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368 pages, Paperback
First published May 13, 1998
What follows is a kind of extended historiographical essay, a review of recent writing about the history of the sciences. It is not, however, a comprehensive survey; rather, it is selective and written from a clearly defined point of view. My aim is to explore the implications of what I have called a "constructivist" view of science for the question of how its history is to be written. By a "constructivist" outlook, I mean that which regards scientific knowledge primarily as a human product, made with locally situated cultural and material resources, rather than as simply the revelation of a pre-given order of nature. (xvii)
I have chosen to trace the roots of the constructivist outlook to the philosophical arguments of the 1960s and 1970s, surrounding Thomas Kuhn's work and that of the succeeding "Strong Programme" and the "sociology of scientific knowledge." As I shall explain in the Introduction and in Chapter 1, I see the significance of this work as lying in its break with the project of epistemological validation of scientific knowledge - a break that brought in its train a series of novel techniques for the study of science as an aspect of human culture. I propose, in other words, that the uncoupling of historical and sociological inquiry from issues of truth, or realism, or objectivity opened the way to a remarkably productive period in the understanding of science as a human enterprise. Historians, and the others now involved in the interdisciplinary field of "science studies," continue to have reason to be grateful to those who took that step. (viii)
Introduction: Challenges to the Classical View of Science
1. An Outline of Constructivism
From Kuhn to the Sociology of Scientific Knowledge
What's Social about Constructivism?
2. Identity and Discipline
The Making of a Social Identity
The Disciplinary Mold
3. The Place of Production
The Workshop of Nature
Beyond the Laboratory Walls
4. Speaking for Nature
The Open Hand
Stepping into the Circle
5. Interventions and Representations
Instruments and Objects
The Work of Representation
6. Culture and Construction
The Meanings of Culture
Regimes of Construction
Coda: The Obligations of Narrative