Anyone looking for a book rich in historical flavor should consider Railroad. For the mid-19th century (antebellum) period, it has all the right touches: The Panic of 1857, Faro as the popular gambling game, the post-gold rush mess in San Francisco, specific tunes cited from the period, and, of course, railroad fever. I particularly liked Masterton’s used of the old frontier ditty: ‘Oh, I remember well, the lies they used to tell, of gold so bright it hurt the sight, and made the miners yell.’ (Kindle Locations 5485-5486)). Ipso Books. Kindle Edition. The protagonist, Collis Edmonds, is an unreformed, unrepentant ne’er-do-well spending his father’s money with no regrets around the time of the Panic of 1857. From the first chapter, the reader understands the trials through which Collis must pass.
Collis states, “’You don’t have to feel sorry for me,’ he said uncomfortably, ‘I ‘ve got everything I could possibly want.’” To which his female interlocutor responds, “’That’s exactly the trouble,’ she smiled, ‘When you’ve got everything, you’ve got everything to lose.’” With such foreshadowing, the reader immediately knows things aren’t going to go well. In fact, since “no good deed goes unpunished,” you know things are going to unravel as soon as Collis finally does something to please his parents.
And, when things start to unravel, Collis takes the initiative to fix them. But one cannot move from promiscuous and profligate to responsible and rehabilitated in one move. Indeed, Collis has to leave his comfortable society and strike out for the West to feed his ego and, eventually, his ambition. On that quest, Collis becomes involved with a number of women—some physically unrequited and some purely physical. Yet, he learns the value of emotional response in some of the involvements, eventually discovering the cost of love in others. Indeed, things are so tough when he arrives in the Pacific frontier that he is told, ‘Someone worked out that one out of five people die within six weeks of arriving in California, and that three out of the remaining four get sick within three months. (Kindle Locations 7412-7414).
Ironically, he ends up finding some relationship with God, although there are aspects of this relationship that boxes his “God” in as a very “convenient” God. His “testimony” in one conversation is quite interesting: ‘Not faith. Certainty. I’m certain, since I left New York, that God creates currents of history on which we all float. I’m not particularly religious, so don’t question me too close about it. But I know that when I’ve offered up prayers to God, they’ve worked, after a fashion; and that when I’ve needed some kind of aim in my life, God has let me loose in one of his – what shall I call it? flows of destiny.’ (Kindle Locations 5766-5769).Yet, in his own way, Collis allows his relationship to grow. prayer. ‘Dear Lord,’ he said, as if he were starting a letter to a friend in a foreign country, ‘I don’t know what it is that You want of me; or even if You want anything from me at all. But I guess it’s You behind all this, because it’s all too big to be anybody else.’ He paused. He felt like a fool. But he knew, somehow, that God was really there. He knew that God was waiting for him to continue, that God expected more. (Kindle Locations 8917-8920).
Along the way, there are some anticipated tragedies and some unanticipated tragedies. One never feels like the story is going to travel as straight as the rails across the prairie so anticipated by the protagonist. Railroad is an intense journey through a difficult time in U.S. history intertwined with personal failures and triumphs. From the beginning, one knows what is going to happen with the railroad through the Sierras, but one doesn’t know for certain how that result will affect Collis. The ending is not what I expected, but it is an ending that reflects great humanity.