One topic I have spent the last many months obsessing over is the divine feminine and her dark destructive side, as well as how the systematic repression of her at the hands of modern Christianity has led directly to the unprecedented spiritual crisis which the Western world currently faces.
The divine feminine and her neglected dark side were certainly something the Swiss psychologist C. G. Jung spent much time brooding over. Especially the fact that as a devout Lutheran who wanted to become a preacher before he became a psychologist, he struggled with reconciling his faith on one hand and the realisation that it had no realistic chance of resolving the spiritual crisis of the modern West... in some aspects even being part of the problem. A good example can be found in ”Answer To Job”, focusing on Lilith's excision from the official account of Genesis leading to the vengeful dark feminine returning as the Whore of Babylon in the Book of Revelation. Who literally emerges from under the surface, riding a seven-headed dragon out of the sea. (Did Eve or Mary ever get to do anything that cool? I think not!) The repression of the dark divine feminine, and how to undo the damage done by this, would later become a major concern of modern Western occultists from Aleister Crowley over Kenneth Grant to Lynn Picknett.
The catalyst for my fixation with this challenge has been a series of dreams I had across the autumn and winter of 2021, all of which revolved around interactions with women who either had dark or morbid interests, abrasive personalities or jobs that require an acknowledgement of humanity's negative and destructive sides. For example military officers, indie publishers specialising in horror, or actresses typecast as villains. (the latter category including quite a few celebrities most notably Helen Mirren and Tilda Swinton...)
Anyway, my first many dream interactions with these women were quite acrimonious but I am now able to carry constructive and even productive conversations with these dark feminine presences in my dreams. That journey of developing a constructive relationship with the divine feminine in general and her neglected dark side in particular lead me to read ”Aspects of the Feminine”, a collection of essays written by C. G. Jung. The contents were not quite what I expected, to be honest, and I don't understand all of the essays found within. Furthermore: A good chunk of what I did understand, I found to be of questionable value.
Two of the essays make for interesting reading, for different reasons than Jung himself intended: The first being ”Anima and Animus”, not to be confused with Emma Jung's book ”Animus and Anima” which I found somewhat more interesting; the second being ”Psychological Aspects of the Mother Archetype”. In these 2 texts, C. G. Jung carefully spells out how he arrived at his anima/animus ideas and his theory about the archetypes, pointing out that he believed those archetypes as they manifest in dreams to be evolutionary adaptations showing humans potential pre-set behaviour patterns and life paths to adopt when new challenges in life present themselves. A good deal of his theories, in other words, are attempts at giving an evolutionary biological explanation for why dreams and religious visions are useful for humanity to begin with. I find these theories to be among Jung's weak points, as a result of my experience that Jung's therapeutic methods deliver the intended results for me but his explanations for why they work I often find unsatisfying.
”Aspects of the Feminine” is full of good examples I would use to represent this paradox: So many of the gender issues he writes about here, I have a difficult time recognising from the society I live in hence striking me as more particular to 1920's/1930's-era Switzerland than universal to the human condition; he also frequently refers to anthropological theories which today are obscure and might not have held up very well to the newest research in those fields. No wonder Jung's student James Hillman concluded in his book ”The Myth of Analysis” that Jung and Freud alike had more literary than scientific value...
Literary value is something that the texts found in ”Aspects of the Feminine” definitely have, that is for certain. The first essay ”The Worship of the Woman and the Worship of Soul” contains an interesting analysis of gender roles in Dante Aligheri's ”Divine Comedy” and other literary classics. As a result that essay has gotten me more interested in reading the works of fiction referred to.
The dream analysis parts are probably my favourite things to be found in ”Aspects of the Feminine”. One thing you can count on when reading C. G. Jung is that his patients usually had very entertaining dreams, and those described here are no exception! ”Aspects of the Feminine” is full of case stories where Jung's patients describe in vivid detail their dream encounters with totem animals, goddesses and abominable eldritch space demons straight out of a H. P. Lovecraft story. For that alone I would recommend ”Aspects of the Feminine” to fantasy and horror authors looking for ideas, as well as fans of classic literature looking for interesting analysis of their favourite books, or just people interested in the history of psychology as an academic discipline specifically how C. G. Jung developed many of his key ideas.
I, however, did not find exactly what I was looking for in here. As someone who paints in my spare time, I might in the future just re-read the dream analysis bits next time I need inspiration for new paintings.