TL/DR: X-Posted review I wrote for Amazon a number of years ago. I liked the book.
"The Battle of Salamis" by Barry Strauss is an excellent source of information about an important naval encounter that occurred between the Persian Empire and the Greeks in 480 B.C. This review will discuss the content of the text, extrapolate the main themes that are offered to the reader, and finally shall critique the sources of information that the author employed throughout his study.
The naval battle that occurred at Salamis, according to Strauss, was a turning point in the development of western civilization. Had the Persian Navy prevailed, the lone Democracy that the world had known, Athens, would have perished from the Earth, and one can only speculate what would have happened next. The scope of the book covers not only the naval battle at Salamis, but the land invasion to include the two major battles that preceded it at Artemesium and Thermopylae. Further, it provides the reader with a very engaging epilogue of what happened to the great figures of the time in the years that followed the battle.
The book is written in a narrative style, which makes the content very easy to digest by even the casual reader. It stands in stark contrast to many of the more cumbersome and academic volumes that exist on the subject, but with the expected gratuitous use of (sometimes conflicting) primary sources, specifically Herodotus and Plutarch. As a result, the reader is provided with nothing less than an outstanding piece of scholarship.
Beginning with the Persian advance into Greece, the text explores the battle at Artemesium, a cape north of Euboa, Greece, in which the Persian Navy attempted to entrap the Greeks. Greek strategist and Athenian commander, Themostocles, dispatched several of his speedy Greek triremes to employ ramming tactics against the Persian triremes which, due to their overwhelming numbers, had not left themselves adequate room to maneuver about. The result was a capture of thirty Persian triremes, and initially a Persian retreat. Further compounding the troubles of the Persian Navy was a violent thunderstorm that destroyed an additional two-hundred ships. The conclusion of the battle resulted in a retreat by the Greek Navy. The text then goes on to discuss the land battle at Thermopylae, in which the Greek coalition, led by the Spartans, held off the Persian advance for a time, despite overwhelming odds. Thermopylae fell, opening up the road to Athens, and the rest of the account revolves around the Athenian retreat from Attica, an in-depth account of the Battle at Salamis, and an epilogue of what happened after the battle to many of the key figures.
Combining a chronology of the events with a study of the important figures, again, told in the narrative style, is what draws the reader into this story. Even the casual reader, after reading anecdotes about Xerxes "whipping the sea", the scheming of Artemesia the Queen of Halicarnassus, and Themostocles' coalition-building, will be enticed and ask themselves the question, "What will happen next?" The strength of the story, however, is in the details provided in the character studies of these great figures. The great figures given this extra attention in the book are, in order of their appearance in the book, Herodotus, Themistocles of Athens, Leonidas, the Spartan commander who fought the Persian Army to a near standstill at Thermopylae before falling, Xerxes, the Great King of Persia, Hermotimus, a Persian royal eunuch, Eurybiades the Spartan naval commander, Artemisia the warrior-queen of Halicarnassus, Tetramnestus the Phoenician naval commander, Aeschylus the Greek Poet, Ariabignes, a Persian Naval commander and half-brother of Xerxes, Aminias of Pallae, a Greek trireme commander, and finally Polycritus, an Aeginetan nobleman and another Greek trireme commander who becomes important to the story during the initial Persian retreat. The remaining chapters of the book covering the Persian retreat from Salamis explore these characters further and tell the reader what happened to them in the years that came to pass.
Perhaps one of the most interesting character studies is that of Artemisia, the queen of Halicarnassus, a Carian city that fell under the administration of the Persian Empire. Strauss relays, in explicit detail, her motivations behind fighting for Xerxes, but also examines gender roles in the conflict by discussing her uniqueness as a female naval commander, her importance as an advisor at court, and her ability to scheme her way out of trouble when it found her at Salamis. An anecdote relayed about how Artemisia, knowing that the battle was lost and attempting to save both her prestige and her life, rammed an allied trireme, (a tactic employed to confuse the Greeks), shows the reader just how important it was to maintain the appearance of competence and bravery, as well as the importance of putting an appropriate amount of spin on the actual events, in the eyes of the supreme commander. Doing anything less, according to Strauss, would result in one finding themselves decapitated, and in the case of Artemesia, found her winning the prize for bravery at the battle.
A final word with reference to the summarizing events must give credit to the ancillary material that is placed in the text that provides the reader with the appropriate background information they need to understand the little nuances of the story. First, the book opens with a discussion of the technology utilized by both sides...the trireme. Down to details of how it smelled, Strauss gives the reader a very specific understanding of it's capabilities and limitations. Also adding to the recounting of events are seventeen maps, interspersed throughout the text to give the reader a quick geographical context for the event about which they are reading. They are incredibly valuable to the reader who does not have anything more than a casual understanding of the region with it's many complicated place names and geographic features. Placing the maps in the text as they have been makes this story more readily available to an audience that may not have the background necessary to form an appropriate mental map of the places at which many of these rapid developments took place.
