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La citoyenne paradoxale. Les féministes françaises et les droits de l'homme

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Alors que le débat sur la parité divise les milieux politiques, le féminisme, au-delà de la revendication égalitaire, devrait contribuer à une réévaluation de l'histoire des doctrines et des institutions de la République. Joan W. Scott, personnalité marquante de l'historiographie américaine et professeur à l'Institute for Advanced Study de Princeton, entend montrer comment l'histoire du féminisme, qui fait partie intégrante de l'histoire politique, sert de révélateur aux fondements réels du républicanisme. Les combats d'Olympe de Gouges, Jeanne Deroin, Hubertine Auclert et Madeleine Pelletier, par l'écart de leurs critiques, font apparaître les contradictions d'une théorie universelle des droits de l'homme mise au service de l'exclusion politique des femmes. Joan W. Scott, recourant au concept de gender, trop souvent incompris et caricaturé en France, analyse les différents contextes de ces luttes féministes prises dans les limites de l'héritage politique de la Révolution. Elles n'ont pu réussir, même aujourd'hui, à couper tout à fait le lien identifiant l'individu au masculin. Pour abolir les effets politiques de la différence sexuelle, il fallait paradoxalement affirmer cette différence. D'où le dilemme : soit revendiquer l'égalité au nom de l'individu (neutre et abstrait), soit définir une pertinence politique de la différence sexuelle sans briser l'universalité des droits. Ainsi, ce livre, repérant ce paradoxe au cœur de l'histoire du féminisme, devient une invitation à repenser les principes mêmes du modèle républicain.

304 pages, Paperback

First published January 1, 1996

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About the author

Joan Wallach Scott

57 books88 followers
Joan Scott is known internationally for writings that theorize gender as an analytic category. She is a leading figure in the emerging field of critical history. Her ground-breaking work has challenged the foundations of conventional historical practice, including the nature of historical evidence and historical experience and the role of narrative in the writing of history, and has contributed to a transformation of the field of intellectual history. Scott's recent books focus on gender and democratic politics. Her works include The Politics of the Veil (2007), Gender and the Politics of History (1988), Only Paradoxes to Offer: French Feminists and the Rights of Man (1996), and Parité: Sexual Equality and the Crisis of French Universalism (2005). Scott graduated from Brandeis University in 1962 and received her PhD from the University of Wisconsin–Madison in 1969. Before joining the Institute for Advanced Study, Scott taught in the history departments of Brown University, the University of Illinois at Chicago, Northwestern University, the University of North Carolina, Chapel Hill, and Rutgers University.

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December 30, 2013
I have trouble enjoying Joan Scott's writing. Not to say that I think anything negative about her as a historian, she is clearly brilliant, but I never really have a ball reading her work. This one uses the lives of four French feminists, from the late 18th century to the mid-20th, to argue that feminism and republicanism were created together, they evolved simultaneously, and so they are and have always been inseparable. Scott argues that thinking of feminism as a reaction to republicanism - as a response to rhetoric about the natural rights of man - is a mistake. Feminism is an effect, not a response. Thus, every time republicanism changes and evolves, so does feminism. Because of this, Scott writes, feminists have always been arguing within the discourse. They can't win, basically. Because they want to be identified as a group that has rights, all the same rights as men, but they also want that group to be irrelevant, because everyone has the same rights. Right. Get me?
I have trouble getting it all. And I wanted more than just the life stories of four women. I wanted more evidence, I wanted more glimpses into French society. Anyway. Every time I read Scott and then try to explain it, I find myself writing words that I think make sense, but maybe they don't.
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