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The Temples of Kyoto
Take an illustrated tour of the marvellous temples of Kyoto with Donald Richie, "the dean of art critics in Japan."
152 pages, Hardcover
First published January 1, 1900
5 people are currently reading
28 people want to read
About the author
Donald Richie
119 books104 followersDonald Richie is an American-born author who has written about the Japanese people and Japanese cinema. Although he considers himself only a writer, Richie has directed many experimental films, the first when he was 17. Although Richie speaks Japanese fluently, he can neither read nor write it.
During World War II, he served aboard Liberty ships as a purser and medical officer. By then he had already published his first work, "Tumblebugs" (1942), a short story.
In 1947, Richie first visited Japan with the American occupation force, a job he saw as an opportunity to escape from Lima, Ohio. He first worked as a typist, and then as a civilian staff writer for the Pacific Stars and Stripes. While in Tokyo, he became fascinated with Japanese culture, particularly Japanese cinema. He was soon writing movie reviews in the Stars and Stripes. In 1948 he met Kashiko Kawakita who introduced him to Yasujiro Ozu. During their long friendship, Richie and Kawakita collaborated closely in promoting Japanese film in the West.
After returning to the United States, he enrolled at Columbia University's School of General Studies in 1949, and received his Bachelor's Degree in English in 1953. Richie then returned to Japan as film critic for the The Japan Times and spent much of the second half of the twentieth century living there. In 1959, he published his first book, The Japanese Film: Art and Industry, coauthored with Joseph Anderson. In this work, the authors gave the first English language account of Japanese film. Richie served as Curator of Film at the New York Museum of Modern Art from 1969 to 1972. In 1988, he was invited to become the first guest director at the Telluride Film Festival.
Among his most noted works on Japan are The Inland Sea, a travel classic, and Public People, Private People, a look at some of Japan's most significant and most mundane people. He has compiled two collections of essays on Japan: A Lateral View and Partial Views. A collection of his writings has been published to commemorate fifty years of writing about Japan: The Donald Richie Reader. The Japan Journals: 1947-2004 consists of extended excerpts from his diaries.
In 1991, filmmakers Lucille Carra and Brian Cotnoir produced a film version of The Inland Sea, which Richie narrated. Produced by Travelfilm Company, the film won numerous awards, including Best Documentary at the Hawaii International Film Festival (1991) and the Earthwatch Film Award. It screened at the Sundance Film Festival in 1992.
Author Tom Wolfe describes Richie as: "the Lafcadio Hearn of our time, a subtle, stylish, and deceptively lucid medium between two cultures that confuse one another: the Japanese and the American."
Richie's most widely recognized accomplishment has been his analysis of Japanese cinema. From his first published book, Richie has revised not only the library of films he discusses, but the way he analyzes them. With each subsequent book, he has focused less on film theory and more on the conditions in which the films were made. One thing that has emerged in his works is an emphasis on the "presentational" nature of Japan's cinema, in contrast to the "representational" films of the West. His book, A Hundred Years Of Japanese Film includes a helpful guide to the availability of the films on home video and DVD mentioned in the main text. In the foreword to this book, Paul Schrader says: "Whatever we in the West know about Japanese film, and how we know it, we most likely owe to Donald Richie." Richie also has written analyses of two of Japan's best known filmmakers: Yasujiro Ozu and Akira Kurosawa.
Richie has written the English subtitles for Akira Kurosawa's films Kagemusha (1980) and Dreams (1990)[8].
In the 21st century, Richie has become noted for his erudite audio commentaries for The Criterion Collection on DVDs of various classic Japanese films, notably those of Ozu (A Story of Floating Weeds, Early Summer), Mikio Naruse (When a Woman Ascend
During World War II, he served aboard Liberty ships as a purser and medical officer. By then he had already published his first work, "Tumblebugs" (1942), a short story.
In 1947, Richie first visited Japan with the American occupation force, a job he saw as an opportunity to escape from Lima, Ohio. He first worked as a typist, and then as a civilian staff writer for the Pacific Stars and Stripes. While in Tokyo, he became fascinated with Japanese culture, particularly Japanese cinema. He was soon writing movie reviews in the Stars and Stripes. In 1948 he met Kashiko Kawakita who introduced him to Yasujiro Ozu. During their long friendship, Richie and Kawakita collaborated closely in promoting Japanese film in the West.
