In its day the most popular book on the then-mysterious nation of Japan, this volume covers the history and culture of Japan from the earliest times to the Meiji Restoration of 1868. William Elliot Griffis (1843–1928) was an educator and writer and a respected authority on Japanese culture.
Written in 1875 and as interesting as a picture of American scholarship at that time as it is as a discussion of Japanese history. Full of archaic terminology and spellings, weird punctuation (some of which are clearly errors in the Kindle transfer, but goodness, there are a ton of commas in this), and some cringe-worthy language (my favorite is when the author refers to the Ainu as being obsessed with their rice wine 'which they crave as the Indians do "fire-water,"'(?!?)). It'll need a couple more reads just to give me a chance to report all the typos, but it's a fun time, though I'm not sure how informative (as opposed to mis-informative) it is.
2/25/2025 read for MMW, i thought it was interesting and let me just say THANK YOU to william elliot griffis for actually writing about samurai culture and giving me good quotes to use because commodore perry was on some other vibe about it and wasn't giving me anything
If Edward Gibbon wrote a history of Japan, it would read something like The Mikado's Empire. The fact that this book was written by a 19th century American scholar is both its greatest strength and greatest weakness.
On the one hand William Elliot Griffis writes with the flair and wit that's of typical 19th century historians, unbound by today's strict academic rules of scholarship, and the fact that the author lived and worked in Japan during the years immediately after the Meiji Restoration means that it can also be read as a primary source. Indeed, while the first half of the book contains the history of Japan from the earliest times until the restoration, the second half is a travelogue and diary written during Griffis' time in Japan, which contains a lot of entertaining observations, anecdotes and tidbits on Japanese everyday life at the time.
The book's age also comes with some problems however. Most notably it offers a lot of outdated explanatory models, and many attempts at analysis are unconvincing. As with other 19th century historians there is a tendency to explain historical events and developments by referring to the inherent proclivities of a people's "character" - and then no further analysis is needed. Secondly, the author decides to skip over the whole Sengoku Jidai period, arguing that after having covered the wars up to that point he didn't wish to give readers the idea that the Japanese did nothing but wage war. This is extremely unfortunate, as the Sengoku Jidai is not only one of the most dramatic but also one of the most transformative periods of Japanese history, which till this day is very poorly covered in English.
Hmmm. Histories can be very interesting, especially when they are written by a person that has a flair for language and a true passion for the topic. Griffis is such a person. I don't know who he was but he manages to relate an entertaining history of Japan with a keen eye that focuses heavily on the mikado.
Is it non-biased? No. But not any more than any other history I have read. It does paint a comprehensive picture of the early history of Japan that isn't fractured by the happenings in the 20th century.
This book is good if you want to get a quick overview of Japan's long history. It is by no means the authority, nor is it the most comprehensive, but I believe it is a strong entry point to help understand one of the many aspects of our cultured world.
I was at BookPeople and decided I wanted to learn more about Japanese history. This seemed like a pretty good book, I didn't bother to read any of the pages or summary. It turns out the book was written in 1875 and the writing shows it. Since I know nothing of the history of Japan I can not judge it's accuracy, but I am sure it will show what Japan looked like to the west in the 1800's once I find a better book to read. There have been changes in the field of histroy-graphy that are very obvious when reading, but the author obviously loves Japan culture and this makes it very fun to read.