"Abani’s poetry resonates with a devastating beauty which cuts to the heart of human strength, survival and tyranny."— Pride Magazine "Reading Abani’s poems is like being singed by a red hot iron."—Harold Pinter "Stunning poems … Abani conveys the experience in words shaped into art and made unforgettable by their quietness."— New Humanist "A beautiful work of art ... elevates art and humanity above meanness and inhumanity."— World Literature Today "A brave and challenging book ... I was moved as much by what the poems have achieved as by what they have rescued from that nightmare world. Reading, I found myself in tears."— Sunday Tribune This powerful collection of poems details the harrowing experiences endured by Abani and other political prisoners at the hands of Nigeria’s military regime in the late 1980s. Abani vividly describes the characters that peopled this dark world, from prison inmates such as John James, tortured to death at the age of fourteen, to the general overseers. First published after his release from jail in 1991, Kalakuta Republic remains a paean to those who suffered and to the indomitable human spirit. Chris Abani is a Nigerian poet and novelist. Publications include The Virgin of Flames (Penguin, 2007), Song For Night (Telegram, 2008) and Graceland (FSG/Picador 2005). He is a professor at the University of California and the recipient of many prizes, including the PEN USA Freedom-to-Write Award, the Hurston/Wright Legacy Award, a Lannan Literary Fellowship and the PEN Hemingway Prize.
Christopher Abani (or Chris Abani) is a Nigerian author.
He was a political prisoner in Nigeria at various times during 1985 and 1991. At times he was held in solitary confinement and he was held on death row for some time after being sentenced to death for treason.
He is a Professor at the University of California, Riverside and the recipient of the PEN USA Freedom-to-Write Award, the 2001 Prince Claus Awards, a Lannan Literary Fellowship, a California Book Award, a Hurston-Wright Legacy Award and the Hemingway Foundation/PEN Award. Selections of his poetry appear in the online journal Blackbird.
Terrifyingly close to be so far away, like the cat in the biscuit tin at the end. Read this because you have to bear witness. Read this because surviving is art. Read this because you are paler when you leave it.
I read this book for my Global & Transnational Literature class at the University of Utah.
What a wonderful read! Abani's story packs a powerful punch. His language is both beautifully gentle and necessarily violent. This poetry demands to be read and his story deserves to be known.
Chris Abani writes of the suffering and pain, witnessed and endured, during his time as a political prisoner in a Nigerian prison. He was arrested and held multiple times from 1985 when he was 18 years old, then again in 1987, to his last arrest when he was put on death row in 1991. Kalakuta Republic is a poetic lens into that hellhole, and its aftermath on the writer in London.
I have not read anything quite like it. Kwame Dawes, author of the collection's introduction, asks a good question - How do you marry craft to convey such a nightmarish reality? I don't have the answer. I kept that question at the back of my mind, intending to refer back to it as I worked my way through the poems but the intensity of the poems themselves meant I was immediately sucked in. Where did that leave me? Oddly enough I didn't feel like a voyeur. I'm glad for that, and I believe that in itself speaks to Abani's craftsmanship and his sensitivity with language. But how do I, as a reader, even through a poem, be a witness to that kind of suffering? And its aftermath on the human body and mind? London, oh frigid London, added its own grime to the story. All in all, strangely beautiful and hypnotic, Kalakuta Republic raises uncomfortable questions about humanity and society.
Is it possible to make poetry on the most brutal forms of oppression and sadistic abuse on humiliated humans? Chris Abani shows it is pissible indeed, and provides, in his elegant verse, compelling portraits of his cellmates. In living and telling the story, he honored the memory of those who died. John James, brutally killed at age 14, I hope you can hear the verses to your memory, and smile .
These are very powerful and moving poems. This is the poetry of wItness at its truthful best. It is terrible and essential reading about man's inhumanity to man.
These poems make extremely uncomfortable reading: the violence verges on the pornographic. Dante's Inferno is less frightening, if only because Abani's experiences are presumably not imagined ones.