A well researched book but unfortunately lacks analytical depth and understanding of the historical process. Roughly one third through the book but feeling a bit disappointed.
The level of skepticism towards the oral tradition and myths is a bit surprising. At least we can probably acknowledge that there might have been some historical ground behind the oral tradition, although, of course, over the course of the centuries it might had been distorted and additional colorful details might had been added and some important facts were omitted.
Then this book is too focused on archeology. Ancients did not know that we would be researching them in the future, so probably did not try to deliberately leave traces of the historical events in the chronological order or make things easier to follow. Building research solely on archeology and disregarding other sources of evidence introduces a bias: the artifacts that were better preserved are given more weight in the resulting analysis. So as a result a large part of the beginning of the book is dedicated to analyzing grave finds and cemeteries, which were preserved best, but a good question is still how representative those are of the time period being researched and whether they should be given the central place in the narrative at all like it is done in this book.
Then some of the examples of questionable analysis from the book:
- "the killing of horses and, in many cases, deliberate damage of weapons of the weapons in early Iron Age warrior graves act as conspicuous demonstration of the family's wealth; this family could afford to damage or destroy goods of great values"
It is also probable that horses were killed and weapons destroyed (also "killed" in a way) to just be transported to the afterlife right along with their owners so that they could still use them, and not to "demonstrate wealth". This by the way, has its analogies in the old Norse burial rituals.
- "it is very striking how eager they were, both through the ritual activity on the ancient palace-sites an through their elite burial practices, to relate their new world to the surviving traces of the palatial past"
Is it equally striking how we still try to relate our own present to the distant past? Or imagine that the Western tradition comes from the Greek and Roman roots, or still try to follow the Christian religion established centuries ago?
There might be some crises and periodic destructions such as the ones of the Minoan or Mycenaean civilizations, but in general people tend to refuse to acknowledge that something changes and try to stick to the old ways of how life is organized or think that they still follow them. Just as one example, later Byzantine state thought of itself as a Roman empire and Byzantines were Romans in their own eyes. This was part of the legitimization of the rule of the state and myth creation of the state's and people's identity. Another one: the "Holy Roman Empire" that was not Roman in any way with its "emperor" in the Middle Ages who tried to legitimize themselves through the distant "glorious" past that was not quite directly related to them.
In this book one would expect a better analysis of the crises of the ancient civilizations and understanding of how culture is seemingly "preserved" under new economic conditions. Instead economy is mentioned only briefly in between the extensive analysis of the grave contents and surprise is expressed at the fact that people try to connect to their assumed historical past. And, what is even more important, and what the book also fails to fully notice, is that this image of the past would then gradually turn into a myth like it happened in "Iliad", which, unfortunately, seems to be just a bit more than a fairy tale from the perspective of the book.
- "worshipers were certainly aware of the site's palatial past"
Not only were they aware, most likely they tried to directly relate to it like we still do with our own carefully constructed images of the past. The local economy could no longer support the palatial system of organization, but there might had been much more of the cultural continuity or at least trying to relate to the past than the book admits.
- "illustrate how much 'heroic' material in Homer was derived not from the age of the palaces, but from the 'Dark Age' centuries immediately preceding his own day"
Why is it at all surprising? Would somebody really expect to encounter the careful preservation of all the details in the oral tradition? The fact that they are distorted does not mean that there are no historical events behind the oral tradition and does not immediately turn it just into a 'fairy tale'-like narrative. We can compare this to the paintings of the events from the Roman history by much later European artists up until the 20th century: the armies, armor and weapons are always contemporary to the artists, but only because this is the only kind of armor and weapons they ever saw and could paint.
Is it then at all surprising that people tend to describe past events in the terms familiar to them from the present? Again this may display some misunderstanding of the process of myth creation and passing down of the oral tradition on the part of the book.
To sum up, having details from the 'Dark Age' centuries does not automatically invalidate the Homer works as the historical source, in fact such details are to be expected by a historian.
- "in the ninth century some families won themselves a prominent position in local Knossian society by playing up their connections to the ancient architectural and pottery styles"
We can be almost sure this is not how they won a 'prominent position'. On the other hand after winning this position they might have tried to cement their rule and legitimize themselves by making such connections to the past. Again, this demonstrates misunderstanding of the historical process and how politics works on the part of the book. Can we, for example, name any modern royal house which came to power "by playing up their connections to the ancient architectural and pottery styles"? There are none, but this is where the sole focus on archeology and pottery styles has lead us: analysis bias and confusing the cause with the effect.
Then, as mentioned before, the book does not stress enough the economic reasons for the collapse of the civilizations of the Minoan and Mycenaean periods both in the Aegean and the Ancient Near East. Foreign invasions and destruction of the palaces were first most likely just a consequence of the systemic economic crises and overstraining of the productive limits of the available agricultural lands. The very same processes that brought down the Western Roman Empire might have brought down the earlier civilizations. Then, of course, invasions in turn would cause the decrease of the surplus needed for the existence of the palaces and damage the economy even more, so a downward spiral would start that would eventually lead to a complete destruction of the old society and its transformation. This process should sound quite familiar to any modern economist, but may be a bit harder to comprehend for a modern historian.
Then the 'Dark Ages' happened quite a few times in history and they tend to repeat. Trying to embellish them and say that, well, civilization did not collapse completely, there were still some small villages and some economic activity is probably in vogue in modern historical circles, but again hides the true economic reasons of the collapse and fails to analyze the process of cyclical decay of civilization properly. This, by the way, is very similar to how medieval historians try to show the 'complexity' of the early Middle Ages. The fact is when there is less economic surplus, the societal organization simplifies, writing becomes less important and life becomes more primitive. We tend to call such periods 'Dark Ages' and there were already quite a few of them in history in different parts of the world.
Overall this is a rather average modern scholarly text, not better, not worse, but very unlike the works of Thucydides or Xenophon who had some practical experience and real understanding of the subject they were writing on, and not just were viewing it from an abstract scientific perspective of a narrowly specialized discipline.