In times of war and national calamity—writes Jon Stallworthy in his illuminating survey of the lives and work of twelve celebrated war poets—large numbers of people seldom seen in church or bookshop will turn for consolation and inspiration to religion and poetry. Never more so than in World War I did the poignant poetry of hundreds of young men scarred by battle reach so large and eager an audience. Among the most famous and memorable of these youthful voices were those of the strikingly handsome, golden-haired, nobly patriotic Rupert Brooke, dead at twenty-eight; the serious-minded, poignantly truthful Wilfred Owen, who was shot down, at twenty-five; and the defiant Siegfried Sassoon whose gallantry in the Somme Offensive earned him the Military Cross and nickname Mad Jack. Profiled in this volume, too, and illustrated throughout with photographs of the action they saw and manuscripts of the poems they wrote are Edmund Blunden, whose work is haunted by the war until his death in 1974; Isaac Rosenberg, the painter who captured the absurdity and horror of war in words; along with Julian Grenfell, Edward Thomas, Charles Hamilton Sorley, Frances Ledwidge, Ivor Gurney, David Jones, and Robert Graves. With access to the archives of the Imperial War Museum and its wide collection of rare color and black-and-white photographs, this volume beautifully combines art, poetry, biography, and the tragic, noble, bleak, and confounding experience that was the Great War.
Jon (Howie) Stallworthy (18 January 1935 – 19 November 2014) FBA FRSL was Professor Emeritus of English at the University of Oxford. He was also a Fellow (and was twice Acting President) of Wolfson College, a poet, and a literary critic. From 1977 to 1986, he was the John Wendell Anderson Professor of English at Cornell.
Stallworthy was born in London. His parents, Sir John Stallworthy and Margaret Stallworthy, were from New Zealand and moved to England in 1934. Stallworthy started writing poems when he was only seven years old. He was educated at the Dragon School, Rugby School and at Magdalen College, Oxford, where he won the Newdigate prize. His works include seven volumes of poetry, and biographies of Wilfred Owen and Louis MacNeice. He has edited several anthologies and is particularly known for his work on war poetry.
While researching the local history of New Zealand Stallworthy discovered an obscure volume entitled Early Northern Wairoa written by his great-grandfather, John Stallworthy (1854–1923), in 1916. From this book he learned that his great-great-grandfather, George Stallworthy (1809–1859), had left his birthplace of Preston Bissett in Buckinghamshire, England, for the Marquesas as a missionary. This discovery led in turn to him finding family-related letters in the archives of the London Missionary Society. Stallworthy's book A Familiar Tree (Oxford University Press, 1978) is a collection of poetry inspired by events depicted in these documents. Singing School is an autobiography which emphasises Stallworthy's development as a poet.
Stallworthy wrote a short summary of war poetry in the introductory chapter to the Oxford Book of War Poetry (Edited by Jon Stallworthy, Oxford University Press, 1984), as well as editing several anthologies of war poetry and writing a biography of Wilfred Owen. In 2010 he received the Wilfred Owen Poetry Award from the Wilfred Owen Association. In the course of his literary career, he became a Fellow of the Royal Society of Literature and the British Academy.
A near perfect balance of biographical and analytical, with plenty of photographs and poems. There is enough analysis of structure and diction and the influence of the lives of these men on their work that one feels they have learned and understood a lot, but not so much that the book drags on and the reader loses interest. I would recommend this book to anyone with an interest in poetry and/or WWI.
Excellent anthology which devotes separate chapters to the major war poets, including Wilfred Owen, Siegfried Sassoon, Rupert Brooke, Robert Graves, Edmund Blunden, and others. I've been fascinated by the "war poets" since living in Cambridge and visiting Rupert Brooke's home village nearby, but this volume goes far beyond the early (mostly idealistic) poetry of Brooke and similar writers. The descent into disillusionment and horror is amply demonstrated by the later poets and artists. The many photographs and illustrations do a splendid job of setting off the individual accounts. This book really deepened my understanding of the war and effect it had on individual lives.
Interesting introduction to a dozen World War I poets, most of whom, not surprisingly, did not survive the war. A page or two of biographical information, critiques of some of their works, several poems from each poet, and photographs.