An upper-class love triangle flourishes in the New York City springtime when a playboy finally promises to marry the woman chosen for him by his parents, an intelligent heiress who is being courted secretly by his butler
Cynthia Voigt is an American author of books for young adults dealing with various topics such as adventure, mystery, racism and child abuse.
Awards: Angus and Sadie: the Sequoyah Book Award (given by readers in Oklahoma), 2008 The Katahdin Award, for lifetime achievement, 2003 The Anne V. Zarrow Award, for lifetime achievement, 2003 The Margaret Edwards Award, for a body of work, 1995 Jackaroo: Rattenfanger-Literatur Preis (ratcatcher prize, awarded by the town of Hamlin in Germany), 1990 Izzy, Willy-Nilly: the Young Reader Award (California), 1990 The Runner: Deutscher Jungenliteraturpreis (German young people's literature prize), 1988 Zilverengriffel (Silver Pen, a Dutch prize), 1988 Come a Stranger: the Judy Lopez Medal (given by readers in California), 1987 A Solitary Blue: a Newbery Honor Book, 1984 The Callender Papers: The Edgar (given by the Mystery Writers of America), 1984 Dicey's Song: the Newbery Medal, 1983
This book is a true gem. No one is who they seem, and just when you figure it out, they surprise you again. A gorgeous, effervescent romance, one that defies the genre. This book is less about smoldering looks and more about a marriage of true minds. The characters are superb and the prose, as is characteristic of Voigt, is just gorgeous. A must-read.
Stodgy at first, with a main character who is maddeningly methodical (and effective), and whose motives are never fully immediately clear - not even, perhaps, to himself. Actually, this book is quite stodgy and stilted nearly all through, yet this very stodginess comes to define and exemplify our protagonist, nay, to embody him -and the nacre shell he has created to protect himself, from what?
At times it seems almost as if the author is trying too hard NOT to write to young adults, her usual and primary audience. That being said, read it - and then RE-read it. This book is not at all geared to young readers. It's also a book which is even more enjoyable on a second read. Knowing the ending at the beginning - and the twists therein - makes this book feel like a conspiracy between author and reader, which is thoroughly enjoyable! Being privy, as the story unfolds, to the ironies of Gregor's relationships with almost all the other characters gives the story a delicious edge of hilarity.
Review from June 10, 2024: I can't believe it. I'm upping my rating to a four. Someone told me that this book got better on a second read, and they were right. The first 50 or so pages suck because I find it so hard to care about rich people, but then it got so good. Voigt's talent for dialogue really came through. I still don't think this book holds a candle to The Tillerman Saga or The Kingdom series, but this was better than I remembered it being.
Original review of May 25, 2021: Behold, ladies and gentlemen (and non-binary/trans/people all across the gender spectrum), my friends, a Cynthia Voigt book that I did not love! I'm not even sure if I liked it. The first few chapters were rough; Gregor's head voice was so smarmy and obnoxious that it scared me. Around chapter 4, I got sucked in, but I never felt like I was enjoying myself. Cynthia Voigt is still one of the best writers out there, and her skill is evident here, but this book was not my favorite.
I will admit to being ambigious about this book in the beginning. I picked it up because it was written by Cynthia Voigt. I used to read a lot of her YA books at one time and wasn’t aware she had written anything for adults. I was simply curious. I found this to be an interesting and enjoyable read. It had a lovely, unexpected twist at the end. Ms. Voigt uses this book to address the masks we all wear from time to time and the roles we play in society. This is often quite different from our authentic selves. Sometimes, we forget who we are and just play the role. This can cost us a great deal. I ended up quite liking this book and am glad I picked it up.
3.75 stars. The beginning was rough to get into because the narrator just starts the story without introducing the characters. You just have to figure them out for yourself. Then everybody lies about who they are to everybody. Some of the plot twists make no sense and some of the dialogue is clunky, but overall an enjoyable story.
i was excited to discover that she had written a book for adults that i'd never heard of, but i think i should just stick to rereading the dicey and jeff books because this was almost as disappointing as the last book of hers i read. it was a fairly lame story with a predictable short story style twist at the end. what i kept wondering about (more than the characters or plot) was when the book was supposed to be set. it was written in 1991 and there are references to hiv (i think she took the opportunity to put more gratuitous sex in than might be acceptable in a ya book) but it had a weirdly old fashioned feel. the characters' attitudes to women and the kind of prudish-while-trying-to-appear-otherwise treatment of sex reminded me very much of madeleine l'engle, and sadly not in a good way.
This book was a lot of fun - lovely/funny writing, and it seemed like a 1940's screwball comedy. The one weird thing is that it should have just been set in 1940 instead of present day (well, it was writing in 1990-something, so that present day) because you'd go for chapters assuming it was 1940 and then there'd be a sudden reminder that it wasn't (like an answering machine). It was also nice to see Cynthia Voigt switch up her style. I had just tried to read "David and Jonathan" by her (and gave up) and this was so much lighter.
I am a huge fan of Cynthia Voigt, and thus I was thrilled to find she had written a book for adults. I really enjoyed this novel. It's a lighthearted, clever little mystery, and definite proof of Voigt's excellent writing skills.