I went through a difficult period whilst reading "The Spider's Web"; I had discovered what a good read The Economist is and was trying hard to balance literature with current affairs. Despite this, and the constant interruptions I created, I found "The Spider's Web" easy to keep up with and, as with all Margaret Coel's books, quite gripping.
A young Arapaho has been found murdered and suspicion falls on two others with a dubious reputation, but also on his white fiance. We see much of the story that follows largely through the eyes of father O'Malley, but also through those of Roseanne Birdwoman, the former girlfriend of the dead Arapaho. This means that the story stays with the unfolding events rather that taking side steps into the "confused" relationship between Vicky Holden, the attorney, and the Jesuit priest.
Coel shows her love for the Arapaho and their culture, struggling to survive in a White-man's world, facing prejudice and suspicion, as always, but there is also a suggestion here that this book was written with screenplays in mind - it flows very smoothly and is almost predictable in its unfolding. I don't want to make that sound too negative - it's still a very entertaining read.