Current debates about the status of Modernism have led to an increasing interest in critical and aesthetic theories, and to a questioning of some of the traditional assumptions and limits of art history. The aim of this substantial anthology is to equip the student, teacher and interested general reader with the necessary materials for an up-to-date understanding of twentieth-century art.
Beside the writings of the century's major artists, Art in Theory includes relevant texts by critics, philosophers, politicians and literary figures. It is organised into eight sections, from the legacy of Symbolism at the turn of the century to contemporary debates about the Postmodern. Each section is prefaced by a brief essay. There are introductions for all of the 300-plus texts, which serve to place theories and critical approaches in context. The result is both a comprehensive collection of documents on twentieth-century art and an encylopaedic history of relevant theory.
Charles Townsend Harrison, BA Hons (Cantab), MA (Cantab), PhD (London) was a prominent UK art historian who taught Art History for many years and was Emeritus Professor of History and Theory of Art at the Open University.
He was tutor in Art History, Open University, 1977-2005, Reader in Art History 1985-1994, Professor of the History & Theory of Art, 1994-2008, Professor Emeritus, 2008-2009; Visiting Professor, University of Chicago 1991 and 1996, Visiting Professor, University of Texas, 1997.
I haven't read this whole book (it's like 2000 pages) but it is a really great reference for art historical essays, critical theory, and philosophy. Any seminal discussion of modern art is in here. I have read it for class and for fun.
Your best source for modern art! With all the authentic manifests from artists such as Malevich, or interviews with, among others, Francis Bacon. Love it! You’ll feel so close to the artists. Like you’re in their heads.
Found somewhere between Columbus and Amsterdam Avenue, somewhere in the vicinity of 84th street, inside a high-school (?) or something similar, a white building I recall. The sky was that gradient of black and blue you get in Manhattan in the late fall. Paid $1.50. Read everything from about 1980 and onwards, lamented when it ended - everything also falls apart around that time point, so maybe it was for the better.
Found somewhere between Columbus and Amsterdam Avenue, somewhere in the vicinity of 84th street, inside a high-school (?) or something similar, a white building I recall. The sky was that gradient of black and blue you get in Manhattan in the late fall. Paid $1.50. Read everything from about 1980 and onwards, lamented when it ended - everything also falls apart around that time point, so maybe it was for the better.
It’s a great book for reference for artists or art historians. It was easy to read from which ever artist you chose.For instance it was interviews essays and theory.
I doubt I will ever read this entire book, but it has been an excellent reference book over the years. A nice collection of primary sources, some very inspiring. I've used this both for school and while creating new pieces.