After returning to the United States, he enrolled at Columbia University's School of General Studies in 1949, and received his Bachelor's Degree in English in 1953. Richie then returned to Japan as film critic for the The Japan Times and spent much of the second half of the twentieth century living there. In 1959, he published his first book, The Japanese Film: Art and Industry, coauthored with Joseph Anderson. In this work, the authors gave the first English language account of Japanese film. Richie served as Curator of Film at the New York Museum of Modern Art from 1969 to 1972. In 1988, he was invited to become the first guest director at the Telluride Film Festival.
Among his most noted works on Japan are The Inland Sea, a travel classic, and Public People, Private People, a look at some of Japan's most significant and most mundane people. He has compiled two collections of essays on Japan: A Lateral View and Partial Views. A collection of his writings has been published to commemorate fifty years of writing about Japan: The Donald Richie Reader. The Japan Journals: 1947-2004 consists of extended excerpts from his diaries.
In 1991, filmmakers Lucille Carra and Brian Cotnoir produced a film version of The Inland Sea, which Richie narrated. Produced by Travelfilm Company, the film won numerous awards, including Best Documentary at the Hawaii International Film Festival (1991) and the Earthwatch Film Award. It screened at the Sundance Film Festival in 1992.
Author Tom Wolfe describes Richie as: "the Lafcadio Hearn of our time, a subtle, stylish, and deceptively lucid medium between two cultures that confuse one another: the Japanese and the American."
Richie's most widely recognized accomplishment has been his analysis of Japanese cinema. From his first published book, Richie has revised not only the library of films he discusses, but the way he analyzes them. With each subsequent book, he has focused less on film theory and more on the conditions in which the films were made. One thing that has emerged in his works is an emphasis on the "presentational" nature of Japan's cinema, in contrast to the "representational" films of the West. His book, A Hundred Years Of Japanese Film includes a helpful guide to the availability of the films on home video and DVD mentioned in the main text. In the foreword to this book, Paul Schrader says: "Whatever we in the West know about Japanese film, and how we know it, we most likely owe to Donald Richie." Richie also has written analyses of two of Japan's best known filmmakers: Yasujiro Ozu and Akira Kurosawa.
Richie has written the English subtitles for Akira Kurosawa's films Kagemusha (1980) and Dreams (1990)[8].
In the 21st century, Richie has become noted for his erudite audio commentaries for The Criterion Collection on DVDs of various classic Japanese films, notably those of Ozu (A Story of Floating Weeds, Early Summer), Mikio Naruse (When a Woman Ascend
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Displaying 1 - 4 of 4 reviews
January 14, 2022
Fun eclectic Kyoto temple portraits. One of Richie’s shallower works though.
March 27, 2015
Ok, my Mom got me this after I commented on it in a used bookstore, which I did because I was struck by the overall presentation of the book. Tasteful temple imagery and a personal (through the author's lens) look at some of the history and information concerning the temples around Kyoto. The whole package came across as humble, kind, and interesting. Even the title is not pretentious.
I was not disappointed. Given that the author is a highly respected scholar of Japan it could've been pretentious. Instead, he says up front that these are simply a selection of temples, not the best, nor the worst, nor even the most famous, just some. The rest of the book reads like a visit to his home and a personal conversation. I found the montage of images and text very calming, like the temples themselves (at least some of them). In addition, the size/weight is good for sitting in a comfy place with a nice cup of green tea for a read.
Granted, you have to be interested in the subject material a priori, but if you are, this book is pleasant through-and-through.
I was not disappointed. Given that the author is a highly respected scholar of Japan it could've been pretentious. Instead, he says up front that these are simply a selection of temples, not the best, nor the worst, nor even the most famous, just some. The rest of the book reads like a visit to his home and a personal conversation. I found the montage of images and text very calming, like the temples themselves (at least some of them). In addition, the size/weight is good for sitting in a comfy place with a nice cup of green tea for a read.
Granted, you have to be interested in the subject material a priori, but if you are, this book is pleasant through-and-through.
November 15, 2016
Getting ready to visit Kyoto this handy dandy little volume is more a tour guide to history than to the temples of the town. With hundreds of temples to choose from this zeros in on just a few. It's not a guide to the most important or even the most spectacular. It's a window into the history of Japan, Kyoto, and Buddhism told through the stories of these select temples.
Add in that it is by Donald Richie, such a brave and talented writer, makes this is a must read volume.
Add in that it is by Donald Richie, such a brave and talented writer, makes this is a must read volume.
July 29, 2018
A nice overview and history of some of the many temples in Kyoto. The photos are very nice with interesting views of the temples. There is a nice mix of famous and not so famous temples. I discovered a few I wish I had visited and learned more about some of my favorite ones!
Displaying 1 - 4 of 4 reviews