""The Being The Metrical History Of Robert The Bruce, King Of Scots"" is a historical epic poem by John Barbour that tells the story of Robert the Bruce, a Scottish king who led his country to independence from England in the 14th century. The poem is written in Middle Scots and is composed of 20 books, each containing around 1,400 lines of verse. It covers the period from the death of Alexander III of Scotland in 1286 to the Battle of Bannockburn in 1314, in which the Scots defeated the English army. The poem is a valuable source of information about the life and times of Robert the Bruce, as well as the political and social conditions of Scotland in the Middle Ages. It is also a work of art, with its vivid descriptions of battles, heroic deeds, and personal struggles. ""The Bruce"" is considered one of the greatest works of Scottish literature and has been praised for its historical accuracy, its poetic language, and its depiction of a national hero.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
John Barbour (c.1320 - 1395) was a Scottish poet and the first major named literary figure to write in Scots.
His principal surviving work is the historical verse romance, The Brus (The Bruce), and his reputation from this poem is such that other long works in Scots which survive from the period are sometimes thought to be by him. He is known to have written a number of other works, but other titles definitely ascribed to his authorship, such as The Stewartis Oryginalle (Genealogy of the Stewarts) and The Brut (Brutus), are now lost.
Barbour was latterly Archdeacon of the Kirk of St Machar in Aberdeen. He also studied in Oxford and Paris. Although he was a man of the church, his surviving writing is strongly secular in both tone and themes. His principal patron was Robert II and evidence of his promotion and movements before Robert Stewart came to power as king tend to suggest that Barbour acted politically on the future king's behalf.
Easy language for Middle English - much more negotiable than the Gawain Poet, even without referring to the quality facing translation - profound influence on the ideas even of modern Scottish nationalism, and particularly the final book with a Scottish noble crusading in Islamic Spain wearing the dead king of Scotland's innards around his neck illustrates how surprisingly connected the medieval world could be. My copy seems to be missing the last 20 lines or so but maybe that's an editorial thing I'm not understanding.
That said, it's very long and I feel I could've read books 1, 5, 13-14 and 20 and got a similar amount out of it. Barbour is very repetitive, operates largely episodically and doesn't seem to have a bigger structure, or any qualms around hypocrisy or historical omission. Doubtless of great interest to Bannockburn fanatics.
For my dissertation, but actually enjoyed reading it cover to cover seven times to make sure I didn't miss anything I promise. I am also now significantly better at reading medieval Scots, and it makes me feel like I'm going insane.
A very culturally important book as stated in the book description. My motivation for reading this magnificent book was its history, generally and specifically and that an ancestor of mine was Chief Armourer to Robert the Bruce, later, after he won the war, King Robert the Bruce.
Lots of details and certainly a historians and genealogists delight. I would recommend this interest in the times also this book.