历史与反复

by Kōjin Karatani, 柄谷行人, 王成 (Translator)

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书名:历史与反复
简介:面对复杂而不透明的21世纪，我们有必《历史与反复》是一部尝试运用马克思《路易·波拿巴的雾月十八日》的历史分析方法透视世界近代史，透过文学文本的解读来观察日本明治时期以来的近代化历程和思想话语空间的著作，反映了作者对马克思理论的最新探索，以及对文学和历史的全新思考。作者认为，历史的反复(重演)是存在的，但反复的并非事件而是结构。面对复杂而不透明的21世纪，我们有必要通过对历史的结构分析来预测和思考未来。要通过对历史的结构分析来预测和思考未来。
作者:柄谷行人
出版社:中央编译出版社
出版时间:2017年12月
装订方式:平装-胶订
分类:哲学/宗教|哲学|哲学知识读物

Genres: Philosophy, History, Politics, Japan, Nonfiction, Japanese Literature

255 pages, Paperback

First published November 29, 2011

About the author

Kōjin Karatani (柄谷 行人 Karatani Kōjin, born August 6, 1941, Amagasaki) is a Japanese philosopher and literary critic.

Karatani was educated at University of Tokyo, where he received a BA in economics and an MA in English literature. The Gunzō Literary Prize, which he received at the age of 27 for an essay on Natsume Sōseki, was his first critical acclaim as a literary critic. While teaching at Hosei University, Tokyo, he wrote extensively about modernity and postmodernity with a particular focus on language, number, and money, concepts that form the subtitle of one of his central books: Architecture as Metaphor.

In 1975, he was invited to Yale University to teach Japanese literature as a visiting professor, where he met Paul de Man and Fredric Jameson and began to work on formalism. Starting from a study of Natsume Sōseki, the variety of the subjects examined by Karatani became so wide that he earned the nickname The Thinking Machine.

Karatani collaborated with novelist Kenji Nakagami, to whom he introduced the works of Faulkner. With Nakagami, he published Kobayashi Hideo o koete (Overcoming Kobayashi Hideo). The title is an ironic reference to “Kindai no chokoku” (Overcoming Modernity), a symposium held in the summer of 1942 at Kyoto Imperial University (now Kyoto University) at which Hideo Kobayashi (whom Karatani and Nakagami did not hold in great esteem) was a participant.

He was also a regular member of ANY, the international architects' conference that was held annually for the last decade of the 20th century and that also published an architectural/philosophical series with Rizzoli under the general heading of Anyone.

Since 1990, Karatani has been regularly teaching at Columbia University as a visiting professor.

Karatani founded the New Associationist Movement (NAM) in Japan in the summer of 2000. NAM was conceived as a counter–capitalist/nation-state association, inspired by the experiment of LETS (Local Exchange Trading Systems, based on non-marketed currency). He was also the co-editor, with Akira Asada, of the Japanese quarterly journal, Hihyōkūkan (Critical Space), until it ended in 2002.

In 2006, Karatani retired from the chair of the International Center for Human Sciences at Kinki University, Osaka, where he had been teaching.

(from Wikipedia)

Reviews

[Anne · Rating 5 out of 5]

What can I add? Karatani-esque?!? Really liked the essay on Takeda Taijun and Sakaguchi Ango. Say what he will about the death of the author as transcendental locus of meaning--Karatani has a gift for distilling relevant bio-detail and context when he introduces dense texts and potentially turgid ideas. Ex: Takeda's particular interpretation of Buddhism, his disposition to slant given his family background, education, in context of his choice of preferred texts. Since this chapter came on the heels of a discussion that rather levelled Zen buddhism and explored the common intellectual potentials of (monotheisms both) Christianity and True Land Buddhism in Tokugawa, it was well sequenced. Also, though sometimes it seems Karatani has not actually read the books he is talking about, his close readings of both Murakami-H and Oe were intricate, and I could see how they connected lit analysis to KK's mania for singularity and history as multiple asymmetries. Essays are more polished and less jumpy-around than _Origins_, but I suppose one has thirty years of refining and experience to thank for that, as well.

[Funda Guzer · Rating 5 out of 5]

Çok çok başarılı. Yazarın ilk okuduğum kitabı olsa idi ikinci kitabını okumak istemeyebilirdim Japon kültürüne yabancı olduğum için. İkinci kitabı olduğu için diğer kitapları da ilgimi çekebilir. Kütüphaneden okuduğum kitap idi.

[Cemalettin Kara · Rating 4 out of 5]

Tarihin olay olarak değik olgu olarak belirli bir döngüyle tekrar ettiği fikrini Japonya tarihi üzerinden anlatılıyor. Bu fikri ve Japonya tarihi üzerine merakı olanlara tavsiye ederim.

[Guillaume · Rating 2 out of 5]

Goofy. Makes sense why Zizek likes it.