I didn’t like this one as well as I liked THE ORCHARD, but it was still impressive!
THE ORCHARD took us back to the beginnings of Rabbinic Judaism, in the 1st century CE. This book takes us even further back, to around the 10th century BCE, and the reigns of Kings Saul, David and Solomon. It’s purpose, arguably, is to tell an “alternative history” (that’s kinda speculative/SFF right?) about the Hebrew kingdom that did not survive past biblical times—the Northern Kingdom of Israel.
Technically speaking, the reigns of Saul, David, Solomon and etc were supposed to unite the 12 tribes of Israel into one kingdom. But in reality, schisms persisted. Two distinct kingdoms sprouted instead—Israel and Judah. Judah, the southernmost kingdom with Jerusalem as its capital, survived and its history and customs more or less evolved into the Judaism of today. The Northern Kingdom of Israel fell to Assyrian invasion, and ten tribes were “lost,” or totally assimilated.
But this book doesn’t actually deal directly with the Assyrian invasion in the 8th century BCE and the Ten Lost Tribes. But it’s sort of an inspiration for Brandes, I think. Had the tribes survived, the stories of the bible might have been much different.
Or maybe not. Because well before said Assyrian invasion, there was a civil war between Judah and Israel. The Judeans won, and thus got to tell the “definitive” version of history. A version of history where David and Solomon, conveniently from the tribe of Judah, were anointed by prophet’s as Gd’s chosen rulers, and the king whose line they ended, Saul of the tribe of Benjamin, was seen as unworthy. These are specifically the accounts in the biblical books of Kings and Chronicles.
There’s already so much rich worldbuilding, and I haven’t even gotten to the further animosity between the tribes descended from the two matriarchs, Leah (like Judah) and Rachel (like Benjamin.) (And technically speaking, the children of Jacob’s two concubines, Bilhah and Zilpah were “given” Leah and Rachel, which, gross, and also reminds me that I need to start the current season of “The Handmaid’s Tale.” :P Anywho.)
The story this book centers on is that of a young man named Shelomoam, of the tribe of Ephraim, who has a mysterious past. The course of the narrative brings him to understand his true heritage, and along the way also gives new voice to Michal, the daughter of Saul and first wife of David. Shelomoam becomes a very important character in biblical history…or, he would have been if the Kingdom of Judah didn’t ultimately prevail over the Kingdom of Israel.
But actually, this book doesn’t get to that particular history either! :P It’s more concerned with positing the question that if Shelomoam and his ilk could tell their story, rather than being downplayed and denigrated by the Judeans, what would they say? How might David and Solomon (the former of whom is already remembered for some flaws) be painted differently?
In this book, similar to THE ORCHARD, in fact, words have power. They can, even more than swords, determine entire cultures. But one narrative rarely ever tells the whole story. We humans with our history are far too complex for that. And I again am in some awe about how Brandes makes these complex associations come to life.
But it didn’t work for me as well as the last time. It did in the beginning. Particularly with the Tribe of Judah trying to force the other tribes to stop their particular festivals and temple worship, because only Judean festivals and sacrifice in the Jerusalem temple were legitimate, dangit. This says so much about nationalism, and how the attempt to make “one” narrative erases so many others.
Things went off the rails a little bit with Michal, and alas, I like Michal! And particularly the subversive ways she tries to put some pro-Saul messaging into the bible. (Fun fact: this book bolded biblical quotes, to show how this story interacted with the original.) But after awhile she was less involved in the action, and all the passive court politics got a bit tedious. I’m used to Kingdom Drama—I’m in the middle of watching House of the Dragon, in fact. :P Frankly, this book would make for an even juicer story! But it would be nice to do away with all the gossipy dialogue and witness the action first hand.
While I’m at it, witnessing scribes deliberately mess with historical record in real time felt a little on the nose. Then again, in today’s day and age we have Fox News. :/
Anywho. By the end of the book I was still fascinated by the biblical history, but I wish it was told a little more compellingly. It’s possible Yardenne Greenspan’s translation leaned into the tedium, but I’m not sure. Maybe long discussions simply worked better in THE ORCHARD since it centered in Mishnaic sages in yeshiva, after all. :P And there was more action on the page there, too, imho.
Still, overall I’m very grateful I read this. It reminds me of the richness of my tradition, how much more I have to learn…and then, like Brandes did, maybe challenge and subvert! This level of engagement keeps biblical Judaism alive.