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False Self: The Life of Masud Khan

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The definitive biography of one of the most engaging figures of British psychoanalysis.

Both gifted analyst and generational bête noire , M. Masud R. Khan (1924-1989) exposed through his candor and scandalous behavior the bigotry of his proponents turned detractors. The son of a wealthy landowner in rural India (now Pakistan), Khan grew up in a world of privilege that was radically different from the Western lifestyle he would adopt after moving to London. Notorious for his flamboyant personality and, at first, widely acknowledged as a brilliant clinician, Khan was closely connected to some of the most creative and accomplished individuals of his time, including Donald Woods Winnicott, Anna Freud, Robert Stoller, Michael Redgrave, Julie Andrews, Rudolph Nureyev, and many more.

Khan's subsequent downfall, which is powerfully narrated in this biography, offers interesting insights not only into Khan's psychic fragility but into the world of intrigues and deceptions pervasive in the psychoanalytic community of the time. In telling the story of this provocative man, Linda Hopkins makes use of unprecedented access to a complete copy of Khan's unpublished Work Books, which are quoted extensively. Additionally, she conducted innumerable interviews with Khan's peers, relatives, and analysands in order to provide an in-depth and balanced account of Masud Khan as a talented and deeply conflicted individual.

568 pages, Hardcover

First published December 17, 2006

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Linda Hopkins

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Displaying 1 - 2 of 2 reviews
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378 reviews114 followers
October 25, 2012
What a thorough biography! The author spent some thirteen years working on it and it really shows. Interviews, letters, diaries, newspaper articles and many other interesting sources were used to piece together Khan's life. Such a character! Extravagant and pompous yet princely charming at times. A lot of the people that met him got the same ambivalent feeling of distaste but being inevitably attracted to him.
The interviews of supervisees and ex-patients of Khan were the parts I liked most. Again, the opinions are on the extremes of positive and negative, which shows us the best and worst sides of Khan's method.
I was close to tears near the end of the story, I had to put the book down 'cause it was hard to witness such a sad ending for this larger-than-life man.
593 reviews90 followers
May 23, 2020
Masud Khan was a controversial British psychoanalyst. Born and raised in the British Raj in what would become Pakistan, he came to Britain as a young man and immediately got involved in the postwar psychoanalysis boom. From the beginning of his career to its ignominious end, he was both lauded and condemned for his high profile and unconventional style. Linda Hopkins, a psychoanalyst herself, tries to avoid both in this interesting biography, opting instead for an attempt at a deep, compassionate understanding of a profoundly difficult man.

Psychology is a subject that has interested me at various points but it’s subtleties typically escape me. I find it hard to concentrate on them. I find it easy to concentrate on history, however, including my own, so I’ll say Masud Khan reminds me of a number of people I’ve met during my long sojourn in alternative education and grad school after that: charismatic rich kids who make big gestures and have a tendency to lie. Khan came from a rich landowning family in Punjab and took British psychoanalytic circles by storm when he came to Britain and took part in the postwar analysis boom. Handsome and quick-witted, he quickly became a big figure, analyst to numerous stars (Hopkins won’t say who but I believe her), dinner party lion, hobknobber with celebrity, holder of important psychoanalytic institutional posts, heir apparent to the great (supposedly, I don’t know much about him) Donald Winnicott.

Hopkins has us exhilarate with the good years and reel with the bad. By the late sixties Khan’s penchant for lies (seemingly pathological ones, at least in that they seemed not to serve a practical purpose, but I’m no psychologist), drink, and other women (despite being married to the prima ballerina of the Royal Ballet) caught up with him. He broke many of the rules of psychoanalysis, most notably socializing with — and sleeping with — patients. He did this for years and no one in British psychoanalysis did anything about it. Hopkins doesn’t make clear why- Khan did have some “lucky” timing, in between it being the sixties and seventies and his getting cancer at a key moment when the authorities were going to censor him. He recovered and went right back at it.

What finally killed his reputation was his last book, where he, among other problematic things, went on extended screeds against the Jews (despite having several of the proverbial good Jewish friends). Hopkins doesn’t quite bracket this off — she presents enough of a balanced picture to be realistic — but does suggest we put this, and his other misbehaviors, in the balance with the good Khan did. This is supplied by numerous interviews with patients who claim he helped them, and his many contributions to psychoanalysis. Hopkins doesn’t go into detail about the latter, and as someone who benefits from having psychological concepts explained to him as though he’s five, this wasn’t a helpful omission for me. As for the interviews, they appear to be roughly even between those who claimed he helped and those who claimed he didn’t, or that he hurt them- maybe there were more of the former but the latter made more of an impression.

Hopkins looks back more in sadness than in anger. This makes for good biography. The impression I was left with of Khan is mixed. On the one hand, I’m not immune from being charmed, including by the vaguely sociopathic when they take an interest in me. On the other, I scorn abuse of power, which is what sleeping with your patients is. Obviously antisemitism is wrong, though Hopkins argues was more of a symptom of his possible bipolar status than a real ideological stance- but charmers like Khan live and die by inconsistency, and I scorn that, too. He was consistent in his hatred of fat people, too, so overall my conclusion is that he could’ve used a swift ass-kicking, as an adult. But that wouldn’t make very good biography, and “False Self” is pretty good biography. ****’
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