Drawing on museum collections and archaeological sites previously closed to Westerners, a group of scholars traces the development of Chinese painting over three millennia
A large formatted, very heavy book with astonishingly beautiful prints -- accompanied by academic essays by various specialists. I rarely find the 'academic' essays in these art books to be of much interest -- I'm not sure why -- either because I'm too impatient or because they are often dull --. At any rate, a lovely survey of a vast sweep of Chinese painting.
this was really good i thought it was super in depth. unfortunately it was too long and i was not able to finish it before i had to return it to the library lol
I was surprised at how uninteresting this book could be, at times, at how plodding the narrative was. The artwork was great, but I felt like the discussions of the artwork was often not insightful or illuminating.
Not as good as I had expected. Except for the chapter on Qing paintings, I found the other chapters to be not pleasantly written, quite difficult to follow. Sometimes paintings were described that were not even depicted in the book. I find myself not anymore knowledgeable on Chinese painting, unfortunately.
2 stars for the nice paintings and for the Qing chapter.
Second half of the essays is extremely messy and could have used more judicious editing; first half, esp. essays by Wu Hung, Barnhart, and Cahill excellent.