If you’ve ever wondered who designed the Rider-Waite tarot deck, then this is the book for you. I’ve always known it as the Rider-Waite deck, and have a beloved set of cards myself, but didn’t notice until I read this book that mine is labelled as the ‘RWS Tarot’ with the name Pamela Colman Smith in large letters at the top, and since reading Pixie I couldn’t be more delighted with that.
Pamela Colman Smith is the subject of this incredible book. As often happens, she was a woman erased from history, and in original versions of the cards her name didn’t even appear (and neither did an appropriate amount of money for the work in creating these beautiful designs).
Known as Pixie, we follow Pamela through her teens and into her incredible life as an adult, where she mingles with a group of successful and well known friends. This is done superbly well, through the self-depreciating voice of Pixie herself. It took me a long time to read this book because I spent a lot of time googling the real life characters of her story, so I could picture them as I read. Places too are fun to research. Ellen Terry’s home that features in the book is now a National Trust property currently displaying some of Pixie’s artwork.
Tarot cards feature heavily in the book, and this is done not only through the imagination of Pixie herself as she builds worlds in her head inspired by people around her, but also through the titles of each chapter. The chapters are named after the Major Arcana cards, each with their correct corresponding numbers, and this detail was extremely satisfying. There is also a poetic description of each card in Pixie’s naive and childlike tone. I paused each time before I read on because I wanted to study the card alongside the description (all are available as images online).
Through my own searches during and after the book, I came across the discussions around Pixie’s race. Jill Dawson approaches this carefully and sensitively, and in a way that we can make our own mind up. There is controversy too around how Pixie presented herself to those that came to see her storytelling, as a self-identified white woman who spoke Patois and dressed in costume that suggested she was ‘exotic’. But this is also handled with care, with the naivety of Pixie’s world view, her experiences as a young girl who lived in Jamaica, and her confusion around the ways in which others perceived her as ‘different’.
I read this book as an e-ARC, but will be purchasing it in hardback when it is released on 12th March. I have been keen to try grangerising, and I can’t think of anything more delightful than adding images of Pixie’s artwork, photos of her celebrity friends, full versions of poetry included, tarot images. This book will be a treasure I will reread many times.