Una encantadora colección de libros con páginas duras dirigida a los más chiquitines y diseñada para ayudar a desarrollar el lenguaje y el sentido del tacto. Las ilustraciones incorporan parches de texturas diversas para que los pequeños disfruten al explorar en cada hoja un tacto diferente.
Fiona Watt is an Editorial Director and writer at Usborne Publishing. She started working at Usborne in 1989 and has written and edited hundreds of books including baby and novelty, sticker, art and craft, cookery, science and activity books. Fiona graduated from Exeter University with a B.Ed. (Hons.), specialising in Psychology and Art and Design. After university she worked as a researcher and writer for a company which published educational material for places where children went on school visits (zoos, museums, stately homes etc). She then taught seven, eight, and nine year olds for five years; three years at a state school in Sevenoaks in Kent, and two years at The British School in the Netherlands in The Hague.
Having joined Usborne in 1989, Fiona became an editorial director in 2003, largely responsible for writing baby and novelty books, as well as art and activity titles. She has written over 100 titles for Usborne Publishing, perhaps most notably the, ‘That’s not my ….‘ touchy-feely series.
*SPOILER ALERT* In this gripping instalment of Fiona Watt's "That's Not My..." series, it could easily be posited that more questions are raised than are answered.
On the surface, this book examines a vast array of puppies, the seemingly unseen and unknown/unknowable narrator providing reasons as to why each one cannot be, and is not, his/hers. As we gradually near the final pages, a distant feeling of unease grows into terror and suspense as we realise the possibility that "my" puppy may never be found, or, even more perturbingly, that we might have been had. Has the author been playing a game all along, leading us on a wild goose chase for a puppy that does not even exist? Or, more intriguingly, is she cocking a snook at the very notion of "ownership" of another life?
This idea took on deeper significance as, on further reflection, my reading partner and I spotted the presence of a mouse in each picture, leading us to question, has THIS been our narrator all along? If that is indeed the case, how can a mouse be said to "own" a puppy? But then, if we disallow mice such privileges, who are we humans to then claim ownership of another? Even if we allow ourselves such an indulgence, how then are we classify which lives we can own - plants? Insects? Mammals? Primates? Humans? Are we so very different from the slave owners of yore, asserting our superiority over those we consider merely our possessions?
And then, to the relief of the audience, "my" puppy is identified - curiously enough, due to the squashiness of its nose, which is a puzzling choice of distinguishing feature, and one which, despite a rather lengthy symposium held during bathtime, we were unable to decipher, given the rather more obvious physical differences between it and the other puppies in the line-up. Have we really been led a merry dance, wasting time looking at pink poodles and the like when what we were seeking all along was a white and brown mongrel?
Oh, and Julia thinks the puppy with the bumpy paws looks like a biscuit.
I liked this book because there were lots of puppies to touch.
None of them were my puppy though. One was too fluffy. One was too bumpy. One was too hairy. I don’t know who is responsible for bringing me all these incorrect puppies but I think they need to try harder.
Eventually we found my puppy. His nose was squishy so I gave it a good rub and tried to grab the book.
Good book. Good textures. Would have preferred to put it in my mouth.
We bought this for our youngest child when he was still an infant. Originally we couldn't figure why he didn't like the textures and would pull away each time we had him touch them. After an autism diagnosis at age two, this suddenly all made sense. One year later I am happy to say these Touch Feely Books played a large part in early intervention therapy. Now, not only does our son touch them - he can recite the story!!! These are really sweet books for any infant and toddler, but we ended up finding them particularly useful from a therapy standpoint.
This book is a piece of art. The way it combines touch with imagination is groundbreaking. At the same time as all of this it investigates real world complex problems like losing objects. This is the sort of thing we should be writing about for GCSE’s. This is art compared to the ancient childish literature in the UK GCSE curriculum.
Conclusion: This book is groundbreaking art and can help you to explore real world problems. A must read.
This one's pretty good, but it's wrong...my puppy has the fluffy ears. We'll, my aunt's puppy has the fluffy but that counts because I don't have a puppy of my own yet.
My friend used these books for her three children (1 boy and 2 twin girls). Then she passed them on for my son to enjoy.
He loves them we have the lion, kitten and puppy one.
The feely pages not only make the story interactive but it also makes the pages easier to open. My son will often play with his books, opening the pages and feeling the part that has a different texture. We have one of these as a first story to settle down before bed. He also often reaches for them during the day to explore and practice turning pages.
My son has been enjoying this series since he was 6 months old.
Another delightful book in the That's Not My series; this time about a puppy. My baby loves feeling the different textures on each page and the illustrations are so cute!
That’s Not My Puppy… is one of the strongest and most timeless books in the “That’s Not My…” series. It hits every note that makes these touch‑and‑feel books so effective for babies and toddlers: bold illustrations, clear contrasts, and tactile patches that are easy for little hands to find. The repetition gives kids a sense of mastery, and the simple structure makes it perfect for even the shortest attention spans.
This one is especially great for early sensory exploration. The textures are varied but not overwhelming, soft ears, fuzzy tails, smooth collars, and each page offers a clear, predictable moment of discovery. The puppy illustrations are friendly and expressive, which helps keep little readers engaged without overstimulation.
It’s not trying to be a story; it’s a developmental tool wrapped in cuteness. And it succeeds beautifully.
Overall, the book is simple, tactile, and one of the best starter books for babies and toddlers.
This entire review has been hidden because of spoilers.
Usborne children's books consistently stand out as exceptional resources for young readers. With their engaging content, vibrant illustrations, and interactive features, Usborne books inspire a lifelong love of learning and reading. These books are thoughtfully crafted to cater to a wide range of age groups and interests, ensuring that there's something for every child. Parents, educators, and children alike can rely on Usborne for high-quality educational and entertaining literature that fosters creativity, curiosity, and a thirst for knowledge. That's Not My Puppy is one to add to your collection! So great!
Another book I've bought for teaching English to little children. I've noticed that, even if they're 8-9 years old, they still love the touching part or lifting flaps. So I try to buy books that can be appreciate in this way, too. And they aren't offended if I read them books that are dedicated to younger kids.
The language is a bit weird, if I may say so: the words seems to be a little uncommon. Fluffy is OK, but I had difficulties in coming up with a right translation for bumpy and squashy.
Anyway, I guess I'll buy some more touchy-feely books...
I chose this book because I really liked the different textures this book has. Each dog has a different texture, the first dog has a fluffy texture, the second dog has a leather texture, the third dog has shiny texture, the fourth dog has a shaggy texture, and the last dog has a squishy texture. I think this book is a super fun read aloud for the class and allows for hands on engagement when feeling the different textures. The illustrations are also very simplistic and allows the different fabrics to be the center of attention! This is a great addition to the classroom!
A friend of my husband bought this book in a set of 3 for our son as a welcome home gift. Being a new mom, I had no idea what these books were. At the time my son was too young to care about books but when we showed him these he actually did pay attention briefly. Once he got into boardbooks, these were his top favorites. I've read them endlessly. This puppy one is probably the least favorite of the 3. For some reason soft & fuzzy textures aren't his thing. But this book still got a lot of air time.
'That's Not My Puppy...', not to be confused with, 'That's Not My Dog...', is apparently the first of 70+ titles in this series that started in 1999. A good start, good variety of textures. Also subsequently the first appearance of the character Mouse, who appears on every page of the entire series. Wikipedia claims this is of of three titles that genders the animal, but I do not see anyway to determine that this puppy is male or otherwise in the recent printing.