Noel Coward: An Audio Biography

by Sheridan Morley (Narrator)

Playwright, actor, singer, songwriter, poet and scriptwriter, Sir Noel Coward used his "talent to amuse" to spectacular effect for almost sixty years. Sir Laurence Olivier, Lord Mountbatten and Joyce Carey are just some of the voices heard paying tribute to the elegant star in this audio biography which is narrated by the broadcaster and critic Sheridan Morley. Extracts from interviews with Coward himself, several of his songs and moments from his plays come together to form a fascinating picture of one of the twentieth century's theatre greats.

Genres: Biography, Nonfiction

3 pages, Audio CD

First published January 1, 1969

About the author

Sheridan A. Morley (5 December 1941 − 16 February 2007) was an English author, biographer, critic and broadcaster. He was the official biographer of Sir John Gielgud and wrote biographies of many other theatrical figures he had known, including Noël Coward.

Morley was the eldest son of actor Robert Morley and grandson, via his mother Joan Buckmaster, of the actress Dame Gladys Cooper.

Reviews

[Evan · Rating 2 out of 5]

Four years ago I bought a first edition of Noel Coward's second autobiography, Future Indefinite (1954), for $2 at a charity book sale. Later, at home, I opened it and saw written in great flourish across the title page an authentic inked signature by Noel Coward. I was thrilled to say the least, but the clash of desires between possessing such a treasure and selling it for much-need funds eventually led to its being sold for $85 to a London theater director who was staging a Coward play and had been desperately searching for a signed copy. Needless to say, I never got to read it.

It probably doesn't matter because to really learn about the man we can't rely on the three autobiographies he wrote, however witty and observant they may be. We have to turn to other biographers.

Coward, penned by Coward's first biographer, Sheridan Morley, should, in theory, be one of these definitive sources, but it turns out to be a bit of a sticky wicket. This slim volume from 2006 is the last of several books Morley wrote about his longtime friend, Coward, the first being the first authorized bio of the man in 1969. Morley died in 2007 after having written more about Coward than any other biographer, including several books, articles and intros to Coward's own works.

It's obvious that Morley was close to his subject, perhaps too close. He seems conflicted in this book between guarding Coward's cherished memory and writing an honest biography.

In Morley's intro to this one, he asks the reader why the world should need yet another biography of Coward when the field is so full. His answer in justifying the book is that he has more to say about Coward, things he had not before said. But, in fact, this is a fairly generic biography. Efficient rather than scintillating or inspired. Overall, the writing is competent rather than accomplished. One almost feels that this must be a rehash or Cliff's Notes version of all the other bios Morley wrote on Coward. It's a good primer to and rundown of Coward's career, with not a whole lot of insight into the man or evocative scene-setting of his life and times. Coward's gayness is alluded to often, but not really explored, partly, it seems, out of deference to Coward's own choice to remain closeted in his lifetime but also, I suspect, to not overemphasize it at the expense of his accomplishment.

It would be misleading to say I didn't learn a lot from reading this; I'm glad I did. It's a good overview of Coward's career; a fast and easy to read primer. It will serve as an appetizer for the other bio I own, Noel Coward, by Philip Hoare, which is undoubtedly definitive (based on passages I've read) and richer in period and scene detail. One thing I really liked about Morley's book was the liberal interspersal of Coward's song lyrics throughout the text.

I would recommend this as a "quick-study" version of Coward's life and career. But if you want something deeper, go elsewhere.

[John Foley · Rating 3 out of 5]

Not Enough About the Man

This book chronicles the subject’s professional artistic life, but I get no feeling for the man’s private life. It seems to be written from a deep remove. The author mentions a diary and two autobiographies, but he doesn’t go into them at all. He apparently know Coward personally, but it doesn’t appear that the author interviewed the subject for the book. Reading the book seems like reading Wikipedia in more detail about the subject’s public life. I am left wanting much more.

[Alice · Rating 4 out of 5]

I love this man and I would sell my soul to the devil for a quarter of his wit and talent.

[Lea Columbus · Rating 4 out of 5]

this was a well written biography.I knew some things about Noel Coward, but not a lot. This was well researched and written.

[Gabrielle · Rating 3 out of 5]

Rather a dry book. Might be better for people directly involved with theater. Not much of a story line.

[David Highton · Rating 4 out of 5]

Comprehensive biography of a man I knew little about

[Jean · Rating 3 out of 5]

Although this book gave many accurate details of the various productions in which Noel Coward was involved - either as writer, actor, director, and composer, I'm afraid it did not give me much insight into Noel Coward's character. The book was well-written, but it did not interest me greatly and displayed little of the wit Noel Coward always infused into his own writing.