Mid-20th Century North American Crime and Mystery
My Favorites: # 23 (of 250)
I almost stopped reading this series after the 5th one as I was finding it disappointing. Apparently, some publishing executive decided Steve Carella (married, not really handsome) couldn't be THE CENTRAL HERO and that McBain should have a single, handsome lead in Cotton Hawes (introduced in the 5th book but there it felt like McBain just wasn't much interested in developing Hawes). Cotton comes to life in "Killer's Payoff", fully realized this time, and it all just works and improves the series.
HOOK - 4 stars: "It could have been 1937..." is the opening line. PERFECT, a throwback to a golden age of noir/private investigators.
PACE - 4 stars: A sizzling 157 pages.
PLOT - 5: Several good ones, the first and best starts with a blackmailer being shot dead on the sidewalk, probably by another blackmailer. There are some great twists, good subplots, and 3 climactic action sequences building one on top another. And it's not JUST the action sequences that make the end of this story so good, it's the character's reactions as the scenes unfold. This is the story I'd been expecting all along from this author.
CAST - 4: "Oh, that Cotton Hawes" McBain writes, winking at us, "And so to bed..." Bobby O'Brien kills his first person while off-duty and "that night Bob O'Brien cried like a baby." But on duty, Bob goes to a gay bar and "in the space of 20 minutes, O'Brien was approached and propositioned five times [but dismissed all] with a simple shake of his head. The people he despised were those who came to watch the display." Amen to that. On the next page, Carella rudely says "Do you always go to fag joints?" to O'Brien. Then, a few pages latter, Carella says to Cotton, "Anything's worth a g**d*** try." When O'Brien had not responded to the bait, Carella softens up and tries again with Cotton. These exchanges say a lot about all three characters, and suddenly we don't much like Carella. Or at least we are conflicted. Yea, that publishing executive was right all along.
ATMOSPHERE - 4: McBain tells us he is taking us to 1937. Then gives us lines like, "You couldn't tell an exploding firecracker from an exploding .32 without a program, and nobody was selling programs that day." Nice and easy prose, nothing that calls much attention to itself. Except maybe a few pages earlier: "In the terraced back yard of the exurban estate, overlooking the swimming pool in the distance, Carella sat with Lucy Mencken and wondered why she wore army boots." Army boots? Slick to slide that one in.
SUMMARY-4.2: Easily, this is the best in the series, so far. The prose/style hits a high point here: It's Chandler/Hammett lite, but McBain does it right. The plots mesh. The characters open up. THIS is the reason McBain is so popular.