This review will probably end up being edited once my husband reads the book and hashes it out with me but in the meantime, here are my first impressions.
Ethnographic studies of Orthodox Jewish women are one of my favorite sub-genres. Can an academic researcher really "get" the world I belong to, I always wonder. I don't know if a researcher can ever attain the insight of an insider, but certainly some come closer than others. In "Mitzvah Girls," while I think Ayala Fader got some things, I think she may have missed the boat on others. It's hard to judge the book, though, because while "Mitzvah Girls" is pretty heavy on technical details and descriptions, I had a hard time understanding what conclusions Fader drew, if any, and how the whole book actually hung together (if indeed it did).
Fader, a secular Jew, spent a great deal of time observing Boro Park Hasidic women and girls in their homes, at school, and at various activities and events. She describes her time spent in Boro Park as "constraining and stifling," adding that she "often breathed a sigh of relief as the subway crossed the Manhattan bridge" on her way home (p. 19) although she also notes that she developed close relationships with some of the families. Fader focuses on the socialization of Hasidic girls from an early age to "fit in" (i.e., with Hasidic social and cultural norms), to fear being like Gentiles, and to mold their curiosity according to a prescribed set of expectations. She devotes a great deal of detail to linguistic idiosyncrasies evident in "Hasidic English" and how the use of language reflects Hasidic girls' desire to sound (and present oneself as) "with it" (i.e., selectively aware of aspects of secular culture) but not "modern" [i.e., overly secular and/or religiously lax]. Finally, Fader discusses laws pertaining to the body such as those governing female modesty and attire and the laws of family purity which regulate the marital relationship. She also charts the system of categories for families involved in matchmaking (e.g., Rebish, Rabunish, Shayne, Balebatish) and describes the matchmaking process.
Although I am Orthodox, I am not Hasidic and have not spent extensive time with Hasidic populations in Boro Park or anywhere else. As such, I can't say for certain whether, and to what degree, Fader described the culture accurately. Nothing struck me as glaringly inaccurate, although I found some of her translations from Hebrew and Yiddish imprecise and wondered whether she had them, or much else in the book, checked by a Hasidic or even simply Orthodox person. She did mention that some of her interviewees read parts of the book and requested that selected material be omitted; Fader respected some requests and overrode others.
Something about "Mitzvah Girls" bothered me, and I'm still in the process of trying to figure out what it was. Somehow I felt that Tamar El-Or's "Educated and Ignorant," the most obvious comparison to this book (an ethnography of Gur Hasidic women living in Israel written by a secular Israeli), was superior. "Educated and Ignorant," though also highly technical, was much more focused and I finished it with a stronger sense of what the book was about and what it told me. Here, I'm still groping. There was a lot of detail but what was the point, exactly? I didn't get a sense of an overarching thesis or cohesiveness to "Mitzvah Girls."
Second, Tamar El-Or addresses some of the same issues Fader does in terms of the need to blend into the community and to respect community norms. El-Or, though, appears to relate to this in a more positive way. When she introduces herself to one of her Hasidic observees El-Or says: "You know, with the secular there's a feeling that they haven't been very successful with education, that what they want to pass on to the next generation doesn't always get there. And when they look at you, at least from the outside, it seems as if you don't have any problem of that sort" (p. 5). These words, which El-Or appears to mean sincerely, express a genuine openness to the positive aspects of Hasidic education. Fader, in contrast, appears more jaundiced with regard to intergenerational transmission in the Hasidic community, painting it as a kind of totalitarian "Big brother" environment. "Parents and teachers work together to monitor, report on, and evaluate children's behavior in terms of moral and scholastic development...Teachers extend their moral and educational influence into homes, as they send home behavior charts that parents must sign and grade...Parents, in turn, extend their influence into the classroom by writing their children mitsve-tsetlekh 'good deed notes'...Using charts and prizes, teachers and mothers help create the desire for children to fit in to what is expected..." (pp. 52-53).
El-Or describes the changes within herself as she spent more time with her Hasidic subjects: "...I learned to move my body in a special way, to change my resolute tone of voice, and to remain silent a great deal" (p. 5) and "I developed a strong antipathy to deliberately exposing private matters, such as the relations between wife and husband and between women and their bodies" (p. 7). El-Or appears open and receptive to this experience. Agreeing to dress modestly out of respect for community norms, El-Or tells one woman, "For me this is a great opportunity...Yes, of course I'll dress the way I should" (p. 6). Although Fader accepts the same commitment, she appears more ambivalent about it. "I felt it was my responsibility (as well as in my research interests) to conform as best as I could to the practices I was attempting to understand. Perhaps it was my efforts to offend no one that made my time in Boro Park feel constraining and stifling" (p. 19). Neither El-Or nor Fader ended up adopting religious beliefs or practices as a result of their experiences, but El-Or appeared more open to seeing the positive aspects of the Hasidic lifestyle even as she retained her secular principles.
I can't fault Fader for her meticulous research or attention to detail. I might argue, though, that the book suffered as a result of her judgment toward the population. And maybe my layman's perspective is limiting me here, but I'm still not sure what the overarching thesis of "Mitzvah Girls" was and, as such, can't really feel one way or the other toward it.