的节奏感学得很到位。

Caleb Lim

130 reviews12 followers

did-not-finish

March 8, 2021

DNF at 26% (Pg 201)

兀鹘

159 reviews2 followers

October 7, 2021

时间线蛮有意思的，反恐类的刺客文也很爽，剧情刺激，节奏不错，但坑还是有的，不过最让我惊喜的是里面刻画的长安生活，非常鲜活了

Billy

3 reviews

November 26, 2021

这本小说写出了一个英雄拯救一个朝代的故事书中的张小敬是个真实的人

Bunnie

213 reviews1 follower

Read

October 29, 2022

逃避在幻想的古代中。为救皇帝辩解很恶心，“独裁者死了天下大乱，百姓更受苦”。但估计马伯庸心里还是清楚的，只是受限于历史和仓促，下一本书圆得就不错。

china

Jue JJ

100 reviews3 followers

February 26, 2023

非常好读，堪比爽文。难能可贵的是马亲王对于当时的各种细节都追求准确。快乐阅读的同时也能有些收获。

虽然一开始是因为电视剧的名头看了书，但读完书之后看了一集电视剧实在看不下去。觉得和自己的想象差得有点大。

Stella

44 reviews

March 8, 2023

干活的时候听完的，到后面有点疲了，这长安还是完蛋算了。

Fang

12 reviews

April 23, 2023

前半节发展扣人心弦，帝王的昏庸，官吏的腐败，百姓的艰辛，随着主角们一一展现在眼前，都是有血有肉活生生的例子，但后半节的转折太快，感觉被人当头泼了一盆冷水，猝不及防，最后的结尾很现实，但也让人心存不甘。

Yola

88 reviews

January 14, 2024

4/5。确实让人手不释卷，写实得让人窒息，说不好那一分扣在哪里，可能还是有些直接上感觉到的逻辑不连贯，有些虎头蛇尾了吧。
而且悲剧英雄太多，也让��难受。

TG Lin

289 reviews45 followers

November 2, 2024

祥瑞親王寫的歷史小說，相當精彩。

不過因為是放在一個真實歷史時空下，所以我不免以真實的人類標準，懷疑主角可以在十二個時辰之內不斷奔波並遭傷後，居然還能不眠不休地展現超人般的戰鬥能力。

至於本書刻劃出不少具備個性的角色，無論是正邪各方或路人，但作者顯然毫無慈悲，一切以情節緊湊編排為主，讓他們突然領了便當下台。算是作者的特色吧。

歷史創作