A mix of my not-favorites things...heresy and court poetry. While Porete is certainly an interesting historical figure my interest in her does not extend to her interpretation of the Free Spirit heresy. What I am interested in however is how this woman submitted her book to church authorities in Paris just about the same time they were winding down with the Templar Knight heresies. Less than a month after fifty four Templar Knights were burned to death in a field outside Paris, this woman too met the same end in the same way. Her behavior during this time is interesting; she refused to testify or even defend herself, so her inquisitor was forced to build a case based off of her book, which had already been condemned and burned before her eyes a few years earlier. Marguerite, though, felt her book was not heretical and wanted to redeem herself by going to Paris for endorsement. That unfortunate step is the one that killed her when she was charged as a relapsed heretic (by the same inquisitor that tried the Templar's) and burned before a stricken crowd who sadly watched this woman meet her end with courage and bravery. Kind of a long sad story that isn't found in this book.
*****
After completing a research project about Porete I have modified my views concerning her work. My research entailed examining Marguerite's actions between her first heresy charge and her execution. Placing these events within their historical context was illuminating and I found I judged her based not only on my modern standards but also the hasty judgments she was subject to in her day. What she did here, in writing this book, is actually a pretty clever idea. With that said, clever ideas, especially constructed in poetic form, can get lost on a reader. There are several warnings contained in this book, even by Marguerite herself upon her own later additions that take possible misunderstandings into consideration...it really must be approached in the sense Marguerite does not spell out. I can only explain it as art, rather than instruction. Because it is deeply poetic, it is therefore subject to many interpretations-some dangerous. It is that element that causes the work to misinform or mislead a reader dangerously. For that reason alone, the book is probably not recommended to many readers pursuing spiritual instruction without an appropriate introduction.