Despite his amply deserved reputation as the father of Southwestern Ontario Gothic, James Reaney was one of the most playful and buoyant Canadian poets publishing in the 1940s and '50s. The Essential James Reaney presents an affordable, pocket-sized selection of the poet's very best work.
James Crerar Reaney, OC FRSC was a Canadian poet, playwright, librettist, and professor. Reaney won Canada's highest literary award, the Governor General's Award, three times and received the Governor General's Award for Poetry or Drama for both his poetry and his drama.
Upon the lake At Gramaphone A beastly bird Sits on the bank And dips its beak Of sharpened bone Into a haunted Tank That ripples with an eternal stone.
When the ladies descend the stairs, Some eat their fans And others comb their hair. But Miss Mumblecrust Picks up that beastly bird And dips its beak Into that round lake That ripple with eternal stone And dips its beak of sharpened bone Into a pool of a young man singing 'I'm all alone By the telephone!'
- The Gramaphone, pg. 12
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I am Lake Superior Cold and gray. I have no superior; All other lakes Haven't got what is takes; All are inferior. I am Lake Superior Cold and gray. I am so cold That because I chill them The girls of Fort William Can't swim in me. I am so deep That when people drown in me Their relatives weep For they'll never find them. In me swims the fearsome Great big sturgeon. My shores are made of iron Lined with tough, wizened trees. No knife of a surgeon Is sharper than these Waves of mine That glitter and shine In the light of the Moon, my mother In the light of the Sun, my grandmother
- Lake Superior, pg. 21
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Once, auf Kanada, I met A different kind of Don Quixot. Instead of collecting romances, He owned several hundreds of realistic novels! Many copies of James T. Farrell, And many many copies of Theodore Dreis- er, illustrated, non-illustrated. All bought with zeal never sated. As for Émile Zola - ooh lala, Zoo la la - His collected works piled on a sofa!
Now this Don Quixot went on a quest To find nothing of particular interest, But just to let the environment Over him be absolutely dominant. He tried hard not to have adventures, And talked to people mostly of their dentures. Until he saw one day Beside his highway Giants lined up on the hills. He thought they were windmills! And would they grind some flour for him And fill his water pail to the brim? Oh, these giants with their giantesses Of windmills were quite the antitheses. When he climbed up to them with pail and bag of wheat Hoping to get somethign to drink and eat These giants with terrific ease Tore him to pieces! Oh tale of woe! Another victim of verismo! Don't forget he had a Sancho Panza Who lagged behind him like a second stanza And kept telling him they weren't windmills, 'We live in a fairy tale, not in "real-life" novels! The Brothers Grimm were right Dreiser, Farrell and Zola ain't!' Don Quixote's squire scampered off with a wail, But not without the wheat and the pail, Deserting this highway for a nearby wood As fast as he could!
It really does feel like an "essential" anthology of James Reaney. The reader can see many faces of the poet, and it's a journey through many topics and styles. However, half of it didn't feel like must-read poetry. It was a pleasant experience, tho.
Of the 20,000 things I should be doing this Wednesday afternoon, reading poetry more than likely isn't one of them. But out of the 20,000 things I have done in my life so far, reading more poetry seems like a good thing to do. And reading The Essential James Reaney was certainly one good thing I did.
Page 22 The Ghost
The evening waddles over the fields like a turkey. I lurk, Where my knowledge was chopped from my power. All knowledge waits for you at the corner here so murky.
The awkward doltish low I.Q. farmboy shambles down the steps, The empty echoing pitcher in his hand: I am Ha ha! And his hair stand straight up like brambles.