Written by a former teacher and author of An Introduction, this biography has been revised and updated to include new material now becoming available from the Russian archives, including a letter from Stanislavski to Stalin. The book is a set text for drama students.
kõige parem on muidugi kui pole yhtegi guru aga. ma näen mix endiselt stanislavski on a ja o. vist ük draamaõppes tundsin sellest kõigest puudust. muidugi on see tema systeem kergelt laastav, aga samas ma usun sellesse tõeliselt. YHTLASI pean kiitma benedetti sõgedalt suurt ettevõtmist stanislavski õpetus mingisse koherentsesse järjekorda ja kaante vaheld panna. slay
Quite different from what I have encountered of the great Slav's other famous writings in his other works, and different from what you will probably find in any excerpts, references, or anthologies. This is not prose, not preachy, not autobiography. It is not dizzy or obscurantist, dense, nor mystifying or mythological. It is free of all theory and ponderings. Refreshingly, what it is instead, is a simple and clearly-laid out "instruction book" of actor's exercises. A training book. Specific steps, numbered and bullet-point outlines. Real-world techniques to hone actor's discipline. I recommend it for its clean and clutter-free presentation of ideas.
Was reading backstage during the run of a show. Interesting, but didn't finish before the show was over (it belonged to the theatre), and I don't know that I'm interested enough to check out of the library.
“ the basis for every role and for the performance, as a whole is a detailed understanding of the action of the play, the dramatic situation, the given circumstances, the historical and social background.”