Was Merlin a mythical character or a real person? If he was a real person, when and where did he live? In this provocative survey of all the known literary and historical sources, Jean Markale pieces together a compelling story of who and what Merlin might have been. Combining his investigation of the sources with fragments of Celtic mythology, Druidic culture, and the esoteric tradition, Markale draws an enlightening portrait of the archetypal Wild Man and shaman known as Merlin, who lived in the Lowlands of Scotland late in the sixth century, some fifty years after the reign of King Arthur.
In a state of divine madness Merlin sought refuge in the forest, where he inherited the gift of prophecy. With him was his companion, Vivian, an essential element of the Merlin legend. Their sacred clearing in the woods--described in some legends as an invisible castle of glass or air--was the site of their ecstatic journey of enlightenment and union with nature. From his place in the Cosmic Tree and outside of time, Merlin the enchanter challenges us to reexamine our way of life.
When the Merlin legend resurfaced in the twelth century, his message of the universal brotherhood of all beings and things called out to a rapidly urbanizing society that was losing touch with nature. His warning, which went unheeded, is no less relevant to us today than it was at the dawn of the modern era.
Jean Markale is the pen name of Jean Bertrand, a French writer, poet, radio show host, lecturer, and retired Paris high school French teacher.
He has published numerous books about Celtic civilisation and the Arthurian cycle. His particular specialties are the place of women in the Celtic world and the Grail cycle.
His many works have dealt with subjects as varied as summations of various myths, the relationships of same with occult subjects like the Templars, Cathars, the Rennes le Château mystery, Atlantis, the megalith building civilisations, druidism and so on, up to and including a biography of Saint Columba.
While Markale presents himself as being very widely read on the subjects about which he writes, he is nonetheless surrounded by controversy regarding the value of his work. Critics allege that his 'creative' use of scholarship and his tendency to make great leaps in reasoning cause those following the more normative (and hence more conservative) mode of scholars to balk. As well as this, his interest in subjects that his critics consider questionable, including various branches of the occult, have gained him at least as many opponents as supporters. His already weakened reputation was further tarnished in 1989, when he became involved in a plagiarism case, when he published under his own name a serious and well-documented guide to the oddities and antiquities of Brittany, the text of which had already been published twenty years before by a different writer through the very same publisher. Also a source of controversy is his repeated use of the concept of "collective unconscious" as an explanatory tool. This concept was introduced by Carl Jung, but in modern psychology it's rejected by the vast majority of psychologists.
The underlying message is pertinent especially for our times. I got a bit lost on the etymology of the myriads of denomination and expressions as well as to remain with the red thread through the referenced stories and tales.