The Essential Shakespeare

by William Shakespeare (Editor), Ted Hughes (Editor)

Read by Simon Callow, Lindsay Duncan, Paul Rhys, and Harriet Walter

Experience some of the most thrilling poetry and drama in world literature. This unique collection includes two sonnets and famous scenes from 11 of Shakespeare's plays: Macbeth, Othello, Twelfth Night, As You Like It, Romeo and Juliet, Much Ado About Nothing, A Midsummer Night's Dream, Richard II, Henry V, Cymbeline, and The Merry Wives of Windsor. Each scene is performed by well-known actors; each is prefaced with an introduction that highlights the main themes of the play, summarizes the plot, and describes the scene you are about to hear.

2 1/3 hours on 2 cassettes or 2 CDs

Genres: Poetry, Shakespeare, Plays, Literary Criticism, Literature

Hardcover

First published January 1, 1991

About the author

William Shakespeare was an English playwright, poet, and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted.
Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner ("sharer") of a playing company called the Lord Chamberlain's Men, later known as the King's Men after the ascension of King James VI and I of Scotland to the English throne. At age 49 (around 1613), he appears to have retired to Stratford, where he died three years later. Few records of Shakespeare's private life survive; this has stimulated considerable speculation about such matters as his physical appearance, his sexuality, his religious beliefs, and even certain fringe theories as to whether the works attributed to him were written by others.
Shakespeare produced most of his known works between 1589 and 1613. His early plays were primarily comedies and histories and are regarded as some of the best works produced in these genres. He then wrote mainly tragedies until 1608, among them Hamlet, Romeo and Juliet, Othello, King Lear, and Macbeth, all considered to be among the finest works in the English language. In the last phase of his life, he wrote tragicomedies (also known as romances) and collaborated with other playwrights.
Many of Shakespeare's plays were published in editions of varying quality and accuracy during his lifetime. However, in 1623, John Heminge and Henry Condell, two fellow actors and friends of Shakespeare's, published a more definitive text known as the First Folio, a posthumous collected edition of Shakespeare's dramatic works that includes 36 of his plays. Its Preface was a prescient poem by Ben Jonson, a former rival of Shakespeare, that hailed Shakespeare with the now famous epithet: "not of an age, but for all time".

Reviews

[James Smith · Rating 5 out of 5]

Shakespeare + Hughes = Jackpot.

This book is brilliant in its conception and stunning in its content. Part of the Ecco "Essential Poets" series, Hughes made a brilliant editorial decision: rather than simply anthologizing Shakespeare's poetry (i.e., the sonnets), Hughes decided to de- and recontextualize passages from the plays as poetry. As he notes, speaking of Macbeth's soliloquy, "To-morrow, and to-morrow, and to-morrow...":

[I]f one specifies that "To-morrow, and to-morrow, and to-morrow" is spoken by MacBeth as he faces the leafy army that will put an end to his spellbound, murderous career (having just heard that his wife, who prompted the course of action that converted him from the king's loyal champion to a regicidal tyrant, has died), it actually limits the use of the passage for the readers. Its relevance is then confined to Macbeth's unique predicament in a sacrosanct, old-fashioned play rather than applied directly to our immediate plight as ephemeral creatures facing the abyss on a spinning ball of self-delusion. Obviously by reading the passage out of context, one is missing the great imaginative experience of the drama--but one is missing that anyway. The speech on its own is something else, read in less than a minute, learned in less than five, still wonderful, and a pure bonus.

This decontextualization works brilliantly. It makes Shakespeare's language and psychology come alive in a new immediacy. All of a sudden one sees how Shakespeare is part of a lineage of English poetry, part of the stream that will give us Yeats and Eliot and Larkin and Hughes.

One has to wonder whether this work--the work of an "anthologist" now immortalized in Nicholson Baker's The Anthologist--isn't part of Hughes lasting testament. Indeed, I found myself hearing Shakespeare anew, almost as if the language had the same broad earthiness of Hughes' Yorkshire dialect. The very context seemed to help me hear Shakespeare anew, as a voice of England, and not just the sort of Oxford snobbery that usually accompanies his aficionados.

In sum, a marvelous little book--one of those delights to which one returns again and again, to-morrow and to-morrow and to-morrow.

[Bcoghill Coghill · Rating 5 out of 5]

My constant reference for over fifteen years. Sort of "the best of Shakespeare".
Part of Ecco Press marvelous Essential series.

[Jim Hurley · Rating 5 out of 5]

Tremendous introduction by Ted Hughes. Adds a unique perspective to Shakespearean criticism.