An interesting but not entirely successful novel that explores the relationship between two teenage sisters, one of whom, Jane, suffered from serious mental illness and recently died after being struck by a car. Griffin presents the points of view of the siblings in alternating chapters.
Although Jane was killed in the spring—and it is now summer—she has been unable to leave the earth. She lingers on in the place she loved best, the now derelict home of her deceased grandparents. The reader learns that Jane’s psychosis (elevated mood, delusions, and auditory hallucinations) first presented when, as a twelve-year-old, she went on a camping trip with her grandmother and grandfather. She believed that a fish her grandfather had caught, which they subsequently ate for supper, was trying to reassemble itself within her so that it could return to the lake. Since that time six years before, Jane had been on antipsychotics. The medication kept the worst of her symptoms at bay, but it failed to alter her sense of being out of step with the rest of the world.
Though a year younger than Jane, Lily Calvert has always felt like the older sister. She’s pretty, popular, and actively involved in school clubs. She also has a sensitive, steady boyfriend, Caleb, a classmate of Jane’s with his own unusual history. It wasn’t easy for Lily to grow up with Jane. In fact, the Calvert family’s existence essentially revolved around the older girl’s illness. Since her sister’s death, Lily has leaned heavily on Caleb, who (somewhat unconvincingly) has put his own life on hold to provide emotional support to her. (While his friends are almost all off to college in the fall, he’s made no post-secondary-school plans.) Lily has also been reluctant to attend parties and social gatherings since Jane’s death. It’s a small town; the family’s loss is known to most.
The big event of the novel occurs at a party held by a school classmate. It involves an exchange with another attendee which forces Lily to confront things she’s been hiding from herself.
The alternating points of view and lots of light dialogue keep the novel moving at a brisk pace. The subject matter is heavy, but Griffin’s book is not as dreary as one might expect. In part, this is because the author’s treatment of Lily’s bereavement is very superficial. Additionally, the denouement and resolution are far too quick and neat. Not a bad read, but not a particularly memorable one either.