Oh my word, where to even begin...
The main characters? Sure. So here we are, following the lives of Sara (teenage, bookish, and therefore smarter than any other two characters put together, and therefore able to rise above the influence of her cult, as though the only reason people follow a belief system is that they're dimwits and/or evil?) and Rachel, who is INTOLERABLY naive, weak, victimized, and clueless. Poor Rachel is characterized such that it's a miracle the girl knows how to tie her own shoes. The number of times that the plot hinges on Rachel being so dimwittedly helpless is outnumbered only by how many times the plot hinges on Rachel being pretty.
Then there's Luke. Remember how the plot hinges on Rachel being pretty? Well, Luke decides at seventeen that he's going to profess his undying and eternal love for this girl because she's pretty and arguably for no other cited reason. Which is why everyone else wants to marry her too, but remember they're EVIL. Like her other dozen-plus prospective husbands, Luke wants to control Rachel's life and make spiritual choices for her, but because he's a nice character and not all cult-ified, this is viewed as romantic instead of a benign version of EXACTLY WHAT ALL THE OTHER MEN WANT. Rachel's consent also matters, of course, but let's look at the text here, folks--Rachel doesn't want to go until the eleventh hour. Luke and Sara are the ones who decide they're going to disabuse her of what she believes.
As for our cast of supporting characters, they're mostly a stunning mix of cookie-cutter eeeeeeeeevil types--conniving, raping, violent, abusive, screaming, cruel. If you're looking for shades of grey, look elsewhere. Black and white doesn't even BEGIN to cover it.
And to match the unabashedly evil characters, how about some to-the-max eeeeeeevil plotting? All stops pulled out, every conceivable horror included--physical, verbal, emotional abuse, incest, babies having babies (with birth defects), children locked in closets, beaten in sheds, raped in hotel rooms, IMPREGNATED BY THEIR FATHERS for heaven's sake!!!! Plus a disastrous end to a long-awaited pregnancy coupled with dashed hopes of any future pregnancies, which is tops in the feminine-literary-tragedy hit parade. Suicide, second attempted suicide, psychotic break. It's all here, and it's all manhandled with seriously hard-hitting dramatic tone and really irksome writing.
Seriously. "Squatwalked" as a verb? "[he was in] Satan's extended family"?? She "squirted fear into her underpants"???!??!!!? "His eyes were as wide as banjos"? Got a lot of banjos hanging around your incestuous cult, eh? Earrings like petrified worms. Plus an editing whoops that led a character to clean poopy underpants with the "garden house [sic]". Descriptions were genuinely bizarre (sometimes good writing trumps 'original phrases', Miss Banjos) and the writing was simple in a childish way, such that my book-club partner and I wondered if it was meant to have a YA bent to it. Not that there's any place in YA for that much "every adult you ever know except one in a crucifix is definitely out to abuse you in any possible way".
Despite nobody in BotL having anything above a middle school education (Sara INCLUDED, people!), I'm just not buying the whole "she's just too smart to fall for the cult stuff" plot point. Never does Sara come across as a character who would merit perfect SAT scores. So she reads. And OOOOOOOH, she reads Robert Jordan (see my reviews for just how many Wheel of Time books I've two-starred) so she must be very smart indeed.
And for all that disaster to get tied up with that many shiny pretty bows is both predictable and deeply disappointing in its own way.
I'm not enormously well-read of competitors in the "teenage and trapped in polygamist cult" novel category, but this was laughably bad (literally laugh out loud bad) and cringe-worthily unrelenting in its cruelty. Do not, I repeat, do not waste your time. Run, don't walk, away from this book.