Opportunity lost
I had mixed feelings about this book. On one level it was a fascinating account of a little-known chapter in World War II history. But on another, it was a missed opportunity to tell a story in a more coherent and memorable way.
For one thing, the author seemed to jump around a lot, one minute discussing a fortune teller, the next a high Nazi official. It made it hard to follow the central events. She cast a wide net, hauling in small fry along with big fish. Unfortunately, while dealing with the former, the latter seem to slip away.
She does make the point that the Red Orchestra (a name, by the way, given to them by the Nazis; the group itself never called itself anything) was not in any real cohesive sense a group with a central, organized mission. It was, rather, a loose confederation of diverse resisters, not united by any particular class, political affiliation, or background. Among its members were individuals working at fairly high levels within the government, a fact that came as a shock to Hitler when the group's workings came to light.
It was also interesting that the group, while it had socialist tendencies and some communist members, provided (or attempted to provide) information to the British and American intelligence services as well as the Russian. Alas, the British and Americans were suspicious of information coming from “red” sources while the Russians were equally disposed to discredit them as a source of information. Stalin completely disregarded their warnings of an impending German invasion, for example.
Since there were so many members of the group, I was somewhat baffled by the choice of Greta Kuckhoff as the central figure of the book. Perhaps this choice was made because Greta was the sole survivor among the major players in the book. However, she certainly wasn’t the most interesting in the group; furthermore, after she had a child, she was no longer made privy to much crucial information. A more understandable focus would have been Harro Schulze-Boysen, who not only was the group’s most charismatic but also perhaps its most effective member.
In general, I felt that book would have benefited from a narrower focus. There were too many players and too many separate and sometimes conflicting missions, not to mention that the author details efforts by groups outside the Red Orchestra, such as the plot against Hitler by Admiral Canaris and his circle. Perhaps if she had concentrated on Harro Schulze-Boysen’s circle alone, with him as central figure, the narrative would have had more momentum. As it is, the reader grows fatigued with what seems an endless parade of conspirators and Nazis, few of whom engage sustained interest. While The Red Orchestra is not a work of fiction, surely an author who is also a playwright could have foreseen the need for a clearer narrative thread.
Fortunately, the book improves in its second half, with more development detailing the group’s movements and actions. And just when the group is having more success in getting the Soviets, in particular, to utilize information they were passing on to them, they are betrayed. The Nazis are made aware of their activities by the blunders of Soviet spies, who carelessly transmit too much information, information that is picked up by the Gestapo, including the names and addresses of key Red Orchestra members. It is a bitter irony, for the same “professional” spies had previously discounted the information passed on to them by “amateurs,” overlooking the fact that the sources involved were extremely well placed within the bureaucracy of the Nazi organization.
The outcome is tragic: most of the groups’ members (seventy-nine in total) were arrested and tried, with forty-five members sentenced to death, twenty-nine sent to prison, and only two acquitted for lack of evidence. The description of the trial procedures is particularly gripping, and perhaps most ironically the prosecutor (or persecutor) of the group later evaded a trial himself at Nuremberg in turn for providing key information to the Allies.
At the end, the reader wonders just how effective the Red Orchestra was. Much of the information they passed on was disregarded, and their other resistance activities – such as printing pamphlets or helping various Jews escape or providing them with food and shelter – were not critical to the war's outcome. It was not in terms of effectiveness that the group stands out, but rather in terms of its very improbability. In the words of one member, Alexander Spoerl:
“We unfortunately underestimated the obedience of the soldiers and the capacity for suffering of the German people, and with the best will in the world it was impossible to predict what form the collapse would eventually take. The most important thing is that a group existed, without any help from the population and at a time when Germany was still at war, and took action simply as a result of the dictates of conscience.”
The book is, then, a testimony to these “dictates of conscience,” closing with a touching scene in which the sole member of the group alive today, a young woman who had been on the periphery of group, recalls meeting Harro Schulze-Boysen, who stirred her to join and take action. But there, once again, I wish the author had made a more obvious choice, focusing on Schulze-Boysen and narrowing her focus to craft a more cohesive account.