I am writing this a few days after I finsihed this, and I’ve gone ahead in the next one so I’m a little confused. Story #1: This character is technically homeless and stays in these rent-a-night cubicle dorms. He follows a blogger, Akane, who is also living a similar lifestyle and provides tips for survival. He fell into this lifestyle after leaving his abusive aunt and uncle, who he was staying with after his mother died/his father’s company went under. His aunt and uncle are unemployed but not for lack of trying. When he gets served with the Ikigami he takes advantage of the discounts/free food. He ends up meeting Akane IRL, and she explains to him that the poverty they are dealing with and the aunt and uncle’s situation are due to systemic issues, not due to laziness or a lack of hard work. He forgives his aunt and uncle. They make copies of his Ikigami ID so that they can hand them out to other impoverished people so that they can use the copies to get the Ikigami discounts/free food/free transport. He tells Akane to buy some stuff w the Ikigami and sell it, just enough o get herself out of the pit she’s in. Then she can get her life together and make something of herself. We flash forward a bit after his death. He is obviously retroactively labeled a social miscreant, so his aunt and uncle don’t get the bereavement pension and get evicted. In a wholesome full circle moment, Akane is appointed as their lawyer to help them fight the charge.
While discussing the case, Kubo the psych implies that she’s not against the idea of struggling people using fake Ikigamis to survive. She’s implying that there are huge issues in society. Kubo basically openly expresses her revolutionary leanings, and Fujimoto rats her out.
Story #2: A boy who is involved in anti establishment organizing. His father hosts a late-night show that subtly pushes back on the social order. The show gets shut down. His mom dies. All this strengthens his hatred of the National Welfare Policy. He decides to do something drastic in his final 24 hours. He takes Fujimoto hostage and demands that he be broadcasted on national TV!! However many of the cameras are fakes. Kubo has disappeared ever since Fujimoto reported on her, but during the hostage situation she suddenly shows up to negotiate. Fujimoto realizes that the man who has him hostage is the same man that was riding in the car with Kubo earlier. The man he thought was Kubo’s bf! Kubo is there to try to stop him from killing Fujimoto. At first I thought she was a double agent, and so did Fujimoto, but really they just released her temporarily so she could do this negotiation. Kubo tells him that the cameras are not broadcasting and his message isn’t getting out anyway, so he should let Fujimoto go. Luckily, the dad, who had been losing his convictions, comes back in a baller move and hacks the country’s earthquake alarm system so that the hostage scene is shown to everyone. The SWAT team descends and frees Fujimoto and the man dies at his allotted time.
Fujimoto has to go on leave for a bit after that traumatic incident. He is touched that Kubo went to all that trouble to save him, but still internally struggles with the fact that she’s a true Social Miscreant. He has a cryptic convo with the father of the deceased man that fires him up to return to work.
This volume blended the Fujimoto/Kubo storyline with the short stories more than any of the previous volumes. I’m a little disappointed in Fujimoto’s commitment to National Welfare, but it would be unrealistic for him to give in so easily. The first storyline did a great job again of exposing how unequal their world is, which again calls into question the usefulness of the policiy.