Three major themes are discussed in the book, and are explored through the telling of the story. First, Strauss informs the reader that a great deal of scholarship about Persia exists and that he believes, as Herodotus did, that the Persians were a power, "from which the ancient Greeks--and the modern West--borrowed much." We can see this throughout the book. Secondly, Strauss debunks the myth that the Greeks were, as he states it, "noble sons of liberty." Instead, a major theme of the book is to show that they were not a, "true" democracy, but an imperial democracy. Perhaps, an antecedent to several democracies that exist today. The final theme explored throughout the book is, as Strauss states it, a focus on, "...the experience of battle", as told through the vivid details and reconstructions of the major battles discussed in the book. Equally important, though not explicitly stated, is the attention Strauss gives to the issue of situational awareness among the commanders and great figures examined in the book. This is a theme that, in the past, historians painted with a broader stroke, as they were unwilling to take the leaps that historians such as Strauss have with his battle reconstructions and narrative retellings based upon the evidence. The result is a greater insight--albeit an assumed insight--into what specific people involved in the conflict were thinking at specific times, and the sometimes adverse consequences of those thoughts and subsequent decisions.
The sources from which Strauss draws his information and formulates his arguments are vast without being overbearing to the reader. He is careful throughout the text to insert little caveats after making grand statements as not to overreach the scope of those sources. For example, in Chapter Three Strauss describes the clothing of Hermotimus, the eunuch responsible for many matters of Xerxes royal household down to the smallest minutiae. After doing so, however, he is quick to state, "This description of his appearance is an educated guess, based on ancient evidence." The use of other operative phrases throughout the text, such as, "We might imagine the generals at Salamis...", or, "On a likely reconstruction", the reader is alerted to the fact that no concrete facts exist surrounding individual events. Instead, Strauss uses what sources are available to him and attempts to bridge the gaps without attempting to deceive the reader into thinking that the events as he relays them are absolute facts. Not only does this lend credibility to his arguments when written sources do exist, but it adds to the readability of the book and helps the flow of the account.
The only sources that Strauss really mentions by name in the text are those left behind by Herodotus. In fact, he uses Herodotus so gratuitously that he begins and ends the book with stories about Herodotus and the bases for his observations about Salamis fifty years after the actual events. At points throughout the text where the historical record disagrees with Herodotus though, or seem an impossibility, Strauss is openly critical of Herodotus' recounting of the events, and then speculates, based upon the amalgamated alternative sources on what Herodotus may have meant. Strauss also recognizes what later writers such as Plutarch had to say about the events, but again, is quick to insert the caveat that their writings took place several hundred years after the actual events and may have been derivative of the work that Herodotus had done some years before.
The last twenty-three pages of the book are devoted to shoring up the narrative with hard and fast facts in the form of primary sources that Strauss used to formulate his recounting of the events surrounding the Battle of Salamis, as well as additional resources for study. Again, the reader sees Herodotus nearly everywhere, but when Strauss strays from Herodotus he offers a veritable gold mine of secondary source work that is of invaluable assistance to anyone interested in further study of the issue. In fact, he even goes so far as to rank and offer criticism of his own sources, such as his critique of Modern Studies of Salamis where he surveys the work of his peers and predecessors, offering the reader invaluable insights such as, "The best book-length study, too often overlooked, is Constantin N. Rados, La Bataille de Salamaine." Further, he offers criticism under the headings of, "Ancient Sources", "Ancient Ships and Naval Battles", "Ancient Warfare", "People and Places" and some general criticism of reference texts such as the "Oxford Classical Dictionary". One of the most interesting sets of source criticism that he offers falls under the heading, "Miscellaneous", where Strauss tells the reader specifically what sources he used to formulate some his rich narrative details. Sources such as, "Ancient Greek Dress", "Perfumes and Cosmetics in the Ancient World", and "Eunuchs in Antiquity and Beyond" provide the reader valuable insight into where Strauss found data which provided the little but indispensable details for his miniature character studies of some of the important people in the story.
In conclusion, the narrative style of this book and the great details contained in the course of the story make it imminently readable not only to the student or scholar, but also to the general reader. One gets the sense that Strauss, with his narrative style, is trying to entice an entirely different audience than simply the brick-and-ivy set. Yet, to make his book a valuable reference for the latter audience, he includes all of these excellent sources as well as his own insights into their value to the scholar. This piece of work is an indispensable survey of the events that led up to, occurred during, and followed the Battle of Salamis, and is a work from which readers can take away more than just a simply chronological understanding of the events. Strauss places the reader in the context with his vivid depictions of people, places, events and motivations. As a result, perhaps the biggest challenge of this wonderful book is setting it down. Buy it. Share it with friends. (Specifically friends who think that Classical history is dull and boring.) Cheers! C.