Yashpal’s Magnum Opus is called ‘War and Peace of Hindi Literature'. Originally written in Hindi, it was published in two parts, in 1958 and 1960. In 2010, its English translation was done by Yashpal’s son, Anand and Penguin India published it. In 2011, Javed Boota did its Punjabi translation and Suchet Kitab Ghar, Lahore published it. In 2017, with the help of Munira Soorti, its ‘urdu translation’ appeared in the special edition of Aaj, Karachi. This ‘Urdu translation’ isn’t actual translation from Hindi, but just a change of script, from Devanagri script to Turko-arabic script. I tried reading 'urdu version' first, but couldn't continue due to frequent use of Hindi expressions. So, had to read 1119 pages long English version.
Yashpal spent his youth in Lahore. A revolutionary who was a comrade in arms with Bhagat Singh and Chandra Shekar Azad. He used all of those experiences to tell the story to two Hindu families from Lahore, the members of which got settled in Delhi and Indian Punjab after the catastrophic events of 1947.
The novel doesn't cover the political aspect of partition only, but also the social life before and after the partition. He skillfully depicted how that social life was disrupted and got transformed. The society which was open and inclusive before the partition became close and exclusive. Different communities which were living side by side for hundreds of years suddenly became enemy and started attacking one another. Just like Manto's stories, this novel deals which the psychological aspects of human life which were behind all those upheavals. One religion or one class or one group of people wasn't behind all those crimes. It was a 'collective madness'. Yes, you can say it was the politics based on the religious lines which orchestrated those riots but politicians alone cannot be blamed, these were the common people who carried out those attacks and these were the masses who became the victims. There was just change of rulers after the "independence" or "revolution". In fact, those rulers could easily exploit with more impunity in the name of independence and the same capitalist exploitative system kept on working under the rule of local leaders.
One of the fascinating aspects of this novel is that it highlights the systematic exploitation of women. The partition served to bring it into the spotlight. Women were tortured, raped and killed just like the property of other community and their only crime was that they were in relation with the male members of the other community. Even during the ordinary times, they were the victims of the regressive, decadent norms of our society. Sheelo loved her cousin but couldn't collect the courage to openly declare her love because she thought it is her religious duty to keep serving her husband. Tara expressed her love but was forced even by his "educated" brother to marry a rogue. Kanak had to face resistance because her lover belonged to the different class, and even when she wanted to rescind her marriage, these class conscious people opposed her. Kanta knew that sometimes she had to do things opposite to her wishes, but she kept on budging because she wanted her marriage to continue. Sita and her partners did things just for fun, but at the end it was only she who had to face the music. Similarly, Mrs Agarwal belonged to the elite and "educated" class but she also had an abusive relationship. The most heart wrecking story was of Banti. She did everything to get back to her family but when she went to see them, even her husband did not accept her because she became impure after getting raped.
At the beginning of the novel, the reader is sympathetic with both Tara and Puri but at the end it is Tara who turns out the real hero. Her love was opposed by her family including her 'progressive' brother, got married against her will, got raped by a Muslim scoundrel at the first night of her marriage when she was running away her abusive husband, harassed by people who apparently came to her help, even when she became the civil servant by dint of hard work people were calling her names became she wanted to remain an independent woman. The worst part was that she couldn't talk about her rape and had to torment all the pain alone. Her rape had a long lasting impression on her and she became afraid of all of those who showed her affection. Regardless of all these sufferings, she kept on struggling and helping all the destitute around her.
Kanak is another brave lady who showed one should revoke one’s marriage if that marriage loses its meaning, even if one had to fight the whole world to get into that marriage.
Pandit Gidhrilal also played an exceptional role of an ideal father. He showed what it is truly meant to stand with one's daughters during good and bad times. He taught them principles; to stand on your own feet and to take the decisions of your lives your own.
Puri is another character which showed how some educated and progressive looking man can be chauvinistic when he actually takes the reigns. He kept on having feelings for two ladies who loved him and he wanted to be with both of them but ended up with neither of them. Before coming to power, he was having all those socialist ideas, but when he had the power to implement those ideals, he became the part of same exploitative system.
Yashpal ended the novel on a positive note that the real change could only be brought by people, not by some politician or some political party. It wouldn't be an exaggeration to name it one of the finest works ever produced in the South Asian literature and one of the best works on the Indian partition.